#point horror

my shelf of 90s horror nostalgia.

April Fools features one of the best opening chapters I’ve read in my Point Horror reviews. It flies out of the gate with a very believable and terrifying car accident. I was immediately invested in Belinda’s anxiety around the horrible decisions her friends were making. The rest of the book didn’t quite live up to the promise of this scene, but it was still an enjoyable read. I didn’t predict the ending, so kudos to Cusick for that. I thought for sure I had figured it all out. For most of the book, I was struck by how badly Belinda needed to find better friends. Hildy and Frank sucked on a deep and fundamental level. This was by design and a part of the story arc, but I still think Cusick was way too kind to them. I wish the book had spent less time on pranks and fake scares, even though that was very much in line with the theme and title. What April Fools really needed was higher stakes, more dire consequences, and a better fleshed-out villain than the one we got at the end. I think it would have benefitted from being less of a mystery and more of a true horror story. The book bears some obvious comparisons to I Know What You Did Last Summer, but it was not a rip-off by any means. April Fools is my least favorite of Cusick’s books that I have read (see The LockerandTrick or Treat) but I still had fun with it.

Score: 3

And if you want a deep-dive, snark-filled, recap review with spoilers, gifs, and meme, head on over to my website blog Fits of Nostalgia.

It is worth noting right off the bat that this is the one book in the main Fear Street series that is confirmed to have been ghostwritten. I’m no forensic expert in writing styles, but the narrative voice definitely felt different than the plethora of Stine’s books that I have read. All of that aside, The Thrill Club was a mixed bag. There were a few too many characters for how short the book was; which makes me think it would have been a better fit for the Super Chiller spin-offs. The best parts of it reminded me of Christopher Pike’s stronger books. There was an interesting idea at its core, but it was ultimately bogged down by its very dated notions around race. The othering of indigenous cultures in American media is hardly a rare phenomenon, and this was especially true in 1994. Hell, that was pretty much the entire basis of the beloved Indiana Jones franchise. The Thrill Club might not be as egregious as Temple of Doom, but it was still a bad look and it did not age well. Even worse was the book’s treatment of the first black character to grace the cover of a Fear Street book. I’ll save the spoilers for below the jump, but I doubt it will surprise anyone who pays even the tiniest bit of attention to these things. All of this clouded what was an otherwise creepy concept with a complex villain. With more pages to tell the story and a few small but very significant changes, The Thrill Club could have been a really good book.

Score:2.5

You can find the full snark-filled, spoiler-laced, deep-dive review; onmy website blog.

Dream Date was stronger in concept than it was in execution. I really liked the ideas that Sinclair Smith was playing with here. There were some genuinely creepy moments, and there was even an example of a good boyfriend. That’s a rare find in these books. Katie’s journey was relatable for me, and I could see that being the case for a lot of teenagers. I was once painfully shy myself. That being said, Katie was quite bland for the main character. I wish she had a hobby or something that she felt passionate about. Heath felt like he was based on an awful person that the author knew. He had more than a few moments where he made my skin crawl; reminded me at times of Killgrave in Jessica Jones at the best of them. I wish he had been a bit more dynamic, but he still worked well as a villain. I also really wanted the dream space to be more imaginative. It was a missed opportunity to get surreal, which could have given this book a sense of atmosphere. I’m also not the biggest fan of third-person narration with tons of italic first-person thoughts, but that could just be me. The ending worked aside from one minor contrivance I’ll save for below the jump. I didn’t love it, but it worked. Dream Date may have over-promised with its ideas and under-delivered with the details, but it was still an enjoyable read.

Score: 3

For my snark-filled, spoiler-laced, deep-dive review; check out my blog.

The Cheater had a really solid beginning but it got lost in the weeds about halfway through. The premise was immediately relatable; the pressure to impress demanding parents can lead a kid to do some reckless shit. I think this might be the first Fear Street book I’ve read in which blackmail was a central part of the story. RL Stine came close to almost saying something profound about class, privilege, and power but never delivered. All of the right elements were there, but the nuance and execution were lacking. Given my present-day lens of racial disparities in our justice system, it is impossible not to read this book with that context in mind. But what this book really needed to do was get weirder, darker, or both. I know Stine can deliver on all of these elements so it’s a shame that it didn’t happen here. There’s an event midway through that killed the slow-building tension, and the story just never really recovered. The twist was underwhelming and relied on the main character leaving out important details in spite of being our narrator. I get the necessity of that plot device sometimes but it will always bug me. I also wanted way more dire consequences for certain characters that I won’t name here. The Cheater could have been one of the Fear Street greats, but it ended up being kinda forgettable.

Score: 3

For my snark-filled, spoiler-laced, deep-dive review: check out my wordpress blog!

Trick or Treat does a lot of things well. I enjoyed the way that Cucsick created a creepy atmosphere and played with the idea of houses holding on to trauma. There was a sense of foreboding from the first page that only built as the story went on. That is exactly the sort of thing I look for in these books. The main character Martha was annoying but in a very believable way. I could see where it would be too much for some people, but I like that she got called out on it and showed growth throughout the book. I didn’t see the exact twist at the end coming, but I knew a twist was coming. Cusick does a good job at muddying the waters but I think I’m starting to pick up on her tells. In other words, when someone seems like an obvious suspect, it’s probably not them. The biggest issue I had with this book involves a different character whom I will not name for spoiler reasons. You’ve gotta go to my blog and read my whole post for that. To put it vaguely; I wasn’t sold on this particular character’s motivations. It’s par for the course in these books that we find some pretty dated depictions of mental health. This one was far from the worst but still cringy in that respect. There were a lot of parallels here to Cusick’s book The Locker, which is less popular but far superior in my humble opinion. So if you liked Trick or Treat, go check that one out. Overall, this was an imperfect but still fun Halloween read.

Score:3.5

For my full, deep-dive, snark-filled recap with memes, gifs, and all the spoilers, check it out over on my website blog Fits of Nostalgia!

The First Horror is a really solid kick-off to the trilogy. It also works really well as a stand-alone novel, and I almost wish that it was. There were some genuinely creepy and brutal moments. It definitely scared me as a kid. I had forgotten the order of things, but I had very distinct memories of several of the scenes. I think this might be where my fear of rats originated from. The sibling rivalry between Cally and Kody worked really well. It played nicely into the strange things happening around them. For the most part, this was a pretty standard haunted house story. It had some really good moments that made it stand out (namely what happened to James) but it fell short of being something truly unique. One of the more frustrating things about Stine is that he rarely gives his villains compelling motives, and the house in 99 Fear Street is no different. It’s evil for the sake of being evil, but I want to know what it wants. This is forgivable to an extent since this is just the first of three books, but that means the next two need to raise the stakes and deliver. I have a sinking feeling that they won’t.

Score: 4

For my full, deep-dive, snark-filled recap with memes, gifs, and all the spoilers, check it out over on my website blog Fits of Nostalgia!

I’ll be reviewing the full 99 Fear Street Trilogy during the month of October. All of those, plus all of my other Fear Street reviews, can be found over on my blog too.

I’ll start out by saying that I have yet to give a negative review to a Christopher Pike book, so this will be my first. While Remember Me is rightfully celebrated as one of his best (and scariest) books, Remember Me 2 was a problematic mess. Its existence stands as a testament against making unnecessary sequels, even if the fans and publishers really want one. The book goes back and forth between the story of Jean Rodriguez, a Latinx girl living in a rough part of Los Angeles, and Shari Cooper, our protagonist from the first book who is now becoming further enlightened in heaven. While Jean’s story was both boring and laced with problematic representations of Latinx, queer, and disabled people, Shari’s chapters in heaven were insufferable, sanctimonious, and preachy. Literally, the only thing I liked about this book was the short story about the troll muse. It was shoehorned in and didn’t really fit with anything else, but I genuinely loved that story. The entire concept of Shari, the spirit of a rich white girl, being placed as a “wanderer” in the body of a troubled Latinx girl is problematic as fuck. This is a white savior narrative taken to a spiritual level. I get that it’s a product of its time, and that comes up a lot in these books, but I don’t think I’ve ever encountered one where the entire premise was this flawed. If you loved the first book, I recommend just stopping there and thinking of it as a stand-alone. I, however, am a glutton for punishment and will continue reading to see how this all wraps up in the final book of the trilogy.

Score:0.5

For my full, deep-dive, snark-filled recap with memes, gifs, and all the spoilers, check it out over on my website blog Fits of Nostalgia!

I first read Road to Nowhere when I was 10, and oh boy was I way too young to handle significant parts of this subject matter. I just remember seeing an awesome book cover on a classmate’s desk and seeking it out at the library. I was thrilled when I came across the (very minor) swearing. All of that context aside, this is a really good book and one of Christopher Pike’s best. It’s a bit of a slow mover, but the ending is more than worth it. I really liked all of the main characters, both the ones in the car and the ones in the stories they were telling. The “campfire” style of the narrative allowed for each story to take its time and resonate. There was also a really powerful message here aimed at the teenage target audience that I think was tastefully done. I appreciated that it wasn’t too heavy-handed with themes that could easily get sappy and sanctimonious. In total, Road to Nowhere scratched my nostalgic itch, turned out better than I had remembered, and made me want to dive even deeper into Christopher Pike’s twisted canon.

Score: 5

My full review and recap with memes, snark, and spoilers can be found on my blog:

https://www.danstalter.com/road-to-nowhere/

Richie Tankersley Cusick’s THE LOCKER is a creepy, atmospheric teen horror novel that hit all of the right notes for me. While not the most original, it’s easily the best I’ve read in the Point Horror series so far.

https://www.danstalter.com/the-locker/