#regina king

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freakin-deakin:If Beale Street Could Talk (2018)Dir. Barry JenkinsCinematography: James Laxtonfreakin-deakin:If Beale Street Could Talk (2018)Dir. Barry JenkinsCinematography: James Laxtonfreakin-deakin:If Beale Street Could Talk (2018)Dir. Barry JenkinsCinematography: James Laxtonfreakin-deakin:If Beale Street Could Talk (2018)Dir. Barry JenkinsCinematography: James Laxtonfreakin-deakin:If Beale Street Could Talk (2018)Dir. Barry JenkinsCinematography: James Laxtonfreakin-deakin:If Beale Street Could Talk (2018)Dir. Barry JenkinsCinematography: James Laxtonfreakin-deakin:If Beale Street Could Talk (2018)Dir. Barry JenkinsCinematography: James Laxtonfreakin-deakin:If Beale Street Could Talk (2018)Dir. Barry JenkinsCinematography: James Laxtonfreakin-deakin:If Beale Street Could Talk (2018)Dir. Barry JenkinsCinematography: James Laxtonfreakin-deakin:If Beale Street Could Talk (2018)Dir. Barry JenkinsCinematography: James Laxton

freakin-deakin:

If Beale Street Could Talk (2018)
Dir. Barry Jenkins
Cinematography: James Laxton


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One Night in Miami: Review

Not so hidden figures

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There is a scene early on in One Night in Miami that perfectly captures what the film is getting at. Visiting an old friend in the South of America, African-American NFL player Jim Brown (Aldi’s Hodge) is praised for all of his work on the field, but is then left speechless when the same man says he can’t have any black people in his house. This tension between celebrity and race relations is at the heart of Regina King’s powerful directorial debut, which presents a complex portrayal of both its subject and its larger-than-life black icons.

Drawing its story from its critically acclaimed stage play by Kemp Powers, the film quickly gets us acquainted with our main players - NFL star Jim Brown, who is considering a career change to acting, boxer Cassius Clay (Eli Goree), later Muhammad Ali, celebrated jazz singer Sam Cooke (Leslie Odom Jr.), and political activist Malcolm X (Kingsley Ben-Adir). After the surprise boxing victory of Cassius over Sonny Liston in 1964, it imagines what might have gone down when the four men came together to celebrate in a motel in Miami, and ended up discussing their different levels of involvement in the civil rights movement.

For a film based on fiction, One Night in Miami feels incredibly authentic. As it was originally a play, the film is essentially one long dialogue set within one space, but the schisms between them are believable and engaging enough to convince you it actually happened. Much of this division comes down to Malcolm X, who encourages his commercially minded friends to use their celebrity to help fight the white man, while he wrestled with his on fateful decision to leave the Nation of Islam.

Given that there is a lot of talking, it helps that King has found a stunning cast - all relative newcomers - who prove more than up to the challenge of bringing these legends to life. Ben-Adir may have had to deal with the shadow of Washington’s Oscar-winning portrayal, but he manages to craft a performance that stands up in its own right. Nailing Malcolm’s speech pattern and sense of righteousness, he also communicates the paranoia, frustration and torment that the man was going through near the end of his life, delivering impassioned speeches that the man himself might have been proud of. As Clay, Goree effortlessly captures the arrogance and swagger of the man before he made his conversion to Islam, so much that at one point he is referred to as a “giant fucking baby”. They might not be as central to the plot, but Odom Jr. also leaves a lasting impression as the smooth-talking Cooke, while Hodge impressed with a quiet yet impactful performance as the more reserved Brown.

There isn’t much in the way of event, and if you are expecting any drama, you might leave feeling slightly short changed. However, as a moment in time that precedes major changes in social attitudes, One Night in Miami remains a truly fascinating watch. King, in her first film as director, shows a strong grasp of the themes of the play, using the differences between these four men to explore the nature of celebrity, and how much responsibility comes with it. It makes for some arresting arguments and squabbles - particularly that between Malcolm and Cooke, who finds himself accused of making music to please white people, rather than helping liberate his own people. However, it also finds time for moments of surprising levity, like when one character interjects a heated discussion with “Malcolm will you please have some damn ice cream?”. Lending a sense of levity to its thought-provoking subject matter, it is a perfect film for our dark times.

Exploring the difficult line between celebrity and social responsibility, King’s directorial debut is as assured as they come - thoughtful, funny and perfectly performed by its leading quartet.

★★★★

squidward-tortillachip:

Regina King is amazing and deserved to win!!! Chris Evan’s helping Regina King up the stage really made me love him more.

“And that’s why he’s Captain America” -My dad when he saw Chris help Regina

kayceecruz:

REGINA KING!!!!

From 227 to the Oscars, baby! 

AMEN.

watchmythrone13:

Regina King: God is good, all the time.

All the black people in the audience: ALL THE TIME

Regina King does not Miss. Black Excellence. Queen Regina King does not Miss. Black Excellence. Queen Regina King does not Miss. Black Excellence. Queen Regina King does not Miss. Black Excellence. Queen

Regina King does not Miss. Black Excellence. Queen


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Best Dressed at the Oscars. Powerful Women.Best Dressed at the Oscars. Powerful Women.Best Dressed at the Oscars. Powerful Women.Best Dressed at the Oscars. Powerful Women.Best Dressed at the Oscars. Powerful Women.

Best Dressed at the Oscars. Powerful Women.


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Regina King is flawless in Oscar de la Renta for the 91st Academy Awards red carpet.

Regina King arrives to the 91st Academy Awards red carpet in all white. 

Regina King arrives to the 91st Academy Awards red carpet in all white. 


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1993

Movie: Poetic Justice

Scene: Maya Angelou “Morals” Speech

 Well, the 2018 Golden Globes have been awarded and the first shot of awards season has been fired!

Well, the 2018 Golden Globes have been awarded and the first shot of awards season has been fired! Let’s see what the chances are that last night’s winners will take home the Oscar in a few weeks.


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Here’s How the 2019 Oscars Made HistoryThe 2019 Oscars, and all of its memorable fashion momen

Here’s How the 2019 Oscars Made History

The 2019 Oscars, and all of its memorable fashion momentsandaward speeches, has officially concluded. And while we’re already eagerly awaiting another year of exciting movie magic, this year’s ceremony proved to be one for the record books by featuring a record number of wins for black members of the Hollywood community.

The 2019 Oscars featured a record seven wins for black filmmakers, cast, and crew, Entertainment Tonight reported. Those who picked up Oscars on Sunday night included Regina King (best supporting actress) for her role in If Beale Street Could Talk; Mahershala Ali (best supporting actor) for his performance in Green Book;Ruth E. Carter (best costume design) for her work on Black Panther;Hannah Beachler (best production design), also for her work on Black Panther; Peter Ramsey (best animated feature) for codirecting Spider-Man: Into the Spider-Verse; and BlacKkKlansman team members Kevin Willmott and Spike Lee (best adapted screenplay).

In addition to the record number of wins for people of color in the film community, Beachler became the first black person to win an Oscar for production design for her work on Black Panther, and Carter’s win, also for her work on Black Panther, is the first time a black person has won the Oscar for costume design.

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