Hyperspace is a completely hybrid and promiscuous space where everything is intermingled and networked with everything else, a space where cultural and territorial markers have been deleted, a space marked by a total lack of distance. (…) Of course, the internet certainly has elements of hyperspace and speeds up global hyperculturization. Culture in a classic sense disappears in what is, so to speak, more cultural than culture, namely in hyperculture and in reality: as Baudrillard would put it, it disappears in what is more real than real, namely in hyper-reality. #electronicpanopticon (Byung-Chul Ha)
LAND PROJECT moves forward questioning the strong sense of everything that lacks or, in fact, moves at the rhythm of how the internet shapes the identity of a relationship based on encounters and discussions, a relationship that is lit every time onliness happens and pulls the time and space in between.
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I find it interesting that the context of the internet is what has created and shaped our relationship. There is this paradox of you being a stranger yet at the same time a close friend, that is. something more than just a collaborator. The rhythm of how we work and move together is also interesting within the notion of ‘feeling present’– I know that you are there even when you are not. (Lisa)
Aside from what drives both artists to keep interacting together, while other ideas come in to the conversations, there’s a constant movement of the bodies in relation to each other. A remote entanglement between two particles in the same stream of consciousness where the intersection of juxtapositioning flow of the natural organic coding between two human entities occurs. Out of the repetition, the meaning and significance changes every time. And in the development of an enduring system of mediated communication, the possibility of performativity of a process that loops into a continuous transformation.
it’s about the impossibility of dealing with the untranslatable and its affections… (Daniel)
The different setups that materialize, also, this project to audiences and other participants (see Performeando and Online Cooking) are fragments of an established set of guidelines that are resultant from a specific environment shaping this connection.
Ultimately, opening up the rehearsals towards an unknown, unnamed, or undefined object that contains the essence of what the connection is made of is always in relation to how two bodies place themselves in front of each other and striving to feel one another.
parralis
daniel-pinheiro
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