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next time someone asks me for a fun fact about myself, i’m telling them about how i can differentiate between the beginnings of 10 duel commandments & the world was wide enough

MONFRERE Motorsports Collection


MONFRÈRE turned up the heat in the driver’s seat this past weekend, Saturday, May 7, launching a limited Motorsport Capsule collection while offering complimentary race-day inspired personalization adornment at Saks Fifth Avenue Bal Harbour. 

FOODGOD, formerly known as Jonathan Cheban, Tara Rudes Dann (owner of L’AGENCE) and models Bertil Espegren and Fabian Basabe were among the VIPs enjoying…


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Best dressed? Class clown? Most likely to run for president? You can probably guess.

Watch #Hamilton’s Renée Elise Goldsberry give superlatives to her co-stars.

One Night in Miami: Review

Not so hidden figures

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There is a scene early on in One Night in Miami that perfectly captures what the film is getting at. Visiting an old friend in the South of America, African-American NFL player Jim Brown (Aldi’s Hodge) is praised for all of his work on the field, but is then left speechless when the same man says he can’t have any black people in his house. This tension between celebrity and race relations is at the heart of Regina King’s powerful directorial debut, which presents a complex portrayal of both its subject and its larger-than-life black icons.

Drawing its story from its critically acclaimed stage play by Kemp Powers, the film quickly gets us acquainted with our main players - NFL star Jim Brown, who is considering a career change to acting, boxer Cassius Clay (Eli Goree), later Muhammad Ali, celebrated jazz singer Sam Cooke (Leslie Odom Jr.), and political activist Malcolm X (Kingsley Ben-Adir). After the surprise boxing victory of Cassius over Sonny Liston in 1964, it imagines what might have gone down when the four men came together to celebrate in a motel in Miami, and ended up discussing their different levels of involvement in the civil rights movement.

For a film based on fiction, One Night in Miami feels incredibly authentic. As it was originally a play, the film is essentially one long dialogue set within one space, but the schisms between them are believable and engaging enough to convince you it actually happened. Much of this division comes down to Malcolm X, who encourages his commercially minded friends to use their celebrity to help fight the white man, while he wrestled with his on fateful decision to leave the Nation of Islam.

Given that there is a lot of talking, it helps that King has found a stunning cast - all relative newcomers - who prove more than up to the challenge of bringing these legends to life. Ben-Adir may have had to deal with the shadow of Washington’s Oscar-winning portrayal, but he manages to craft a performance that stands up in its own right. Nailing Malcolm’s speech pattern and sense of righteousness, he also communicates the paranoia, frustration and torment that the man was going through near the end of his life, delivering impassioned speeches that the man himself might have been proud of. As Clay, Goree effortlessly captures the arrogance and swagger of the man before he made his conversion to Islam, so much that at one point he is referred to as a “giant fucking baby”. They might not be as central to the plot, but Odom Jr. also leaves a lasting impression as the smooth-talking Cooke, while Hodge impressed with a quiet yet impactful performance as the more reserved Brown.

There isn’t much in the way of event, and if you are expecting any drama, you might leave feeling slightly short changed. However, as a moment in time that precedes major changes in social attitudes, One Night in Miami remains a truly fascinating watch. King, in her first film as director, shows a strong grasp of the themes of the play, using the differences between these four men to explore the nature of celebrity, and how much responsibility comes with it. It makes for some arresting arguments and squabbles - particularly that between Malcolm and Cooke, who finds himself accused of making music to please white people, rather than helping liberate his own people. However, it also finds time for moments of surprising levity, like when one character interjects a heated discussion with “Malcolm will you please have some damn ice cream?”. Lending a sense of levity to its thought-provoking subject matter, it is a perfect film for our dark times.

Exploring the difficult line between celebrity and social responsibility, King’s directorial debut is as assured as they come - thoughtful, funny and perfectly performed by its leading quartet.

★★★★

The way I’ve had a crush on Daveed Diggs since 2017…

93rd Academy Awards NomineesBEST PICTUREThe Father – David Parfitt, Jean-Louis Livi, and Philippe Ca93rd Academy Awards NomineesBEST PICTUREThe Father – David Parfitt, Jean-Louis Livi, and Philippe Ca93rd Academy Awards NomineesBEST PICTUREThe Father – David Parfitt, Jean-Louis Livi, and Philippe Ca93rd Academy Awards NomineesBEST PICTUREThe Father – David Parfitt, Jean-Louis Livi, and Philippe Ca93rd Academy Awards NomineesBEST PICTUREThe Father – David Parfitt, Jean-Louis Livi, and Philippe Ca93rd Academy Awards NomineesBEST PICTUREThe Father – David Parfitt, Jean-Louis Livi, and Philippe Ca93rd Academy Awards NomineesBEST PICTUREThe Father – David Parfitt, Jean-Louis Livi, and Philippe Ca93rd Academy Awards NomineesBEST PICTUREThe Father – David Parfitt, Jean-Louis Livi, and Philippe Ca93rd Academy Awards NomineesBEST PICTUREThe Father – David Parfitt, Jean-Louis Livi, and Philippe Ca93rd Academy Awards NomineesBEST PICTUREThe Father – David Parfitt, Jean-Louis Livi, and Philippe Ca

93rd Academy Awards Nominees

BEST PICTURE

  • The Father – David Parfitt, Jean-Louis Livi, and Philippe Carcassonne
  • Judas and the Black Messiah – Shaka King, Charles D. King, and Ryan Coogler
  • Mank – Ceán Chaffin, Eric Roth, and Douglas Urbanski
  • Minari – Christina Oh
  • Nomadland – Frances McDormand, Peter Spears, Mollye Asher, Dan Javey, and Chloé Zhao
  • Promising Young Woman – Ben Browning, Ashley Fox, Emerald Fennell, and Josey McNamara
  • Sound of Metal – Bert Hamelinick and Sacha Ben Harroche
  • The Trial of the Chicago 7 – Marc Platt and Stuart Besser

BEST DIRECTOR

  • Lee Isaac Chung – Minari
  • Emerald Fennell – Promising Young Woman
  • David Fincher – Mank
  • Thomas Vinterberg – Another Round
  • Chloé Zhao – Nomadland

BEST ACTOR

  • Riz Ahmed – Sound of Metal as Ruben Stone
  • Chadwick Boseman (posthumous nominee) – Ma Rainey’s Black Bottom as Levee Green
  • Anthony Hopkins – The Father as Anthony
  • Gary Oldman – Mank as Herman J. Mankiewicz
  • Steven Yeun – Minari as Jacob Yi

BEST ACTRESS

  • Viola Davis – Ma Rainey’s Black Bottom as Ma Rainey
  • Andra Day – The United States vs. Billie Holiday as Billie Holiday
  • Vanessa Kirby – Pieces of a Woman as Martha Weiss
  • Frances McDormand – Nomadland as Fern
  • Carey Mulligan – Promising Young Woman as Cassandra “Cassie” Thomas

BEST SUPPORTING ACTOR

  • Sacha Baron Cohen – The Trial of the Chicago 7 as Abbie Hoffman
  • Daniel Kaluuya – Judas and the Black Messiah as Fred Hampton
  • Leslie Odom Jr. – One Night in Miami… as Sam Cooke
  • Paul Raci – Sound of Metal as Joe
  • Lakeith Stanfield – Judas and the Black Messiah as William “Bill” O'Neal

BEST SUPPORTING ACTRESS

  • Maria Bakalova – Borat Subsequent Moviefilm: Delivery of Prodigious Bribe to American Regime for Make Benefit Once Glorious Nation of Kazakhstan as Tutar Sagdiyev
  • Glenn Close – Hillbilly Elegy as Bonnie “Mamaw” Vance
  • Olivia Colman – The Father as Anne
  • Amanda Seyfried – Mank as Marion Davies
  • Youn Yuh-jung – Minari as Soon-ja

BEST ORIGINAL SCREENPLAY

  • Judas and the Black Messiah – Screenplay by Will Berson and Shaka King; Story by Will Berson, Shaka King, Keith Lucas, and Kenny Lucas
  • Minari – Lee Isaac Chung
  • Promising Young Woman – Emerald Fennell
  • Sound of Metal – Screenplay by Darius Marder and Abraham Marder; Story by Darius Marder and Derek Cianfrance
  • The Trial of the Chicago 7 – Aaron Sorkin

BEST ADAPTED SCREENPLAY

  • Borat Subsequent Moviefilm: Delivery of Prodigious Bribe to American Regime for Make Benefit Once Glorious Nation of Kazakhstan – Screenplay by Sacha Baron Cohen, Anthony Hines, Dan Swimer, Peter Baynham, Erica Rivinoja, Dan Mazer, Jena Friedman, and Lee Kern; Story by Baron Cohen, Hines, Swimer, and Nina Pedrad; Based on the character Borat Sagdiyev by Baron Cohen
  • The Father – Christopher Hampton & Florian Zeller, based on the play by Zeller
  • Nomadland – Chloé Zhao, based on the book by Jessica Bruder
  • One Night in Miami… – Kemp Powers, based on his play
  • The White Tiger – Ramin Bahrani, based on the novel by Aravind Adiga

BEST INTERNATIONAL FEATURE FILM

  • Another Round (Denmark) in Danish – directed by Thomas Vinterberg
  • Better Days (Hong Kong) in Mandarin – directed by Derek Tsang
  • Collective (Romania) in Romanian – directed by Alexander Nanau
  • The Man Who Sold His Skin (Tunisia) in Arabic – directed by Kaouther Ben Hania
  • Quo Vadis, Aida? (Bosnia and Herzegovina) in Bosnian – directed by Jasmila Žbanić

BEST ANIMATED FEATURE FILM

  • Onward – Dan Scanlon and Kori Rae
  • Over the Moon – Glen Keane, Gennie Rin, and Peilin Chou
  • A Shaun the Sheep Movie: Farmageddon – Richard Phelan, Will Becher, and Paul Kewley
  • Soul – Pete Docter and Dana Murray
  • Wolfwalkers – Tomm Moore, Ross Stewart, Paul Young, and Stéphan Roelants

BEST DOCUMENTARY FEATURE

  • Collective – Alexander Nanau and Bianca Oana
  • Crip Camp – Nicole Newnham, Jim LeBrecht and Sara Bolder
  • The Mole Agent – Maite Alberdi and Marcela Santibáñez
  • My Octopus Teacher – Pippa Ehrlich, James Reed, and Craig Foster
  • Time – Garrett Bradley, Lauren Domino, and Kellen Quinn

BEST CINEMATOGRAPHY

  • Judas and the Black Messiah – Sean Bobbitt
  • Mank – Erik Messerschmidt
  • News of the World – Dariusz Wolski
  • Nomadland – Joshua James Richards
  • The Trial of the Chicago 7 – Phedon Papamichael

BEST FILM EDITING

  • The Father – Yorgos Lamprinos
  • Nomadland – Chloé Zhao
  • Promising Young Woman – Frédéric Thoraval
  • Sound of Metal – Mikkel E.G. Nielsen
  • The Trial of the Chicago 7 – Alan Baumgarten

BEST PRODUCTION DESIGN

  • The Father – Production Design: Peter Francis; Set Decoration: Cathy Featherstone
  • Ma Rainey’s Black Bottom – Production Design: Mark Ricker; Set Decoration: Karen O'Hara and Diana Sroughton
  • Mank – Production Design: Donald Graham Burt; Set Decoration: Jan Pascale
  • News of the World – Production Design: David Crank; Set Decoration: Elizabeth Keenan
  • Tenet – Production Design: Nathan Crowley; Set Decoration: Kathy Lucas

BEST COSTUME DESIGN

  • Emma – Alexandra Byrne
  • Ma Rainey’s Black Bottom – Ann Roth
  • Mank – Trish Summerville
  • Mulan – Bina Daigeler
  • Pinocchio – Massimo Cantini Parrini

BEST MAKEUP AND HAIRSTYLING

  • Emma – Marese Langan, Laura Allen, and Claudia Stolze
  • Hillbilly Elegy – Eryn Krueger Mekash, Patricia Dehaney, and Matthew Mungle
  • Ma Rainey’s Black Bottom – Matiki Anoff, Mia Neal, and Larry M. Cherry
  • Mank – Kimberley Spiteri, Gigi Williams
  • Pinocchio – Dalia Colli, Mark Coulier, and Francesco Pegoretti

BEST VISUAL EFFECTS

  • Love and Monsters – Matt Sloan, Genevieve Camailleri, Matt Everitt, and Brian Cox
  • The Midnight Sky – Matthew Kasmir, Christopher Lawren, Max Solomon, and David Watkins
  • Mulan – Sean Faden, Anders Langlands, Seth Maury, and Steven Ingram
  • The One and Only Ivan – Nick Davis, Greg Fisher, Ben Jones, and Santiago Colomo Martinez
  • Tenet – Andrew Jackson, David Lee, Andrew Lockley and

BEST ORIGINAL SCORE

  • Da 5 Bloods – Terence Blanchard
  • Mank – Trent Reznor and Atticus Ross
  • Minari – Emile Mosseri
  • News of the World – James Newton Howard
  • Soul – Trent Reznor, Atticus Ross, and Jon Batiste

BEST ORIGINAL SONG

  • “Fight for You” from Judas and the Black Messiah – Music by H.E.R. and Dernst Emile II; Lyric by H.E.R. and Tiara Thomas
  • “Hear My Voice” from The Trial of the Chicago 7 – Music by Daniel Pemberton; Lyric by Daniel Pemberton and Celeste Waite
  • “Husavik” from Eurovision Song Contest: The Story of Fire Saga – Music and Lyric by Savan Kotecha, Fat Max Gsus, and Rickard Göransson
  • “Io Sì (Seen)” from The Life Ahead – Music by Diane Warren; Lyric by Diane Warren and Laura Pausini
  • “Speak Now” from One Night in Miami… – Music and Lyric by Leslie Odom Jr. and Sam Ashworth

BEST SOUND

  • Greyhound – Warren Shaw, Michael Minkler, Beau Borders, and David Wyman
  • Mank – Ren Klyce, Jeremy Molod, David Parker, Nathan Nance, and Drew Kunin
  • News of the World – Oliver Tarney, Mike Prestwood Smith, William Miller, and John Pritchett
  • Soul – Ren Klyce, Coya Elliot, and David Parker
  • Sound of Metal – Nicolas Becker, Jaime Baksht, Michelle Couttolenc, Carlos Cortes, and Philip Bladh

BEST LIVE ACTION SHORT FILM

  • Feeling Through – Doug Roland and Susan Ruzenski
  • The Letter Room – Elvira Lind and Sofia Sondervan
  • The Present – Farah Nabulsi
  • Two Distant Strangers – Travon Free and Martin Desmond Roe
  • White Eye – Tomer Shushan and Shira Hochman

BEST ANIMATED SHORT FILM

  • Burrow – Madeline Sharafian and Michael Capbarat
  • Genius Loci – Adrien Mérigeau and Amaury Ovise
  • If Anything Happens I Love You – Will McCormack and Michael Govier
  • Opera – Eric Oh
  • Yes-People – Gísli Darri Halldórsson and Arnar Gunnarsson

BEST DOCUMENTARY SHORT SUBJECT

  • Colette – Anthony Giacchino and Alice Doyard
  • A Concerto Is a Conversation – Ben Proudfoot and Kris Bowers
  • Do Not Split – Anders Hammer and Charlotte Cook
  • Hunger Ward – Skye Fitzgerald and Michael Shueuerman
  • A Love Song for Latasha – Sophia Nahali Allison and Janice Duncan

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auronburr:My aesthetic is Leslie violently fangirling over the Hamilton women

auronburr:

My aesthetic is Leslie violently fangirling over the Hamilton women


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Favorite Lyrics Hamilton Act 2 Edition

What’d I Miss- ‘cause he’s been kicking ass as the ambassador to France

Cabinet Battle #1- hey, turn around, bend over, I’ll show you where my shoe fits

Take A Break- “My dearest Angelica”/ with a comma after “dearest”/ you’ve written: “my dearest, Angelica”

Say No To This- if you pay/ you can stay

The Room Where It Happens- the pieces that are sacrificed in every game of chess

Schuyler Defeated- beware, if goeth before the fall

Cabinet Battle #2- do whatever you want, I’m super dead

Washington On Your Side- southern motherfucking democratic republican

One Last Time- I’m stepping down, I’m not running for President

I Know Him- Jesus Christ, this will be fun!

The Adams Administration- as long as he can hold a pen, he’s a threat

We Know- ha, you don’t even know what you’re asking me to confess

Hurricane-we were sick and she was holding me/ I couldn’t seem to die

The Reynolds Pamphlet- I’m not here for you

Burn-you sleep in your office instead

Blow Us All Away- the ladies say my brain’s not where the resemblance stops

Stay Alive (Reprise)- I would always change the line

It’s Quiet Uptown- I never liked the quiet before

Election of 1800- Jefferson has beliefs. Burr has none

Your Obedient Servant- the only common thread has been your disrespect

Best of Wives and Best of Women- come back to sleep

The World Was Wide Enough- I survived but I paid for it

Who Lives, Who Dies, Who Tells Your Story- and when my time is up/ have I done enough

Favorite Lyrics Hamilton Act 1 Edition

Alexander Hamilton- And me? I’m the damn fool that shot him

Aaron Burr, Sir- if you stand for nothing Burr, what’ll you fall for?

My Shot- I’m past patiently waiting/ I’m passionately smashing every expectation/ every action’s an act of creation

The Story Of Tonight- something they can never take away

The Schuyler Sisters- I’m a trust fund, baby you can trust me

Farmer Refuted- why should a tiny island across the sea regulate the price of tea?

You’ll Be Back- I’ll kill your friends and family to remind of my love

Right Hand Man- Dying is easy, young man; living is harder

A Winter’s Ball- if you can marry a sister, you’re rich son/ is it a question of if, Burr, or which one?

Helpless-And long as I’m alive, Eliza, swear to God you’ll never feel so helpless

Satisfied-Atleast my dear Eliza’s his wife/ atleast I keep his eyes in my life

The Story of Tonight (Reprise)- if the Tomcat can get married (if Alexander can get married)/ there’s hope for our ass, after all!

Wait For It- what’s it like in his shoes?/ Hamilton doesn’t hesitate

Stay Alive- we have resorted to eating our horses

Ten Duel Commandments- pray that Hell or Heaven lets you in

Meet Me Inside- call me son one more time-!

That Would Be Enough- but you deserve a chance to meet your son

Guns and Ships- ev’ryone give it up for America’s favorite fighting Frenchman!

History Has Its Eyes On You- you have no control/ who lives, who dies, who tells your story

Yorktown (The World Turned Upside Down)- when you knock me down I get the fuck back up again

What Comes Next- you cheat with the French/ now I’m fighting with France and with Spain

Dear Theodosia- when you came into the world, you cried and it broke my heart

Non-Stop-Burr, we studied and we fought and we killed/ for the notion of a nation that we now get to build

 Smart, Funny, & Black… in Da Crib! 3.0 Smart Funny & Black in Da Crib brings the hit

Smart, Funny, & Black… in Da Crib! 3.0

Smart Funny & Black in Da Crib brings the hit live show created by comedian/actress/producer, Amanda Seales (HBO Insecure/The Real) to the house! SFB in Da Crib brings two noteworthy smart, funny, black folks together to compete, in a head to head battle of wits that tests their knowledge of black history, black culture, and the black experience! After a night of fun as hell games, a turnt up interactive audience, and of course jokes, the show ends with one guest, literally, taking the “L”, the other, taking the crown, and being inducted into the, “Illustrious League of Master Blacksperts”. The night ain’t over yet tho! After the show our Blacksperts of the night join, host, Amanda for an after show chat answering questions from you! Then it’s off to the one-on-one meet and greet to snap a pick and have a quick laugh with, Amanda! Join us online for SFB in Da Crib, where the community is the wifi that keeps us connected! 

show tomorrow night (7/31), tix only $12! (although there is a swankier ticket option if you want to do the post-show hang-out!) get there early for DJ Reborn’s pre-show set at 8:00-9:00pm ET. the show is supporting Color of Change.


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thefederalistfreestyle: Founding Father Alexander Hamilton’s Life is Now a Hip-Hop Musical:LIN-MANthefederalistfreestyle: Founding Father Alexander Hamilton’s Life is Now a Hip-Hop Musical:LIN-MANthefederalistfreestyle: Founding Father Alexander Hamilton’s Life is Now a Hip-Hop Musical:LIN-MANthefederalistfreestyle: Founding Father Alexander Hamilton’s Life is Now a Hip-Hop Musical:LIN-MAN

thefederalistfreestyle:

Founding Father Alexander Hamilton’s Life is Now a Hip-Hop Musical:

LIN-MANUEL MIRANDA
Plays: Alexander Hamilton
Hometown: New York, NY
You might know her from: Broadway’s In the Heights
On how this crazy idea came to him: “I wasn’t a history buff—not even a little—but I was always an English nerd. I picked up Ron Chernow’s biography of Hamilton randomly at Borders. I knew he died in a duel, so it’d have a cool ending. And I just fell in love with his story.”
Confession: “Hillary Clinton came to see In the Heights in 2009. I used to walk around in my underwear backstage between shows, and I come out of my dressing room and there’s Hillary with three Secret Service guys because she needed to use the bathroom. She said, ‘Show’s great!’ and I ran inside to put some clothes on.”

LESLIE ODOM JR.
Plays:
Aaron Burr
Hometown: Philadelphia, PA
You might know him from: NBC’s Smash
Post-show ritual: “Lin and I made up a stupid song that we sing at the top of our lungs as we leave the stage. Then we have a shot of rum in the dressing room, and I’ll grab a dollar slice on my way home.”
If I weren’t an actor I’d be…“I wish I could say that I would be feeding the hungry or something. But I’ve always liked to throw parties, so I’d be a world- renowned DJ who gets flown all over the place for parties on yachts and in underground clubs.”

JONATHAN GROFF
Plays: King George
Hometown: Lancaster, PA
You might know him from: Glee, Frozen (voice of Kristoff)
First role: “I was Dorothy in The Wizard of Oz in my dad’s barn. I was a drag Dorothy.”
Dream costar: “I’d love to do a play with Cate Blanchett. I saw her in A Streetcar Named Desire, and it’s my favorite performance ever.”
Confession: “I was on a first date, maybe a year and a half ago. We ate dinner, then he came back to my apartment, and I don’t smoke, but he smoked a cigarette. We were making out, and he’s smoking. So I took a cigarette and also smoked it, and then five minutes later, I projectile vomited because I got so nauseous from smoking. That’s probably the most embarrassing thing that’s ever happened.”

read more profiles in the article! on newsstands on July 14.


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Pardon me, are you a papercut Aaron Burr, sir?

Leslie Odom Jr. - Have Yourself A Merry Little Christmas

“with black performers, we’re often called to stop the show and it stops there. we’re going to sort

“with black performers, we’re often called to stop the show and it stops there. we’re going to sort of trot you out and have you sing the highest note you can sing or have you dance until you have smoke coming out of your shoes,” he said. “but when you talk about … the full spectrum of emotions that we were allowed to bring to the stage of ‘hamilton,’ i hope once and for all, at least for a generation, people will be able to go, ‘look at what we saw in ‘hamilton.’ we know this thing is possible.’” [x] [x]


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Everybody talks about they wantin’ a piece of the pie, well I don’t. I want the goddamn recipe.

Sam Cooke, One Night in Miami… (2020)

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