#philip kaufman

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The Unbearable Lightness of Being (1988), directed by Philip Kaufman

The Unbearable Lightness of Being (1988), directed by Philip Kaufman


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antoniostella:Poster for “The Wanderers” is a 1979 by Philip Kaufman

antoniostella:

Poster for “The Wanderers” is a 1979 by Philip Kaufman


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The Right Stuff (Philip Kaufman, 1983), First Man (Damien Chazelle, 2018).TumblrChannelTwitterThe Right Stuff (Philip Kaufman, 1983), First Man (Damien Chazelle, 2018).TumblrChannelTwitter

The Right Stuff (Philip Kaufman, 1983), First Man (Damien Chazelle, 2018).

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The Right Stuff (Philip Kaufman, 1983), First Man (Damien Chazelle, 2018).TumblrChannelTwitterThe Right Stuff (Philip Kaufman, 1983), First Man (Damien Chazelle, 2018).TumblrChannelTwitterThe Right Stuff (Philip Kaufman, 1983), First Man (Damien Chazelle, 2018).TumblrChannelTwitterThe Right Stuff (Philip Kaufman, 1983), First Man (Damien Chazelle, 2018).TumblrChannelTwitterThe Right Stuff (Philip Kaufman, 1983), First Man (Damien Chazelle, 2018).TumblrChannelTwitterThe Right Stuff (Philip Kaufman, 1983), First Man (Damien Chazelle, 2018).TumblrChannelTwitter

The Right Stuff (Philip Kaufman, 1983), First Man (Damien Chazelle, 2018).

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The Right Stuff (Philip Kaufman, 1983), First Man (Damien Chazelle, 2018).TumblrChannelTwitterThe Right Stuff (Philip Kaufman, 1983), First Man (Damien Chazelle, 2018).TumblrChannelTwitter

The Right Stuff (Philip Kaufman, 1983), First Man (Damien Chazelle, 2018).

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Elizabeth Driscoll : There’s nothing to be afraid of. They were right. It’s painless. It

Elizabeth Driscoll : There’s nothing to be afraid of. They were right. It’s painless. It’s good. Come. Sleep. Matthew.


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simoorg:Uma Thurman. Henry & June (1990, Philip Kaufman).

simoorg:

Uma Thurman.Henry & June(1990,Philip Kaufman).


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Karenin, the dog that belongs to Tereza (Juliette Binoche) in the novel “The unbearable lightness of

Karenin, the dog that belongs to Tereza (Juliette Binoche) in the novel “The unbearable lightness of being” by Milan Kundera


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 “Our Germans are better than their Germans.”The Right Stuff, 1983Directed by Philip KaufmanCinemato “Our Germans are better than their Germans.”The Right Stuff, 1983Directed by Philip KaufmanCinemato “Our Germans are better than their Germans.”The Right Stuff, 1983Directed by Philip KaufmanCinemato “Our Germans are better than their Germans.”The Right Stuff, 1983Directed by Philip KaufmanCinemato “Our Germans are better than their Germans.”The Right Stuff, 1983Directed by Philip KaufmanCinemato “Our Germans are better than their Germans.”The Right Stuff, 1983Directed by Philip KaufmanCinemato “Our Germans are better than their Germans.”The Right Stuff, 1983Directed by Philip KaufmanCinemato “Our Germans are better than their Germans.”The Right Stuff, 1983Directed by Philip KaufmanCinemato “Our Germans are better than their Germans.”The Right Stuff, 1983Directed by Philip KaufmanCinemato “Our Germans are better than their Germans.”The Right Stuff, 1983Directed by Philip KaufmanCinemato

“Our Germans are better than their Germans.”

The Right Stuff, 1983

Directed by Philip Kaufman

Cinematography by Caleb Deschanel


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Quills (2000) dir. by Philip Kaufman.I’ll always admire a film portraying themes as sex and pornograQuills (2000) dir. by Philip Kaufman.I’ll always admire a film portraying themes as sex and pornograQuills (2000) dir. by Philip Kaufman.I’ll always admire a film portraying themes as sex and pornograQuills (2000) dir. by Philip Kaufman.I’ll always admire a film portraying themes as sex and pornograQuills (2000) dir. by Philip Kaufman.I’ll always admire a film portraying themes as sex and pornograQuills (2000) dir. by Philip Kaufman.I’ll always admire a film portraying themes as sex and pornograQuills (2000) dir. by Philip Kaufman.I’ll always admire a film portraying themes as sex and pornogra

Quills(2000) dir. by Philip Kaufman.

I’ll always admire a film portraying themes as sex and pornography without actually becoming somewhat pornographic itself.

The opening sequence is perfect containing a better plot twist than most thrillers. The Napoleon scene and the torture scene that follows are almost as brilliant introducing the cynical Dr. Royer-Collard (Michael Caine) as a central character. Unfortunately the film mainly continues to fall in standards and the end sequence seems rather forced and unnecessary.

The two oppositional key figures Marquis de Sade (Geoffrey Rush) and Abbe du Coulmier (Joaquin Phoenix) are played equally impressively. I don’t really like the sort of stereotypical portrayal of the insane inmates at Charenton though.

7.0


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