#the deep

LIVE

My part of an art trade with spiderdetentionaire.

His tmnt OCs Frida (left) and Diego (right) with Fontaine Nekton from The Deep guest staring as April O'Neil

Thanks for being so patient Spider. I know it was killing you :)

Spiderdetentionaire requested Fontaine Nekton from a show called The Deep.

For some reason you don’t come up when I search you blog. But I’ll I.M. you so you know it’s here!!

#jensen ackles    #soldier boy    #karen fukuhara    #kimiko    #chace crawford    #the deep    #laz alonso    #antony starr    #homelander    #the boys    

Me: *Looking for more the boys content already read everything*

Me: *Sighs opening a draft*


Friend: Oh god stop what you are doing now!

Me:


Anyone who likes the boys drop a request for literally anything there’s so little conent and I want more of my babies

I made a University bucket list? #GRLPOWR @BloggersTribe #beechat #GWBchat @femalebloggerrt As previ

I made a University bucket list? #GRLPOWR @BloggersTribe #beechat #GWBchat @femalebloggerrt

As previously mentioned in a blog post, I am a University Student trying to get a degree in Geography, in total it will be a 4 year degree as I just had a Foundation year.


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Deep Sea Valentines: Stygiomedusa and Thalassobathia pelagicaThough Stygiomedusa is huge and terrify

Deep Sea Valentines: Stygiomedusa and Thalassobathia pelagica

Though Stygiomedusa is huge and terrifying, Thalassobathia loves to hang out with it and swim around its bell. (No smooches have been observed in the wild, but who knows?)


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Deep Sea Valentines: Anglerfish

Deep Sea Valentines: Anglerfish


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Monterey Bay Aquarium Research Institute fanartMonterey Bay Aquarium Research Institute fanart

Monterey Bay Aquarium Research Institute fanart


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The sea cucumber Psychropotes longicauda, which is described as “cosmopolitan”, which apparently mea

The sea cucumber Psychropotes longicauda, which is described as “cosmopolitan”, which apparently means that it can be found throughout the world (in this case, throughout the world’s oceans), but I also took it to mean that this cucumber is extremely fancy.


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I’ve seen people refer to the Traveler a few times as ‘ours’ or how the Hive tried to ‘take it from us’. Which would follow, since that was pretty much the reaction of the Vanguard in-game and the angle Bungie took with the marketing for the expansion.

The Light isn’t ours. Nor is the Sky. Nor is the Traveler. Merely because the Traveler chose to make her stand at Earth does not give humanity the ultimate right to make decisions for the Traveler or to exert our control of her. The Traveler giftedus the Light, it didn’t swear to be ours and ours alone.

Consider the wager. The Sky stands as gentle complexity. A good kingdom ringed by spears, where the strong defend the weak and life blooms in multiplicity. The Deep stands as the blade edge, the kingdom of war, that eliminates all life until there is only the last man standing.

By that Wager, the Traveler gifted us the Light. Upon us were weighed no demands and restrictions were not emplaced. The Light is to do with as we will, because it is willthat the Sky loves. Choice and the freedom of it. When warlords rampaged in the Dark Ages - did the Traveler chastise them and tell them no? When Rezzyl Azir threw down his burden and turned his face from the Sky, did the Traveler yank hard his reins and tell him ‘no’? When the Iron Lords slaughtered the warlords, when they crushed ghosts underfoot to break the cycle of violence, did the Traveler chastise them for not finding another way?

What we do with the Light is what is meaningful. For good or evil, right or wrong, each action and choice we take is precious and so the Traveler cannot, will not, speak. To speak would be to influence us and tarnish that precious choice.

By contrast the Deep commands. Though it gave us stasis, it constantly speaks to us, gives us hints, eggs us on, teases and leads us. It has demands of its own and what we want is not secondary - it is immaterial.

This may seem an aside, to explore the purpose of Deep and Sky, but I am illustrating a picture.

The Sky wishes for rich life and vibrancy of disagreement, of concord, of strife and peace. The Sky wishes for life, in all it’s beauty and pain. 

When we claim the Traveler as ours, when we claim the Light as ours, when we look at the Lucent Hive with trembling limbs and curling lips and find palms on stocks and blades aquiver, we are asserting the Deep claim.

We are saying that “We alone are right. We alone are mighty. We alone may be the only Shape.” The Deep demands a single champion, the Light cherishes a billion. For us to jealously hoard the Light and the Traveler is to make us into the only champion of the Light. We are perverting it’s purpose.

Does it mean it is wrong that we fought off the Fallen, that we warred with the Cabal, that we threw down the Osmium Dynasty?

No. 

For that is the freedom of choice the Sky desires for us. And besides - they wanted us dead first. It is never morally wrong to fight for your life.

But the Traveler is showing us a truth. We are beloved, we are precious - and so is all life. Perhaps humans did indeed have a spark that caught the Traveler’s eye, all those centuries ago, which is why She laid down here to fight. 

But it was hubris to ever think that the Light would be ours alone. Ghaul was not deserving of it, because he demanded it, because he tried to steal it, because he impugned on free will.

Savathun chose to die. She accepted her fate, she took all her cards off the table, she threw them away. She wanted the Light, yes, but she did not demand it. She did not hold the Traveler at gunpoint, she did not try to tear Light from it’s body. She asked, and she died. 

At the end of her long, long life, Savathun finally had faith.

Now the Lucent Hive are blessed. Truly blessed. No tricks, no stealing, no magics. And we war on them. 

Again, that is not inherently wrong. The Light is freedom. For us to clash is natural. But the other side of the coin demands recognition too. The Lucent Hive are just as worthy as we to wield the Light. So while we may fight and while we may be at odds, the day will come when we must expect, and should expect, not to be. For the Light is not ours, and it is not theirs. It is the Light, it is given, and none can claim it solely. To do otherwise is to mantle the Deep, and that is a path none should tread.

We were asked to survive the truth, and it was not what was implied. The truth to survive was that all things change and that our humility should be reminded to us. The truth that our precepts were wrong. The truth that we always knew, but maybe had set aside.

We serve the Light. The Light does not serve us.

Tehom (the Deep) - Tom Isaacs‘Cessnock Contemporary’ curated by Merryn Hull PhD. Also pictured BeneaTehom (the Deep) - Tom Isaacs‘Cessnock Contemporary’ curated by Merryn Hull PhD. Also pictured BeneaTehom (the Deep) - Tom Isaacs‘Cessnock Contemporary’ curated by Merryn Hull PhD. Also pictured BeneaTehom (the Deep) - Tom Isaacs‘Cessnock Contemporary’ curated by Merryn Hull PhD. Also pictured BeneaTehom (the Deep) - Tom Isaacs‘Cessnock Contemporary’ curated by Merryn Hull PhD. Also pictured BeneaTehom (the Deep) - Tom Isaacs‘Cessnock Contemporary’ curated by Merryn Hull PhD. Also pictured Benea

Tehom (the Deep) - Tom Isaacs

‘Cessnock Contemporary’ curated by Merryn Hull PhD. Also pictured Beneathby Lily Stothard.

Photography: Merryn Hull PhD (images 1-3) and Isobel Markus-Dunworth (images 4-6). 

I wrote an artist’s statement for the exhibition catalogue:

Tehom (the Deep) is a way of thinking through my experience of anxiety and depression, and of expressing my desire for healing, whether medical or spiritual. This work draws from religious and spiritual understandings of water as a healing or cleansing element. ‘Tehom’ is a Hebrew word, used in the opening lines of the book of Genesis to refer to the primordial, abyssal waters of creation, shrouded in darkness and waiting for the transformative word of God. This work is also informed by the psychoanalytic theories of the death drive and melancholia, according to which fantasies of death by drowning may be inspired by a desire to return to the encompassing waters of the womb.


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