#werner herzog

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The river steamboat from the Werner Herzog film FitzcarraldoMadre de Dios, PeruDr. Eugen Lehle

The river steamboat from the Werner Herzog film Fitzcarraldo
Madre de Dios, Peru
Dr. Eugen Lehle



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filmaticbby: Nosferatu the Vampyre (1979)dir. Werner Herzogfilmaticbby: Nosferatu the Vampyre (1979)dir. Werner Herzog

filmaticbby:

Nosferatu the Vampyre (1979)
dir. Werner Herzog


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werner herzog
ozu-teapot:Fitzcarraldo | Werner Herzog | 1982 Klaus Kinski, et al.

ozu-teapot:

Fitzcarraldo | Werner Herzog | 1982

Klaus Kinski, et al.


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artfilmfan: the three greatest German film directors together: Rainer Werner Fassbinder, Werner Herz

artfilmfan:

the three greatest German film directors together: Rainer Werner Fassbinder, Werner Herzog & Wim Wenders


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still from Werner Herzog’s Nomad: In the Footsteps of Bruce Chatwin (2019)

still from Werner Herzog’s Nomad: In the Footsteps of Bruce Chatwin (2019)


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“How can anyone learn patriotism from a school book?”Fitzcarraldo, 1982Directed by Werner HerzogCine“How can anyone learn patriotism from a school book?”Fitzcarraldo, 1982Directed by Werner HerzogCine“How can anyone learn patriotism from a school book?”Fitzcarraldo, 1982Directed by Werner HerzogCine“How can anyone learn patriotism from a school book?”Fitzcarraldo, 1982Directed by Werner HerzogCine“How can anyone learn patriotism from a school book?”Fitzcarraldo, 1982Directed by Werner HerzogCine“How can anyone learn patriotism from a school book?”Fitzcarraldo, 1982Directed by Werner HerzogCine“How can anyone learn patriotism from a school book?”Fitzcarraldo, 1982Directed by Werner HerzogCine“How can anyone learn patriotism from a school book?”Fitzcarraldo, 1982Directed by Werner HerzogCine“How can anyone learn patriotism from a school book?”Fitzcarraldo, 1982Directed by Werner HerzogCine“How can anyone learn patriotism from a school book?”Fitzcarraldo, 1982Directed by Werner HerzogCine

“How can anyone learn patriotism from a school book?”

Fitzcarraldo,1982

Directed by Werner Herzog

Cinematography by Thomas Mauch


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Ice & opera.

Ice & opera.


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Burden of Dreams

Burden of Dreams


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Fata Morgana (1971) - Werner Herzog

Im Paradies gibt es Landschaft auch ohne Sinn.

Fata Morgana (1971) - Werner Herzog

I really love this song…

The Chauvet Cave was discovered in France in 1994. Most of the paintings were produced approximatelyThe Chauvet Cave was discovered in France in 1994. Most of the paintings were produced approximatelyThe Chauvet Cave was discovered in France in 1994. Most of the paintings were produced approximatelyThe Chauvet Cave was discovered in France in 1994. Most of the paintings were produced approximatelyThe Chauvet Cave was discovered in France in 1994. Most of the paintings were produced approximatelyThe Chauvet Cave was discovered in France in 1994. Most of the paintings were produced approximatelyThe Chauvet Cave was discovered in France in 1994. Most of the paintings were produced approximately

The Chauvet Cave was discovered in France in 1994. 

Most of the paintings were produced approximately 36–32,000 years BP. Even at this extremely early period, these paintings contain images of animals with the impression of movement  shown by the duplication of the bison’s horn and hoove.


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Werner Herzog: It’s obvious to me that you never attended film school. Harmony Korine: I hate Werner Herzog: It’s obvious to me that you never attended film school. Harmony Korine: I hate Werner Herzog: It’s obvious to me that you never attended film school. Harmony Korine: I hate Werner Herzog: It’s obvious to me that you never attended film school. Harmony Korine: I hate

Werner Herzog: It’s obvious to me that you never attended film school.

Harmony Korine: I hate that shit. It’s eating the soul of cinema. Filmmaking has become like a process, and it’s all garbage. All these rich kids who were going to be doctors now want to be filmmakers, but they have very little life experience and they’re just writing really shitty wit for each other. That’s perfect for when they go to Hollywood and meet the people who finance films, ‘cause those guys are fucked up too. That’s why films are the way they are now and why I’ve largely stopped going to see them in the last few years.


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So, while its relevant, I thought it would be a good time to bring to people’s attention the best Dracula adaptation, Nosferatu The Vampyre(1979).

While there are obviously many changes made between the film and the book, it is important to note that many of these changes are actually good. To begin with, the film removes a lot of Stoker’s non-diegetic racism towards the Roma, portraying them as people rather than Dracula’s ghoulish minions. It also treats women with a deal more of respect. The combination Lucy/Mina character does almost all of the work when it comes to hunting down and ending the titular Count, though it does cost her her life.

But the film can still stand on its own merits, outside of its changes. For one, I think it is perhaps the most atmospheric version of Dracula there is out there. To say this movie is creepy is beyond understatement. The whole film is dripping with this sense of dread and the macabre. It probably has the eeriest opening sequence of any horror film I’ve ever seen.

And yes. Those desiccated corpses are real.

The filmmaking on display in this film is incredible. It’s a Werner Herzog production, so of course it is. I think one of the most stand out features of the film is its use of color grading. The colors in this film are deep, and profound, and very affecting. It’s more of the dread I spoke of earlier. It really creeps it’s way into even the most minute details of the film.

The movie stars Klaus Kinsky, who had already worked with Herzog on one previous film, Aguirre, The Wrath of God (1972), and would work with him again in a future film, Fitzcarraldo (1982). Kinsky has an arresting presence as Count Dracula. He has about him an air of melancholy and pestilence that capture in the imagination in a way equal only to those of Max Schreck and Bela Lugosi before him.

Playing alongside him are Isabelle Adjani, who plays a sort of Lucy/Mina compound character, and Bruno Ganz, yes that Bruno Ganz, who plays Jonathan. Both do a fantastic job of portraying their parts as devoted partners and very ordinary people.

Nosferatu The Vampyre really is an incredible film. I know a lot of people cling to Coppola’s 1992 feature for its “book accuracy” but I’m telling y’all this one is so much better. It’s a very artsy foreign film, much of it filmed in the Eastern Bloc no less, so I know a lot of people here likely haven’t been that exposed to it. Luckily, while I have been unable to trace down the original language version on any streaming service, the English dub is free with ads on Amazon Prime. If you like Dracula, or appreciate gothic horror at all really, I would highly encourage you to check it out.

Kidlat Tahimik as “Hombrecito” in The Enigma of Kaspar Hauser (1974), directed by Werner Herzog.Kidlat Tahimik as “Hombrecito” in The Enigma of Kaspar Hauser (1974), directed by Werner Herzog.Kidlat Tahimik as “Hombrecito” in The Enigma of Kaspar Hauser (1974), directed by Werner Herzog.Kidlat Tahimik as “Hombrecito” in The Enigma of Kaspar Hauser (1974), directed by Werner Herzog.Kidlat Tahimik as “Hombrecito” in The Enigma of Kaspar Hauser (1974), directed by Werner Herzog.Kidlat Tahimik as “Hombrecito” in The Enigma of Kaspar Hauser (1974), directed by Werner Herzog.Kidlat Tahimik as “Hombrecito” in The Enigma of Kaspar Hauser (1974), directed by Werner Herzog.

Kidlat Tahimik as “Hombrecito” in The Enigma of Kaspar Hauser (1974), directed by Werner Herzog.


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“I don’t think they sing. They just screech in pain"

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