NA DOBRANOC: MAGIA KINA W WYDANIU SPECJALISTÓW ZE STUDIA WETA ORAZ PRODUCENTÓW “DAWN OF THE PLANET OF THE APES” (“EWOLUCJA PLANETY MAŁP”)
I, ma się rozumieć, zespołu utalentowanych aktorów na czele z Andym Serkisem we własnej osobie.
Swoją drogą… Czy wiedzieliście, że Andy Serkis pełnił funkcję konsultanta w czasie produkcji najnowszej, hollywoodzkiej inkarnacji “Godzilli” i osobiście - poprzez technologię montiom capture - wcielił się w króla potworów w kilku kluczowych scenach?
I’m going to do a big post about the whole moulding and casting process for Derek the Merman but in the meantime, here’s a peek at the very cool stuff going on over on the Rehearsal Stage where the designers and art department assistants are working on all of the grad animation sets.
This is Lizzie’s section with some really awesome icebergs happening and lots of testing with different materials. It’s exciting to see things coming together! Meanwhile I’m back in my portacabin mucking about with moulds and silicone. Almost done though! I’m doing the final silicone cast of Derek tomorrow and then after trimming and seaming, and some painting, he should be ready by the end of the week *fingers crossed*.
A little in depth for the different props designed for J’attends la nuit (I wait for the night). The fly has different level of details depending on how close we were going to see it in the film. I also had to design an iPhone screen to fit the overall graphic style. I could have gone for a complete imaginative phone interface, but since I wanted the film to be grounded in the actual world, I choose to go with an iPhone.
Damien’s turn now! He’s the other character of my graduation film J’attends la nuit (I wait for the night). Again, from fashion researches, expressions to the final turnaround I used in the film, here is all the work I’ve done to find his look.
It’s all about Simon, the protagonist from my graduation film J’attends la nuit (I wait for the night). From silhouette explorations to fashion researches, expressions to the final turnaround I used in the film, here is all the work I’ve done to find his look.
Here is the full colorscript of my graduation film J’attends la nuit (I wait for the night). I also put the first color sketches I did for some sequences, including a lot of different explorations for the lake setting.
I ended up reusing, upscaling, retracing and adding details to some of the boards for the final backgrounds.
Concept arts for J’attends la nuit (I wait for the night), my graduation film still available on @vimeo. I was figuring out the mood, tone and effects that I will use later in the backgrounds and during the compositing process. All of these were done just before making the actual colorscript. Has you can see, Damien still hadn’t his final design yet.
