#leslie odom jr
next time someone asks me for a fun fact about myself, i’m telling them about how i can differentiate between the beginnings of 10 duel commandments & the world was wide enough
MONFRERE Motorsports Collection
MONFRÈRE turned up the heat in the driver’s seat this past weekend, Saturday, May 7, launching a limited Motorsport Capsule collection while offering complimentary race-day inspired personalization adornment at Saks Fifth Avenue Bal Harbour.
FOODGOD, formerly known as Jonathan Cheban, Tara Rudes Dann (owner of L’AGENCE) and models Bertil Espegren and Fabian Basabe were among the VIPs enjoying…
One Night in Miami: Review
Not so hidden figures
There is a scene early on in One Night in Miami that perfectly captures what the film is getting at. Visiting an old friend in the South of America, African-American NFL player Jim Brown (Aldi’s Hodge) is praised for all of his work on the field, but is then left speechless when the same man says he can’t have any black people in his house. This tension between celebrity and race relations is at the heart of Regina King’s powerful directorial debut, which presents a complex portrayal of both its subject and its larger-than-life black icons.
Drawing its story from its critically acclaimed stage play by Kemp Powers, the film quickly gets us acquainted with our main players - NFL star Jim Brown, who is considering a career change to acting, boxer Cassius Clay (Eli Goree), later Muhammad Ali, celebrated jazz singer Sam Cooke (Leslie Odom Jr.), and political activist Malcolm X (Kingsley Ben-Adir). After the surprise boxing victory of Cassius over Sonny Liston in 1964, it imagines what might have gone down when the four men came together to celebrate in a motel in Miami, and ended up discussing their different levels of involvement in the civil rights movement.
For a film based on fiction, One Night in Miami feels incredibly authentic. As it was originally a play, the film is essentially one long dialogue set within one space, but the schisms between them are believable and engaging enough to convince you it actually happened. Much of this division comes down to Malcolm X, who encourages his commercially minded friends to use their celebrity to help fight the white man, while he wrestled with his on fateful decision to leave the Nation of Islam.
Given that there is a lot of talking, it helps that King has found a stunning cast - all relative newcomers - who prove more than up to the challenge of bringing these legends to life. Ben-Adir may have had to deal with the shadow of Washington’s Oscar-winning portrayal, but he manages to craft a performance that stands up in its own right. Nailing Malcolm’s speech pattern and sense of righteousness, he also communicates the paranoia, frustration and torment that the man was going through near the end of his life, delivering impassioned speeches that the man himself might have been proud of. As Clay, Goree effortlessly captures the arrogance and swagger of the man before he made his conversion to Islam, so much that at one point he is referred to as a “giant fucking baby”. They might not be as central to the plot, but Odom Jr. also leaves a lasting impression as the smooth-talking Cooke, while Hodge impressed with a quiet yet impactful performance as the more reserved Brown.
There isn’t much in the way of event, and if you are expecting any drama, you might leave feeling slightly short changed. However, as a moment in time that precedes major changes in social attitudes, One Night in Miami remains a truly fascinating watch. King, in her first film as director, shows a strong grasp of the themes of the play, using the differences between these four men to explore the nature of celebrity, and how much responsibility comes with it. It makes for some arresting arguments and squabbles - particularly that between Malcolm and Cooke, who finds himself accused of making music to please white people, rather than helping liberate his own people. However, it also finds time for moments of surprising levity, like when one character interjects a heated discussion with “Malcolm will you please have some damn ice cream?”. Lending a sense of levity to its thought-provoking subject matter, it is a perfect film for our dark times.
Exploring the difficult line between celebrity and social responsibility, King’s directorial debut is as assured as they come - thoughtful, funny and perfectly performed by its leading quartet.
★★★★
Día 11.- Rivales: Alexander Hamilton Vs Aaron BurrdeHamilton
The way I’ve had a crush on Daveed Diggs since 2017…
Favorite Lyrics Hamilton Act 2 Edition
What’d I Miss- ‘cause he’s been kicking ass as the ambassador to France
Cabinet Battle #1- hey, turn around, bend over, I’ll show you where my shoe fits
Take A Break- “My dearest Angelica”/ with a comma after “dearest”/ you’ve written: “my dearest, Angelica”
Say No To This- if you pay/ you can stay
The Room Where It Happens- the pieces that are sacrificed in every game of chess
Schuyler Defeated- beware, if goeth before the fall
Cabinet Battle #2- do whatever you want, I’m super dead
Washington On Your Side- southern motherfucking democratic republican
One Last Time- I’m stepping down, I’m not running for President
I Know Him- Jesus Christ, this will be fun!
The Adams Administration- as long as he can hold a pen, he’s a threat
We Know- ha, you don’t even know what you’re asking me to confess
Hurricane-we were sick and she was holding me/ I couldn’t seem to die
The Reynolds Pamphlet- I’m not here for you
Burn-you sleep in your office instead
Blow Us All Away- the ladies say my brain’s not where the resemblance stops
Stay Alive (Reprise)- I would always change the line
It’s Quiet Uptown- I never liked the quiet before
Election of 1800- Jefferson has beliefs. Burr has none
Your Obedient Servant- the only common thread has been your disrespect
Best of Wives and Best of Women- come back to sleep
The World Was Wide Enough- I survived but I paid for it
Who Lives, Who Dies, Who Tells Your Story- and when my time is up/ have I done enough
Favorite Lyrics Hamilton Act 1 Edition
Alexander Hamilton- And me? I’m the damn fool that shot him
Aaron Burr, Sir- if you stand for nothing Burr, what’ll you fall for?
My Shot- I’m past patiently waiting/ I’m passionately smashing every expectation/ every action’s an act of creation
The Story Of Tonight- something they can never take away
The Schuyler Sisters- I’m a trust fund, baby you can trust me
Farmer Refuted- why should a tiny island across the sea regulate the price of tea?
You’ll Be Back- I’ll kill your friends and family to remind of my love
Right Hand Man- Dying is easy, young man; living is harder
A Winter’s Ball- if you can marry a sister, you’re rich son/ is it a question of if, Burr, or which one?
Helpless-And long as I’m alive, Eliza, swear to God you’ll never feel so helpless
Satisfied-Atleast my dear Eliza’s his wife/ atleast I keep his eyes in my life
The Story of Tonight (Reprise)- if the Tomcat can get married (if Alexander can get married)/ there’s hope for our ass, after all!
Wait For It- what’s it like in his shoes?/ Hamilton doesn’t hesitate
Stay Alive- we have resorted to eating our horses
Ten Duel Commandments- pray that Hell or Heaven lets you in
Meet Me Inside- call me son one more time-!
That Would Be Enough- but you deserve a chance to meet your son
Guns and Ships- ev’ryone give it up for America’s favorite fighting Frenchman!
History Has Its Eyes On You- you have no control/ who lives, who dies, who tells your story
Yorktown (The World Turned Upside Down)- when you knock me down I get the fuck back up again
What Comes Next- you cheat with the French/ now I’m fighting with France and with Spain
Dear Theodosia- when you came into the world, you cried and it broke my heart
Non-Stop-Burr, we studied and we fought and we killed/ for the notion of a nation that we now get to build
Burr:hey
Ham:hey
Burr:hey
Ham:hey
Connor, Jared & Evan:
HEY HEY HEY HEY
Pardon me, are you a papercut Aaron Burr, sir?
Everybody talks about they wantin’ a piece of the pie, well I don’t. I want the goddamn recipe.
Sam Cooke, One Night in Miami… (2020)