#louise brooks

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Louise Brooks

hedda-hopper:Mary Louise Brooks (November 14, 1906 - August 8, 1985) Photo: Louise Brooks, Prix de B

hedda-hopper:

Mary Louise Brooks (November 14, 1906 - August 8, 1985)

Photo: Louise Brooks, Prix de Beauté (Sofar Film, 1930), by James Abbe

This photo has the very interesting history of belonging to Brooks. On the verso is a stamp from the James Card Collection. Next to that in Brook’s own hand is a note saying, “How this son of a bitch robbed me of most of my pictures.” Also her name and address is written in her hand. Brooks and Card had a long running affair.


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gatabella: Louise Brooks, Beggars of Life, 1928gatabella: Louise Brooks, Beggars of Life, 1928

gatabella:

Louise Brooks, Beggars of Life, 1928


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A portrait of Louise Brooks by Rick Geary, March 2015.

A portrait of Louise Brooks by Rick Geary, March 2015.


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louise brooks
Louise Brooks in a colorized publicity photo for “The Canary Murder Case”, 1929. Costume

Louise Brooks in a colorized publicity photo for “The Canary Murder Case”, 1929. Costume design by Travis Banton (uncredited).


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Lousie Brooks… wonderful

Lousie Brooks… wonderful


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gatabella:Louise Brooksgatabella:Louise Brooks

gatabella:

Louise Brooks


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Louise Brooks

Louise Brooks


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While the Louise Brooks lesbian movie of choice is and ever shall be Pandora’s Box,Beggars of Life is no slouch in the queer department.  It involves her dressing as a boy in order to avoid the police after killing a man in self-defense.  Basically it’s a movie in which she looks the way she does in the above photo for around 80% of her screen time.  You know, if that’s something you’re into.  

louise brooks
Louise Brooks in A Girl in Every Port, 1928

Louise Brooks in A Girl in Every Port, 1928


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Louise Brooks and Keene Thompson on the set of Now We´re in the Air (1927).

Louise Brooks and Keene Thompson on the set of Now We´re in the Air (1927).


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louise brooks
Louise Brooks wearing Deltah Pearls for a Eugene Robert Richee fashion shoot in 1927

Louise Brooks wearing Deltah Pearls for a Eugene Robert Richee fashion shoot in 1927


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diioonysus:  women in history | archetypes | vamps → female vampires were considered to be seductresdiioonysus:  women in history | archetypes | vamps → female vampires were considered to be seductresdiioonysus:  women in history | archetypes | vamps → female vampires were considered to be seductresdiioonysus:  women in history | archetypes | vamps → female vampires were considered to be seductresdiioonysus:  women in history | archetypes | vamps → female vampires were considered to be seductresdiioonysus:  women in history | archetypes | vamps → female vampires were considered to be seductresdiioonysus:  women in history | archetypes | vamps → female vampires were considered to be seductresdiioonysus:  women in history | archetypes | vamps → female vampires were considered to be seductres

diioonysus:

 women in history | archetypes | vamps

→ female vampires were considered to be seductresses who sucked the blood dry from males. this terrified a male dominated hollywood at the time because vamps challenged the social norms. they were overly sexual and aggressive (or so explained by columnists at the time). this archetype would later morph into title of femme fatale.


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Silent ladies

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