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#14 villa savoye | 1928autor: le corbusierlocal: poissy, françamotivo: "máquina de morar",

#14 villa savoye | 1928
autor: le corbusier
local: poissy, frança
motivo: "máquina de morar", a villa savoye é um dos principais exemplares da arquitetura moderna do século XX


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#8 edifício gustavo capanema | 1945autor: lúcio costa, oscar niemeyer, afonso eduardo reidy, jorge m

#8 edifício gustavo capanema | 1945
autor: lúcio costa, oscar niemeyer, afonso eduardo reidy, jorge moreira, carlos leão e ernani vasconcelos, seguindo alguns princípios arquitetônicos sugeridos por le corbusier
local: rio de janeiro, brasil
motivo: marco do modernismo do brasil


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#34 capela de notre-dame-du-haut | 1955autor: le corbusierlocal: rochamp, françamotivo: arquitetura

#34 capela de notre-dame-du-haut | 1955
autor: le corbusier
local: rochamp, frança
motivo: arquitetura como segunda natureza.


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 Le Corbusier. Le poème de l’angle droit.

Le Corbusier. Le poème de l’angle droit.


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Le Corbusier. Le poème de l’angle droit.

Le Corbusier. Le poème de l’angle droit.


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Four façades of Villa Shodan [1951-1956] by Le Corbusier in Ahmedabad, India.“The original design ofFour façades of Villa Shodan [1951-1956] by Le Corbusier in Ahmedabad, India.“The original design ofFour façades of Villa Shodan [1951-1956] by Le Corbusier in Ahmedabad, India.“The original design ofFour façades of Villa Shodan [1951-1956] by Le Corbusier in Ahmedabad, India.“The original design of

Four façades of Villa Shodan [1951-1956] by Le Corbusier in Ahmedabad, India.

“The original design of Villa Shodhan was commissioned to the secretary of the Millowners, Surottam Hutheesing, in 1951. His intention was to showcase his social and economic position prior to his impending marriage by building a house reflecting his lifestyle.[4] However, the plans were then sold to fellow millowner, Shyamubhai Shodhan. Despite his different lifestyle and an entirely new site for the project, Shodhan elected to retain the original plans as was the case for all of Le Corbusier’s Indian projects.

For this building to be incorporated into the culture and style of Ahmedabad, Le Corbusier incorporated features of old Ahmedabad houses, including the ancestral Shodhan residence. The most prominent reflection of this is the double height living room on the ground level. Traditionally, the entrance halls of old Ahmedabad houses were double-height, reflecting opulence and status. This readaptation, along with the open plan of the building allowed Villa Shodhan to be integrated into the Indian environment. This is a very different to his parallel running project, Villa Sarabhai”


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meriol-lehmann:

cité radieuse le corbusier, boulevard michelet, marseille

nexttoparchitects:by @archiveofaffinities Le Corbusier, Sainte Marie de La Tourette, Lyon, France, 1

nexttoparchitects:

by @archiveofaffinities Le Corbusier, Sainte Marie de La Tourette, Lyon, France, 1956-1960


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Le Corbusier  Swiss-French architect, designer, painter, urban planner, writer, and one of the pio

Le Corbusier Swiss-French architect, designer, painter, urban planner, writer, and one of the pioneers of what is now called modern architecture    New York  Photo Irving Penn 1947


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theegoist:Le Corbusier (Swiss-French, 1887-1965) - Unité, Planche 2, color aquatint on Rives, 57.30

theegoist:

Le Corbusier (Swiss-French, 1887-1965) - Unité, Planche 2, color aquatint on Rives, 57.30 x 45.40 cm (1963)


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meriol-lehmann:

terrasse, cité radieuse le corbusier, marseille

IMG MGMT: Ruin Value

[Editor’s note: IMG MGMT is a series of essays produced by artists. This week’s author Aaron Williams is an interdisciplinary artist working in Queens. Through sculpture, photography and video, his work takes a critical look at common art-making practices and ideologies.        His work has been exhibited in New York at spaces including Max Protetch, Baumgartner Gallery and Mulherin Projects,…

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le corbusier prospective illustration for ‘la ville contemporaine’

le corbusier

prospective illustration for ‘la ville contemporaine’


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Info We Trust | Creative Routines“We all have the same 24 hours that Beyoncé has” and its various

Info We Trust | Creative Routines

“We all have the same 24 hours that Beyoncé has” and its various iterations took the web by storm in late 2013 as the megastar became the figurehead of not only having it all, but being able to somehow do it all too.

How do creatives – composers, painters, writers, scientists, philosophers – find the time to produce their opus? Mason Currey investigated the rigid Daily Rituals that hundreds of creatives practiced in order to carve out time, every day, to work their craft. Some kept to the same disciplined regimen for decades while others locked in patterns only while working on specific works.


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Chapel of Note-Dame-Du-Haut - Le Corbusier

Chapel of Note-Dame-Du-Haut - Le Corbusier


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Ministério de Educação e Saúde / Lúcio Costa, Carlos Leão, Oscar Niemeyer, Affonso Eduardo Reidy, ErMinistério de Educação e Saúde / Lúcio Costa, Carlos Leão, Oscar Niemeyer, Affonso Eduardo Reidy, ErMinistério de Educação e Saúde / Lúcio Costa, Carlos Leão, Oscar Niemeyer, Affonso Eduardo Reidy, ErMinistério de Educação e Saúde / Lúcio Costa, Carlos Leão, Oscar Niemeyer, Affonso Eduardo Reidy, ErMinistério de Educação e Saúde / Lúcio Costa, Carlos Leão, Oscar Niemeyer, Affonso Eduardo Reidy, ErMinistério de Educação e Saúde / Lúcio Costa, Carlos Leão, Oscar Niemeyer, Affonso Eduardo Reidy, ErMinistério de Educação e Saúde / Lúcio Costa, Carlos Leão, Oscar Niemeyer, Affonso Eduardo Reidy, ErMinistério de Educação e Saúde / Lúcio Costa, Carlos Leão, Oscar Niemeyer, Affonso Eduardo Reidy, ErMinistério de Educação e Saúde / Lúcio Costa, Carlos Leão, Oscar Niemeyer, Affonso Eduardo Reidy, ErMinistério de Educação e Saúde / Lúcio Costa, Carlos Leão, Oscar Niemeyer, Affonso Eduardo Reidy, Er

Ministério de Educação e Saúde / Lúcio Costa, Carlos Leão, Oscar Niemeyer, Affonso Eduardo Reidy, Ernani Vasconcellos, Jorge Machado Moreira (Le Corbusier consult.) / Rio de Janeiro, 1936 (photos: Nelson Kon)


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