#louise bourgeois
In the Distance, Louise Bourgeois, 1989-2003,MoMA: Drawings and Prints
Gift of the artist
Size: plate (trimmed; approx.): 35 ¾ × 8 3/16" (90.8 × 20.8 cm); mount: 41 ¾ × 12 5/8" (106 × 32.1 cm)
Medium: Etching
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Enjoy Roppongi! 6 Fun Activities You Can Do For Less Than 1000 Yen
Roppongi, Tokyo’s classy international hub, has the image of a high-end area, but there are actually many things one can do in this area for less than 1000 yen. In this article, we introduce six of these activities.
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Louise Bourgeois,Untitled, 1996, ink and charcoal on paper, 10 ½ x 10 inches (26.7 x 25.4 cm)
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Check out Destination Do-Over | New Orleans, USA Episode 4 - City Park
Today on Destination Do-Over | New Orleans, USA, Samuel and Amanda explore one of the most peaceful parts of the whole city: City Park. This park is a great way to spend a more relaxed day with your family or travel partners!
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WHAT IS THE SHAPE OF THIS PROBLEM?
VIII of IX — LOUISE BOURGEOIS, 1999
[letterpress & lithograph | 12 × 17" (2)]
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Always us.
“He was the wolf, and she was the rational hare, forgiving and accepting him as he was.” ― Louise Bourgeois
Pictured, Natalie Wood & Steve McQueen
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Maman / Sculpture / 1999
Louise Joséphine Bourgeois
Background: Guggenheim Museum Bilbao / Frank Gehry
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Art Centre Chateau La Coste / Tadao Ando
Sculpture: Crouching Spider / Louise Bourgeois / 2003
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Rose, Louise Bourgeois, 2002,MoMA: Drawings and Prints
Gift of the artist
Size: composition: 12 3/16 x 12 11/16" (31 x 32.3 cm); sheet: 14 ¾ x 14 11/16" (37.5 x 37.3 cm)
Medium: Lithograph, with hand additions
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Louise Bourgeois: An Unfolding Portrait @ MoMA
French artist and celebrated sculptor, Louise Bourgeois (1911-2010) had her first real retrospective, at the Museum of Modern Art at the age of seventy-one. Bourgeois worked well into her nineties, leaving behind a body of work spanning over 70 years of her past and present self.
The prize of the show sits in the museum’s Marron Atrium – Spider, one of the series of Cells that Bourgeois created over the last two decades of her career, and the only one of Bourgeois’ sixty-two Cells that brings together the Spiderand cell structure.
Nearly 15ft tall, the steel spider sculpturecrouches over a Cell,the door of its caged barrier between the interior world of Bourgeois and viewer, left slightly ajar. A chair adorned with unraveling tapestry sits inside; worn, slightly less vivid tapestry drapes sections of the cage lending to connotations of restoring, and repairing oneself through art.
Louise Bourgeois: An Unfolding Portrait runs at MoMASeptember 24, 2017–January 28, 2018
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Louise Bourgeois, “The Good Mother,” detail (2003),
Fabric, thread, stainless steel, wood and glass, 109.2 x 45.7 x 38.1 cm,
© The Easton Foundation/VAGA at ARS, NY and DACS, London 2021.
Photo Christopher Burke
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