#production ig
News:I.G Store Erwin Merchandise (2021)
Release Dates: February 15th, 2021
Retail Price: Various (See below)
I.G Store has released previews of new Erwin merchandise for 2021! The line includes:
- Eau de Toilette Perfume (5,720 yen)
- Alloy watch charm (3,630 yen)
- Large acrylic stand (3,850 yen)
- Tote bag (2,750 yen)
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The section time records of the actual Hakone Ekiden from Wiki places Matsuse Genta at the 10th section with a 1:08:59 record - the exact same time as Kakeru’s record in his section.
Haiji stated that Kakeru was his “dream taken shape” and the “ideal form he never reached”. Kakeru had set a record in his section with the 10th section’s (Haiji’s section) record time. It may have been some kind of coincidence or it may have been intentional (don’t really know if the novel states their time as such or if the Production IG did it that way) but it’s like Kakeru set that record in behalf of Haiji with him being the ideal form and such. Anyway that’s all thanks for coming to my TedTalk
Look at them and tell me they are not long lost bros
At first when I watched Re: Zero I thought it was produced by Production I.G as it had similiar character designs to Haikyuu!! xD
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“Takkun” Sketchbook & Digital, 2018
“The advance is hip right now but the original has a place in my heart”
In lieu of Progressive’s finale premiering this evening, I figured I’d finish the trifecta and do another homage to FLCL Classic with the boy who kicked it all off: Naota.
It’s been an interesting shift change with Progressive’s tonal and narrative changes from the original, but there’s something about the original that will always resonate with me. So here’s that throwback to nostalgia and a brief glimpse at what 90s character design gave us as a burgeoning cult fave
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“Hibajiri” Sketchbook & Digital, 2018
Another quick sketch for the new series. While I’m interested to see where Progressive ends, the original and Alternative still hold my heart. I like some of the animation and designs, but there’s a little of the ‘spirit’ that’s lacking for me in Progressive at current. I told myself I’d wait until episode 4 to pass judgement, so here’s to tonight’s ep really stepping up to the plate ;)
As a side, I found Hidomi’s headphones more problematic to render than I’d like to admit. Also, I love that Hidomi and Kana have roots in the characters Ninamori and Mamimi, respectively. I think it was a fun touch in revisiting the series :)
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“Kana-bun” Sketchbook & Digital, 2018
There’s no love lost in the rush of familiarity and nostalgia, for me, with the release of both FLCL Alternative and Progressive’s first episodes. That being said, Alternative really stuck out to me with it’s first episode so I decided to pay tribute to one of its protagonists: Kana.
I feel the titling of the new seasons feels quite apt and have been handled beautifully as well as artistically in their own ways. Alternative’s pacing does feel like an alt-music version of the original season of FLCL which is a feat unto itself. I can’t speak highly enough of it. I can’t wait for more and encourage you all to experience it for yourselves :)
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攻殻機動隊ARISE ALTERNATIVE ARCHITECTURE
（オルタナティヴ アーキテクチャ）
http://kokaku-a.jp/tv/
#koukaku #kokaku_a #gits #anime
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攻殻機動隊 新劇場版
landscapeofadjacentpossibility:
Screen-Capture(s) of the Week:
Ballroom e Youkoso #04.
「ダンサーズ・ハイ」
(“Dancer’s High”)
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