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every time love’s written in all the strands, it will be to you ❤️every time love’s written in all the strands, it will be to you ❤️

every time love’s written in all the strands, it will be to you ❤️


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This is How You Lose The Time War

“I want to meet you in every place I ever loved. Listen to me. I am your echo. I would rather break the world than lose you”

Thus begins an unlikely correspondence between two rival agents hellbent on securing the best possible future for their warring factions. Now, what began as a taunt, a battlefield boast, becomes something more. Something epic. Something romantic. Something that could change the past and the future.

Except the discovery of their bond would mean the death of each of them. There’s still a war going on, after all. And someone has to win. That’s how war works, right?

Cowritten by two beloved and award-winning sci-fi writers, This Is How You Lose the Time War is an epic love story spanning time and space.

This book has found it’s place in my top ten books of 2021. What can I say about this book, which makes for a good review, rather than just a long gush fest? Let’s try, shall we?

Well first of all, it’s sci-fi, but that’s not what the book is really about. It’s a love story, but also more than that. Not your typical enemies to lovers story, it’s a tale of how two agents have formed a bond with each other, which spans across time and space. It is a relatively short book, only 198 pages long, but it definitely manages to do the story justice. I found it to be fulfilling, and enjoyable. The writing was poetic, without being pretentious.

While I enjoyed the sci-fi element of the story, I did struggle a bit to fully get my head around the world building. But Blue and Red’s love story was such a strong anchor, that I would still give this book 5 stars ⭐️

“A wild ride into the darkness hiding under everyday life.” - Django Wexler Get ready to

“A wild ride into the darkness hiding under everyday life.” - Django Wexler 

Get ready to dive into LastExit by Max Gladstone, on sale 3.8.22! 


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This Is How You Lose The Time War should have been everything - it’s a sapphic enemies to lovers epistolary novella - and yet I was a tiny bit disappointed.

it does a lot of things really well—in particular I love Red and Blue and the interplay between them.  Red, impulsive and emotional and talkative and playful; Blue, the precise, controlled sensualist; both of them lonely for all the cloud/hive intimacy of their societies, and finding connection and completion in each other.

I also really love how this book conceptualises a war in time - that history forks constantly with our lives and choices, roads taken and not, so each side is trying to braid those strands to make the future where they exist inevitable - and the eras and places, alternate and familiar, that we visit as a result.

in fact, the book’s real power is how it makes Red and Blue’s lives as time-travelling spies, and falling in love, metaphors for each other: the letters hidden all around, just as everything speaks of the beloved to a lover; the idea of ‘infiltrating’ each other’s hearts and thoughts; the way that love spreads back through time, so that who you were before that person feels like another life entirely, almost impossible to imagine.

the love letters themselves are Gladstone and El-Mohtar at their most poetic, delighting in the sound and feel of language for its own sake; as grand and savage and strange as beings with all of time and space at their command would be. (also, 95% of the lines which are sending the Tumblr tag absolutely feral come from Max Gladstone and I am yelling.  “how do you write like that”, they ask.  I know!  this is what I’ve been saying!  please read his other books. and also subscribe to his Substack, because he’s smart and thoughtful and funny as well as a good writer.)

the trouble I had with the book, however, was firstly that I found it much harder to grasp how Garden worked than I did the Agency; but more importantly, that Red and Blue fell in love much too quickly.  

the appeal of enemies to lovers is that wary alliance, that slow building of trust; the recalibration of your understanding of the world as you come to care about and value someone from the ‘other side’.  and if there is any writer out there who’s deeply concerned about and interested in that sort of radical, courageous emotional generosity, it’s Max Gladstone!  not to mention that Amal too greatly values open-hearted connection and conversation!  but somehow it just wasn’t there.  apart from some initial curiosity about how the other side worked, and the occasional suspicion that it was a honeytrap, the characters went ahead and dived right in.  

it’s as if the two authors wanted to write about being in love, not falling in love. (and yet I find the middle section, where Red and Blue have declared themselves to each other but before we start playing with time, the slowest; in particular, the recommendation of Travel Light feels like El-Mohtar talking to Gladstone, not the characters.)

nonetheless, it has a lot to offer, and I’m very glad it won a Hugo; because they deserve all the awards always, and because of the loveliness of both of their responses.  Amal was astonished and pleased, but Max genuinely humbled to think that he was now officially a part of the history of his chosen genre, and his name inscribed in its annals.

Star Ratings:

Characters: *****  5 stars

Character Development: **** 4 stars

Plot: **** (4 stars)

Writing: ***** (5 stars)

Overall: ****½ (4/12 stars)

Age range recommendation: 14 +

Review by Morgan.  Originally posted Joly 26, 2014 over at Navigating The Stormy Shelves.

Let me just say that after several months without reading any “grown up” Fantasy, this book reminded me how awesome it could be!  I was incredibly impressed with the story and the world, even though it took me much longer than expected to finish reading.  My slow pace was through no fault of Mr. Gladstone, who wrote well and kept the story moving along.  I just don’t have a head for legal business, politics, or religion.  And this book is about the legal proceedings surrounding the sudden death of a city’s god.  Intimidating subject matter aside, I happily soldiered on through the book and enjoyed every page; every chase on the rooftops; and every terrifying glimpse of raw magic.

A quick summary, which barely scratches the story’s surface: The beloved god Kos has kept Alt Coulumb warm and functioning for so long with his love, that when he dies unexpectedly the city’s citizens teeter on the brink of dangerous civil unrest.  Tara Abernathy, who we first meet immediately following her expulsion from a floating school of “Craft,” has joined up with a formidable Craftswoman to represent Kos’s church against his creditors: other nations who would have a claim on his power, which gods use as diplomatic currency in Gladstone’s world.  Teamed up with a devoted, chain-smoking cleric and an officer of Justice suffering from a…unique…addiction, Tara has to grapple with mythical beings, old enemies, and legal jargon on her quest for the truth: can you murder a god?  And what does that mean for the people who believe in them?

Three Parts Dead made me think hard about complicated stuff.  It shoved me into a world not totally different from our own (lawyers still wear pinstriped suits) but built on a solid foundation of fantasy logic and magical properties (those lawyers argue their truths in violent magical combat on astral planes).  The politics and religion were way more interesting than our own here on Earth, but the drama around them shed a unique light on how we, ourselves, use our faith in Greater Powers and the government.  I am giving my brain a little break for the rest of this month, but am fully intending to read Gladstone’s next book whenever the craving for smart and complicated — but super fun — fantasy hits.

Oh, and there’s a pirate in the book.  He, like all the other characters, was fantastic.  Not everyone’s nice, not everyone’s sympathetic, but no one is boring and that’s what matters most.

I recommend Three Parts Dead to fans of Neil Gaiman’s American Gods, to readers of legal thrillers who want to start a really cool fantasy series, and to fantasy enthusiasts who are looking for a diverse cast of characters in uniquely modern situations.

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