#richard duke of gloucester
aneurin barnard as richard iii: revolutionaries wait / for my head on a silver plate / just a puppet on a lonely string / oh, who would ever want to be king?
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I am just trying to represent the moment when Elizabeth Woodville appears in Reading to be presented as the queen and apart from the fact that this horse has squeezed half of my life (I don’t like to draw horses in particular), I can say that it is one of my favorite frames from the whole story! Elizabeth’s current design was entirely inspired by this illustration, which, by the way, I love so much !!
Well, that being said, let’s get back to work! The comic won’t finish by itself! (God, I need a break.)
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I just finished the design of Richard Plantagenet (the future Richard III) and so the York family is the first completed family in the whole family scheme that I set out to do! I did not know exactly what kind of clothing would suit a twelve-year-old child who is supposed to be part of the royal family (given that the action of the first volume takes place in 1464), so I allowed myself to create a much more mature image, probably around seventeen, eighteen? Well, an adult, if we follow medieval standards! The finality of this part of character design excited me so much that I made them their own height scheme and a simplified family tree (because why not?)
PS: I’m usually not very impressed with what I create, but in this case, I can’t take my eyes off of Richard, the Duke of York! lol
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The end of the first volume is in progress! Or so I hope. I can’t say that it’s something complete, but in fact, the topic related to the faculty allows me to approach this part of the volume (despite the fact that its core is not concretized at all, lol). I am excited - I can focus a little more on this, instead of having to approach completely different topics and concepts. Well, these two pages of sketch represent the moment of the approaching coronation of my much loved queen, Elizabeth Woodville!
When I read about the coronation ritual but also about the post-ritual banquet, and found out that the dress she is wearing is purple (but not knowing the type of dress at all), I said to myself that this is the time to use my imagination at its maximum. So I came up with this type of dress, which, by the way, I absolutely adore!
I can only hope that I will meet success on the next pages!
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Today I had a day off from the daily chores of college, so I said I would take this time to create the design of Margaret of Anjou. It was not a complicated one to do, the idea came to me almost immediately and the more I progressed with this work, the more I became enchanted by the life of this woman I came to admire! What I find most interesting is the conflict between her, her faction and Richard, the Duke of York, whose design I created some time ago. Well, I told myself, on this occasion I brought them together with the help of this project. Maybe I will have the opportunity to present and develop the conflict between them much better in a separate volume from the main story, who knows?
Well, until then, I can only try to make things as great as possible!
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From the beginning of this project, I had the feeling that as soon as I deepen some things, when I go on several alleys and their perspectives, I will end up having a new obsession every time (as it happened to have with Cecily and Richard, the Duke of York, for example.) But no matter how mentally prepared I felt, I didn’t expect my new obsession (still developing) to be George and Isabel. And when you think that it all started with a trivial character design!
So, this time I tried to go a little beyond the stage of a character design and I focused on drawing a moment, more precisely, a moment spent at one of their wedding celebrations in Calais in 1469, when the couple shared this small, intimate moment, before a dance. I didn’t find the exact type and color of their outfits (don’t believe me, the truth is that I was too lazy to look for this or try to find out if there is a description), so I made it up completely. Initially, the jewelry in question should have been a brooch, because I know that brooches were offered to brides or future brides by the man, but I ended up drawing a necklace.
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“Trouble’s Comin” was the song I was listening to when this drawing idea came to my mind. My interest was aroused even more when the image encompassed none other than Edward IV and his three eldest daughters. The scene, I believe, may have been set around 1472, with six-year-old Elizabeth, five-year-old Mary and three-year-old Cecily, just a year and a half after his return from exile in Burgundy. It is supposed to be time for hard work, but the Princesses of York will definitely make up for lost time in the presence of their father!
So watch out, Edward! Trouble is coming!
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Cecily Neville gave me a big headache when I tried to imagine her better. In my naivete, I thought I got rid of the hardest thing, but it wasn’t like that at all! Her son, George, the Duke of Clarence, was just as hard to portray, and that’s because my mind waged a war between the idea of making him a teenager and the one of illustrating him with a more mature figure. Well, considering that this is the first volume (I have great resentments for all the tasks offered by the college that made it difficult for me to work on this project!), I decided to choose the first option. So, I have a fifteen-year-old Clarence.
PS: I can’t express in words how much I love this type of robe. I think I’ll let myself be swept away and I’ll draw a dozen, just for him!
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I was going to do something completely different, but then this idea came to me. My brain whispered, “How about you draw Isabel Neville wearing maternity clothes?” and since then I have had no peace, neither in mind nor in soul. I think this is a hidden pleasure of mine, because I love to draw pregnant women. The outfit is not exactly what I would have liked, but time has not allowed me to think of something more elaborate, but maybe in the near future I will return to this idea with a different approach.
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Richard the Duke of York is one of the figures I simply adore in the War of the Roses! And I especially love to draw him!
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Isabel Neville seems to me one of the most interesting but vague personalities involved in the War of the Roses (I still don’t know absolutely all the details about her!), which makes her a character quite difficult to define in my project. I spent days thinking about a character design suitable for her and a few days ago I felt a sparkle: I needed something quite imposing and relevant to my project, thus I was faced with the need to let historical accuracy aside to some minimum extent/to a certain level (in order to better differentiate the characters from each other). Here I portrayed her as the Duchess of Clarence, a relatively mature figure of hers. I keep looking at historical pictures with her, wondering if I made a mistake, but all I can say right now is that I simply love this outfit!
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While also working for this term’s project besides the Wars of the Roses, I thought it would be ideal to take into account the height of my main characters (because why not.) I hope that after I finish the other characters properly, I will better separate these elements.
The characters are as follows: Edward IV, Anthony Woodville, Richard Neville, Earl of Warwick, Richard Woodville, Jacquetta Woodville and Elizabeth Woodville.
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Although few representations of her exist and even if the most popular one is found in the Talbot Shrewsbury’s book, I thought I would illustrate Margaret de Anjou as we see her in the Coventry tapestry, a representation that I especially adore!
Thus, we have a beautiful and especially strong Queen in the foreground and a little further back is… her incredibly devoted husband! XD
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I think Edward IV reserved a special place in Hell for me on this occasion.
PS: These two representations are from my comic about the Wars of the Roses and have humorous purposes.
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Someone should stop me, because at this rate I will end up illustrating the whole Plantagenet family!
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“On Michaelmas Day, 29 September 1464, the King formally presented his new bride to his subjects, or at least as many of them who could gather in and around Reading Abbey. There ‘Lady Elizabeth was admitted into the abbey church, led by the Duke of Clarence and the Earl of Warwick, and honoured as Queen by the lords and all the people.”
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“John Genycote received 3s for writing and limning (illuminating) six ballads presented to the Queen on her approach, and John Thompson 8d for writing ‘6 ballads on tablets fixed to the pageant on the bridge.” – Elizabeth, England’s Slandered Queen by Arlene Okerlund.
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As is usually the case when I allow myself a few days off from my regular work, I have allowed myself to illustrate one of the many ideas that come to me during the days already loaded with so much work. This time I chose to illustrate this, I felt that it could not wait. I don’t think I’ll get over this obsession too soon, the father-daughter relationship between Edward IV and Elizabeth of York.
It seems to me that one of the qualities of Edward was the fact that he is an indulgent father with his daughters, even if there are days when his patience is put to the test!
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