#laurence olivier

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Vivien Leigh and Laurence Olivier in Caesar and Cleopatra(Cornell Capa. 1951)

Vivien Leigh and Laurence Olivier in Caesar and Cleopatra

(Cornell Capa. 1951)


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Lana Turner / Lauren Bacall BogartLaurence OlivierLeslie Howard Ann Harding / Marlene DietrichMarionLana Turner / Lauren Bacall BogartLaurence OlivierLeslie Howard Ann Harding / Marlene DietrichMarionLana Turner / Lauren Bacall BogartLaurence OlivierLeslie Howard Ann Harding / Marlene DietrichMarionLana Turner / Lauren Bacall BogartLaurence OlivierLeslie Howard Ann Harding / Marlene DietrichMarionLana Turner / Lauren Bacall BogartLaurence OlivierLeslie Howard Ann Harding / Marlene DietrichMarionLana Turner / Lauren Bacall BogartLaurence OlivierLeslie Howard Ann Harding / Marlene DietrichMarionLana Turner / Lauren Bacall BogartLaurence OlivierLeslie Howard Ann Harding / Marlene DietrichMarionLana Turner / Lauren Bacall BogartLaurence OlivierLeslie Howard Ann Harding / Marlene DietrichMarion

Lana Turner / Lauren Bacall Bogart
Laurence Olivier
Leslie Howard Ann Harding / Marlene Dietrich
Marion Crane


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Laurence OlivierandJean Simmons on the set of Spartacus(Stanley Kubrick, 1960)

Laurence Olivier and Marilyn Monroe in a publicity still for The Prince and the Showgirl, ca. 1957.

Laurence Olivier and Marilyn Monroe in a publicity still for The Prince and the Showgirl, ca. 1957.


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Movie poster for The Prince and the Showgirl, starring Marilyn Monroe and Laurence Olivier. Circa 19

Movie poster for The Prince and the Showgirl, starring Marilyn Monroe and Laurence Olivier. Circa 1957.


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Vivien Leigh (1913-1967) and Laurence Olivier (1907-1989) as Ophelia and Hamlet (1937)Vivien Leigh (1913-1967) and Laurence Olivier (1907-1989) as Ophelia and Hamlet (1937)

Vivien Leigh (1913-1967) and Laurence Olivier (1907-1989) as Ophelia and Hamlet (1937)


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Laurence Olivier and Vivien Leigh

Laurence Olivier and Vivien Leigh


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laurence olivier
vintage-every-day: Laurence Olivier and Vivien Leigh with their cat Tissy, 1941.

vintage-every-day:

Laurence Olivier and Vivien Leigh with their cat Tissy, 1941.


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gatutor:

Laurence Olivier-Vivien Leigh “Inglaterra en llamas” (Fire over England) 1937. de William K. Howard.

alice-perrers:

Laurence Olivier calling himself a  “selfish slut” in a letter to Vivien Leigh is ✨peak ✨ himbo and I dare ya’ll to top it.

queen-screen:

male-beauty-sfw:

John GavininOSS 117 Murder for Sale(Niente rose per OSS 117, 1968)
American film and TV actor, businessman and diplomat who was Ronald Reagan’s first Ambassador to Mexico. Born April 8, 1931 in Los Angeles; died February 9, 2018 (age 86) in Beverly Hills.

More of shirtless John:
https://qs-nakedactors.blogspot.com/p/f-g-h-i-j.html#JOHN.GAVIN

Laurence Olivier & John Gavin in SPARTACUS(1960)

QUEEN⚣SCREEN♂NAKED⚣ACTORS
QUEEN⚣SCREENINGSPOPCORNFUX

Laurence Olivier & John Gavin in SPARTACUS (1960)

Laurence Olivier & John Gavin in SPARTACUS (1960)


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Portrait of Vivien Leigh and Laurence Olivier by Yousuf Karsh, 1954

Portrait of Vivien Leigh and Laurence Olivier by Yousuf Karsh, 1954


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divinevivienleigh:Vivien Leigh, Laurence Olivier and Alfred Hitchcock, 1940

divinevivienleigh:

Vivien Leigh, Laurence Olivier and Alfred Hitchcock, 1940


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Favorite films watched in January 2022:Three Sisters (1970), dir. Laurence OlivierThe Go-Between (19Favorite films watched in January 2022:Three Sisters (1970), dir. Laurence OlivierThe Go-Between (19Favorite films watched in January 2022:Three Sisters (1970), dir. Laurence OlivierThe Go-Between (19Favorite films watched in January 2022:Three Sisters (1970), dir. Laurence OlivierThe Go-Between (19Favorite films watched in January 2022:Three Sisters (1970), dir. Laurence OlivierThe Go-Between (19Favorite films watched in January 2022:Three Sisters (1970), dir. Laurence OlivierThe Go-Between (19Favorite films watched in January 2022:Three Sisters (1970), dir. Laurence OlivierThe Go-Between (19

Favorite films watched in January 2022:

  • Three Sisters (1970), dir. Laurence Olivier
  • The Go-Between (1971), dir. Joseph Losey
  • Seance on a Wet Afternoon (1964), dir. Bryan Forbes
  • An Unmarried Woman (1978), dir. Paul Mazursky
  • The Collection (1976), dir. Laurence Olivier
  • Meeting Gorbachev (2018), dir. Werner Herzog
  • The Round-Up (1966), dir. Miklós Jancsó
  • The Confrontation (1969), dir. Miklós Jancsó

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Three Sisters (1970), dir. John Sichel and Laurence OlivierThree Sisters (1970), dir. John Sichel and Laurence OlivierThree Sisters (1970), dir. John Sichel and Laurence OlivierThree Sisters (1970), dir. John Sichel and Laurence OlivierThree Sisters (1970), dir. John Sichel and Laurence OlivierThree Sisters (1970), dir. John Sichel and Laurence OlivierThree Sisters (1970), dir. John Sichel and Laurence OlivierThree Sisters (1970), dir. John Sichel and Laurence OlivierThree Sisters (1970), dir. John Sichel and Laurence OlivierThree Sisters (1970), dir. John Sichel and Laurence Olivier

Three Sisters (1970), dir. John Sichel and Laurence Olivier


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One of the Library’s Rare Books collection items includes photographs of the Library itself. This voOne of the Library’s Rare Books collection items includes photographs of the Library itself. This voOne of the Library’s Rare Books collection items includes photographs of the Library itself. This voOne of the Library’s Rare Books collection items includes photographs of the Library itself. This voOne of the Library’s Rare Books collection items includes photographs of the Library itself. This voOne of the Library’s Rare Books collection items includes photographs of the Library itself. This vo

One of the Library’s Rare Books collection items includes photographs of the Library itself. Thisvolume commemorates the 1948 visit to the Library of the legendary actors Laurence Olivier and Vivien Leigh. Recently made a Knight, Sir Laurence and his wife Lady Olivier were invited to the Library to see our first and second Shakespeare’s Folios. 

These photographs taken in the still existing Shakespeare Room, are rather blurry - no doubt taken by an excited staff member. Olivier and Leigh were invited by the Library’s principal Librarian John Metcalfe. The letter Metcalfe sent to Olivier is included in the volume along with Olivier’s letter in response. Also included are the resulting autographed title page of this created volume that binds together the letters, the photographs and the programmes of the productions the three plays they appeared in as part of the Old Vic Theatre’s touring companies Australian and New Zealand productions.  The Old Vic productions were arranged by the British Council in conjunction with the Australian Government in order to show that post-war Australia was no cultural backwater but a country that could appreciate this kind of quality theatrical production. Olivier performed Richard III, and with Leigh, Sheridan’s The School for Scandal as well as Thornton Wilder’s The Skin of Our Teeth during the six month tour.

It was during this visit that the Sir Laurence and Lady Olivier attended a lunchtime production of The Imaginary Invalid at a Sydney glass works factory produced by a a local theatre troupe, the Mercury Theatre. The Mercury Theatre was led by five actors actors including Sydney John KayandPeter Finch with the partial intent to bring theatre to non-traditional audiences. It was at this production that the Oliviers’ famously spotted a young Peter Finch and encouraged him to move to England to further his career. Peter Finch’s most famous film role was as Howard Bealein director Sidney Lumet’s Networkfor which he won a posthumous Oscar. A theatrical production of Network is currently on stage at The National Theatre, London staring Bryan Cranston as Beale. The Library also holds Sydney John Kay’s scrapbooks and programmes from his time with the Mercury Theatre. 


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Laurence Olivier and Vivien Leigh in Basil Dean’s 21 Days Together (1940)

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