#mary sues
where everyone puts a self insert character into their favourite media via fanfic and fanart?
and not “oh this person looks like me” LITERALLY YOU
actual non-canon-compliant, over the top, embarrassingly sincere pictures and writings about you, the fan, being dropped into your favourite shows and films and books (and not dying instantly)
because it used to be both a cringey sincere fanfic trope and a tongue in cheek comedic fanart trope and I kind of… miss that fun?
it’s fun.
let’s do it. I’m calling it now
JANUARY 2017 IS PUT YOURSELF IN THE STORY MONTH
OOoooh.
I sure hope the woman who wrote a Mary Sue fic about Gregor Clegane writes a romantic epic about Rorge next. Though, that would be a betrayal cos everyone KNOWS that Biter is his one true love. Maybe Vargo Hoat then? Or Shagwell?
Female Character: *Everybody is immediately drawn to her for no discernible reason*
Female Character: *Extremely powerful compared to all of the other characters within the story; there’s no reason as to how she became so powerful*
Female Character: *For some reason is able to quickly pick up new skills in a period of time comparable to a genius; no explanation for this too.*
Female Character: *has virtually no weaknesses except she’s clumsy teehee :)*
Person: Isn’t this kind of a mary-sue?
Tumblr: why do misogynists like to invalidate strong female characters???????????
If we’re going to be fair here, the reason so many people get upset when a female character is called a Mary Sue is because that label is thrown around so haphazardly and so very often handed to characters who really don’t deserve to be labeled as such. The controversy of the term comes from its overuse and misuse.
The term can be used correctly, but it is too often misused by people who see a capable strong female character and have a gut instinct to burn the witch and return to their male hero power fantasy.
To quote @ladyloveandjustice
“So, there’s this girl. She’s tragically orphaned and richer than anyone on the planet. Every guy she meets falls in love with her, but in between torrid romances she rejects them all because she dedicated to what is Pure and Good. She has genius level intellect, Olympic-athelete level athletic ability and incredible good looks. She is consumed by terrible angst, but this only makes guys want her more. She has no superhuman abilities, yet she is more competent than her superhuman friends and defeats superhumans with ease. She has unshakably loyal friends and allies, despite the fact she treats them pretty badly. They fear and respect her, and defer to her orders. Everyone is obsessed with her, even her enemies are attracted to her. She can plan ahead for anything and she’s generally right with any conclusion she makes. People who defy her are inevitably wrong.
God, what a Mary Sue.
I just described Batman.”
The problem isn’t that characters are unrealistic. Heroes often are unrealistic and it’s ok to criticize media.
However, female characters are criticized where male characters aren’t.
Everything in OP’s post could apply to Luke Skywalker (and definitely applies to Anakin) but those characters won’t be criticized the way Rey has been (even though everything Rey does in The Force Awakens is believable). We are more willingly to believe in a male chosen one who can just do amazing things because he’s the hero.
Boys can have wishfulment stories but girls can only have realistic stories.
^^^^
So, there’s this interesting thing where a certain degree of saturation in stories will train the audience to just accept stuff that’d normally strike them as bizarre or unrealistic, and move on without questioning it. It’s sort of like ‘willing suspension of disbelief’, except that phrasing doesn’t really encapsulate it precisely. It’s more like… commonality breeds acceptance.
For example, a humble young boy who rises to prominence and becomes a hero is such a standard piece of storytelling, that virtually no one ever sits down to watch a movie and actually goes ‘well, but, this is just a young farm lad - surely he can’t do a single thing to help stop the Forces of Evil!’ People in the movie might do that. But unless the audience is very, very young, or has somehow managed to avoid most books, movies, songs, comics, television shows, and oral traditions for the whole of their life, they’re going to sit down and think ‘ah yes, here’s our guy’.
Even though, in real life, it actually IS still pretty far-fetched for Ye Humble Village Lad to turn out to be the only thing standing between mankind and destruction.
The interesting thing, though, is that if you change enough elements of what is so common as to be thoughtlessly accepted, the image you present will no longer resemble the familiar narrative. Even if, below the surface, the other components are exactly the same.
This, along with the above-mentioned misogyny, is another contributing factor to the Mary Sue thing.
Because there are fewer female heroes who are just unabashed power fantasies, embodying unlikely rises to success or mastery of untold skills, if you take a very typical story that stars a dude and swap him out for a lady, the elements once rendered invisible by familiarity, are now noticeable again. The audience is jolted out of complacency, and begins to think more critically about what they’re being asked to believe. (You can accomplish the same thing with other demographics, too, i.e. putting characters of colour in roles typically given to white actors, or having LGBT+ characters with the same abundance as straight ones, and so on and so forth.)
So even people who like to think of themselves as totally fair and unprejudiced can end up enforcing double-standards in entertainment. Because if you don’t catch yourself, you will not even realize that you managed to sit through three Iron Man movies without ever questioning the premise of Tony Stark’s genius, but somehow Shuri in Black Panther just struck you as ‘unrealistic’.
When I was in Ninth Grade, I won a thing.
That thing, in particular, was a thirty dollar Barnes & Noble gift certificate. I was still too young for a part-time job, so I didn’t have this kind of spending cash on me, ever. I felt like a god.
Drunk with power, I fancy-stepped my way to my local B&N. I was ready to choose new books based solely on the most important of qualities…BADASS COVER ART. I walked away with a handful of paperbacks, most of which were horrible (I’m looking at you, Man-Kzin Wars III) or simply forgettable.
One book did not disappoint. I fell down the rabbit hole into a series that proved to be as badass as the cover art promised (Again, Man-Kzin Wars III, way to drop the ball on that one). With more than a dozen books in the series, I devoured them. I bought cassette tapes of ballads sung by bards in the stories. And the characters. Oh, the characters. I loved them. Gryphons, mages, but most importantly, lots of women. Different kinds of women. So many amazing women. I looked up to them, wrote bad fiction that lifted entire portions of dialogue and character descriptions, dreamed of writing something that the author would include in an anthology.
This year I decided in a fit of nostalgia to revisit the books I loved so damn much. I wanted to reconnect with my old friends…
…and I found myself facing Mary Sues. Lots of them. Perfect, perfect, perfect. A fantasy world full of Anakin Skywalkers and Nancy Drews and Wesley Crushers. I felt crushed. I had remembered such complex, deep characters and didn’t see those women in front of me at all anymore. Where were those strong women who kept me safe through the worst four years of my life?
Which led me to an important realization as I soldiered on through book after book. That’s why I needed them. Because they were Mary Sues. These books were not written to draw my attention to all the ugly bumps and whiskers of the real world. They were somewhere to hide. I was painfully aware that I was being judged by my peers and adults and found lacking. I was a fuckup. And sometimes a fuckup needs to feel like a Mary Sue. As an adult, these characters felt a little thin because they lacked the real world knowledge I, as an adult, had learned and earned. But that’s the thing…these books weren’t FOR this current version of myself. Who I am now doesn’t need a flawless hero because I’m comfortable with the idea that valuable people are also flawed.
There is a reason that most fanfiction authors, specifically girls, start with a Mary Sue. It’s because girls are taught that they are never enough. You can’t be too loud, too quiet, too smart, too stupid. You can’t ask too many questions or know too many answers. No one is flocking to you for advice. Then something wonderful happens. The girl who was told she’s stupid finds out that she can be a better wizard than Albus Dumbledore. And that is something very important. Terrible at sports? You’re a warrior who does backflips and Legolas thinks you’re THE BEST. No friends? You get a standing ovation from Han Solo and the entire Rebel Alliance when you crash-land safely on Hoth after blowing up the Super Double Death Star. It’s all about you. Everyone in your favorite universe is TOTALLY ALL ABOUT YOU.
I started writing fanfiction the way most girls did, by re-inventing themselves.
Mary Sues exist because children who are told they’re nothing want to be everything.
As a girl, being “selfish” was the worst thing you could be. Now you live in Narnia and Prince Caspian just proposed marriage to you. Why? Your SELF is what saved everyone from that sea serpent. Plus your hair looks totally great braided like that.
In time, hopefully, these hardworking fanfiction authors realize that it’s okay to be somewhere in the middle and their characters adjust to respond to that. As people grow and learn, characters grow and learn. Turns out your Elven Mage is more interesting if he isn’t also the best swordsman in the kingdom. Not everyone needs to be hopelessly in love with your Queen for her to be a great ruler. There are all kinds of ways for people to start owning who they are, and embracing the things that make them so beautifully weird and complicated.
Personally, though, I think it’s a lot more fun learning how to trust yourself and others if you all happen to be riding dragons.
Mary Sues exist because children who are told they’re nothing want to be everything.
A girl making herself the hero of her own story is a radical act. Stop shaming girls for doing it. Stop shaming yourself for it.
I’d like to take this as another opportunity to remind my fellow writers not to be a jerk to people (especially kids) who write Mary Sues.
It’s a totally normal stage of a writer’s development, and it can get people through tough times. They also build a lot of writing skills while they do it, and could turn into great writers over time. Don’t be rotten and try to take that away from them. I don’t care if you do it under the guise of “constructive criticism.” Truly constructive criticism is meant to build someone up and teach them, not to discourage them, especially if the writer is just a kid! And it’s only given if the writer is open to receiving it.
Writers go through Mary Sue stages all the time, and if you aren’t going to be nice, then mind your manners and don’t say anything.
“To eat your cake and still have it” – Mary Sues VS Misunderstood MCs
I started wondering about something recently. Namely, why isn’t Cale Henituse a Mary Sue?
“Gasp! But Blue Teller!” – you say. “How could you possibly accuse Caleof being a Mary Sue?! No one would dare say such a thing!” Just, hear me out for a moment.
While people’s opinions vary on what exactly a “Mary Sue” is, I think most of use have the basics down: it’s basically the type of protagonist you see in badly written fiction (commonly fanfiction specifically) – usually female, but can be male as well (although it’s rarer to see male characters openly condemned by the audience for being Over-Powered and One-Dimensional due to stereotypes). Male counterpart is sometimes called “Gary Stue”, but I’ll keep using MS for simplicity.
MS is perfect, doesn’t have flaws – or at least any “real” flaws, for example she’s allowed to be “clumsy” or have “low self-esteem” because those traits still make her attractive. She is gifted, talented, beautiful (although she’s mostlyunaware of it) and everything goes right for her. Everybody adores her and she is objectively The Best. Anyone who disagrees with her is the Bag Guy. Often the object of romantic interest for many, MANY people around her, because of course everybody is attracted to Mary Sue! She’s allowed to have a tragic backstory, but within the story itself she rarely experiences any hardships or failures. The world itself seems to be only interested in her alone, even reality bends in order for her to be successful.
You know, that type of character.
So now you might be thinking: doesn’t that sound suspiciously close to a certain favorite red-head of ours??
So we go back to the main question – how is Cale nota MS?? Because most of the typical MS traits I pointed out seem to be true for him! Even how he has very few “real” flaws, but those usually make him only more attractive!
Not all of the things I described MS with line up with Cale, obviously; he experiences failure, both past and present, and he suffers a lot. More importantly, Cale is by no means a badly-written character.
MS is a typical Good Protagonist. Her intentions are pure, or at least mostly. We take it at face value that she’s In The Right, or at least we’re supposed to. Cale is more morally complex than a typical Good Protagonist from the get go, but that’s not what makes him different: it’s the fact that he acknowledgesthe complexities of morality. He doesn’t simply seperate people by them being “good” and “bad”. Everybody has their own goals and interests, including Cale. Just because other people’s opinions don’t align with him 100% doesn’t make them his enemies. He is also often biased, or even wrong.
We are set up to root for him, obviously, but he’s not Unquestionably in the Right. However, he still receives the same amount of glory and attention that a MS gets for being the Perfect Protagonist.
But just what is it about him that makes him work, though? What makes him different? Why is a typical MS considered “shallow” and “badly written”, while Cale is one of the best and most compelling characters I’ve seen in a while?
Well, most of the answers to those questions can be summed up in a single word: misunderstandings.
Let’s face it – having a character we root for receive fame and attention can be very gratifying. But it’s exactly that feeling which some (usually amateur) authors get drunk on, and eventually go too far with it, creating an Unrealistically Perfect Objects of Admiration – which in turn makes them too feel too fake to make them relatable, especially if they are too pretty and OP on the top of everything. They stop being a fun character, and become One-Dimensional like a stock image, a statue; basically a caricature of the very good protagonist they’re supposed to be.
However, there is a solution to that: to make a character receive all the glory while notbeing a MS. And that’s the Power of Misunderstandings!
Yes, the way to eat your cake and still have it in your possession… Have a character who is in fact flawed andcommits errors. But due to circumstances and wacky hijinks, as well as some seriously thick Rose Glasses on, the MC’s companions constantly misunderstand the situation! Now the MC still gets all the credit withoutsacrificing their character for the sake of fanservice!
It’s the perfect solution!
It’s not the only story where I’ve seen this trope, but TCF excelsat it. The story thrives on the comedy of misuderstandings, creating fabulous scenarios. Cale gets misunderstood by countless people in countless ways throughout the novel. All of these accidentally create the image of a MS-worthy hero, except he’s not like that at all! Furthermore, he hates it! He hates being percieved as something he is NOT! And it’s hilarious!
That is how it is done in modern era, my friends. We no longer need to deprive ourselves of cake in order to still have it. After all… now CTRL+C exists, hahaha!
