#rudolph valentino

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ilakid:Rudolph Valentino, Vilma Banky “The Eagle”

ilakid:

Rudolph Valentino, Vilma Banky

“The Eagle”


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maudelynn:Dorothy Gish & Rudolph Valentino in Nobody Home c.1919, filmed at Castle Green in Pa

maudelynn:

Dorothy Gish & Rudolph Valentino in Nobody Home c.1919, filmed at Castle Green in Pasadena Ca

viahttp://dorothy-gish.com


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Rudolph Valentino and Natacha Rambova with Prince, Valentino’s German Shepherd 

Rudolph Valentino and Natacha Rambova with Prince, Valentino’s German Shepherd 


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classiceras:

Rudolph Valentino judging the final contestants and crowning the winner for the Mineralava Beauty Contest, Madison Square Garden, December 1923.

Rudolph Valentino

-Day Dreams

mote-historie:Alla Nazimova, and Rudolph Valentino in Camille, 1921.  Costume design by Natacha Ra

mote-historie:

Alla Nazimova, and Rudolph Valentino in Camille, 1921. 

Costume design by Natacha Rambova.


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Happiest of birthdays to my WonderTwin, Astral Gravy! I hope you are surrounded by love and cake today! Here’s a Nouveau Valentino just for you ❤️

pale-hands-i-love: There are these rare occasions when looking at a before unseen photograph of Rudy

pale-hands-i-love:

There are these rare occasions when looking at a before unseen photograph of Rudy the only sound escaping ones lips is… ‘WOW!’

(Source: facebook.com/RudolphValentinoTheUntoldStory)


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therealspa:Silver Screen Silent Film Legend Rudolph Valentino http://ift.tt/2gsV1sv

therealspa:

Silver Screen Silent Film Legend Rudolph Valentino http://ift.tt/2gsV1sv


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sddubs:Rudolph Valentino and Vilma Banky in Son of the Sheik c.1926

sddubs:

Rudolph Valentino and Vilma Banky in Son of the Sheik c.1926


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A scene in Rudolph Valentino’s Hollywood film debut, Alimony (1917). Valentino is in the background.

A scene in Rudolph Valentino’s Hollywood film debut, Alimony (1917). Valentino is in the background.


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Rudolph Valentino in The Sheik, 1921.

Rudolph Valentino in The Sheik, 1921.


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Rudolph Valentino’s 1913 Italian identification card.

Rudolph Valentino’s 1913 Italian identification card.


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pale-hands-i-love:maudelynn:Rudolph Valentino c.1925 !923 in London

pale-hands-i-love:

maudelynn:

Rudolph Valentino c.1925 

!923 in London


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pale-hands-i-love:Rudy and Bebe Daniels in ‘Monsieur Beaucaire’ 1924.

pale-hands-i-love:

Rudy and Bebe Daniels in ‘Monsieur Beaucaire’ 1924.


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s-wonderful-s-marvelous:Rudolphe Valentino (Rodolfo Alfonso Raffaello Piero Filiberto Guglielmi di

s-wonderful-s-marvelous:

Rudolphe Valentino (Rodolfo Alfonso Raffaello Piero Filiberto Guglielmi di Valentina d'Antoguolla).

rudolph_valentino_1400byAmy Jeanne on Flickr.

¤


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rudolph valentino
pale-hands-i-love:Rudy and Mae Murray in ‘The Big Little Person’ 1919. Directed by Robert Z. Leona

pale-hands-i-love:

Rudy and Mae Murray in ‘The Big Little Person’ 1919.

Directed by Robert Z. Leonard and starred his then-wife and muse Mae Murray. Rudy was credited as M. Rodolpho De Valentina, he had a supporting role and the film is now considered lost.


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rudolph valentino
voxsart:Tailored Precision. Rudolph Valentino.

voxsart:

Tailored Precision.

Rudolph Valentino.


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adelphe:Rudolph Valentino Screen Facts Vol. 3 No. 5, 1968

adelphe:

Rudolph Valentino

Screen Facts Vol. 3 No. 5, 1968


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pale-hands-i-love:‘The Sheik’ 1921

pale-hands-i-love:

‘The Sheik’ 1921


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pale-hands-i-love:Rudy & Natacha at the Croydon Aviation Field (Boarding a flight to Paris-Le

pale-hands-i-love:

Rudy & Natacha at the Croydon Aviation Field (Boarding a flight to Paris-Le Bourget), London, August 1923.

(Croydon was the first airport in the world to introduce air traffic control. In 1923 flights to Berlin Tempelhof Airport began, and the airport became the operating base for Imperial Airways, remembered in the road name Imperial Way on the site today. Croydon was where regular international passenger services began, initially using converted wartime bombers, and the Croydon-Le Bourget route soon became the busiest in the world.)

From Rudy’s Private Diary: 

“We left London by motor, and I made head for Croydon, the aviation field. I had done considerable aviating before the war, and so it was, in a sense, no new experience for me. Excepting that I had never used the closed machine, as it were. I mean, I like sitting out with the pilot, the winds of all the heavens blowing on you, free, disembodied, as near a flighted bird as man can be. Sitting as we did on this trip, in the stuffy enclosure of a tonneau effect with some eight or ten other people (not to mention the four dogs) took the very essence of the sport out of the flight for me. Now and then some of the passengers would be affected with a degree, mild or otherwise, of airsickness, and that took a great part of romance out of the trip as well.”


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Rudolph Valentino - The Eagle (1925)

Rudolph Valentino - The Eagle (1925)


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lilipopeline: Rudolph Valentino

lilipopeline:

Rudolph Valentino


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