#silent era

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This Photo has been made during one Workshops of mine in 2019. It was an example shot made with my Smartphone Samsung S8 (Censored Version)

#FanArtFriday We love @beelaurenart’s poster design for “College,” 1927. Send your fan art to [email protected] for a chance to feature in future, or in our magazine, “The Keaton Chronicle.”

This Day in Buster…May 5, 1915 

Alice Faye, of “Hollywood Cavalcade,” 1939 is born.  Buster Keaton has got a little present for you, Alice - hope you like it!

The International Buster Keaton Society are celebrating their 30th year! And that deserves a gift - for YOU! We’re dropping our membership fees to $30 wherever you are in the world - that’s a saving for everyone, including us as profits go towards our preservation work.  More at busterkeaton.org/membership

ggugujn3edijn3:

The Incredible Stunts of Buster Keaton

Did we share this with you already? You need to watch it!

#MovieMonday “Steamboat Bill Jr.,” 1928 was Buster Keaton’s final independent film.  It is arguably best known for the housefront stunt which has been much imitated, but never equalled.  The gag started with Roscoe Arbuckle & Buster kept running with it until it reached its climactic end.

This Day in Buster…April 30, 1928

“College,” with the title "Hyppyä, soutua, rakkautta,” meaning “Jump, Row, Love,” opens in Finland.

blondebrainpower:

In 1920, Buster Keaton suffered a broken ankle filming a sequence with the moving staircase he built for The Electric House. Production was stopped while he recovered, and the movie was restarted from scratch in 1922. No footage from the original production is known to survive.

Sorry, but we’re going to do an ‘Actually…“

Actually it was not a broken ankle but very badly torn tendons/ligaments however the injury did require a cast & weeks of rest.

Pictured here with parents, Myra & Joe.

#SaturdayCaptions Slide your captions for this screenshot from “College,” 1927 into comments - three strikes & yer out!

#SaturdayCaptions Caption this seemingly steamy moment between Buster Keaton & Marion Byron on the set of “Steamboat Bill Jr.” 1928.

#FanArtFriday @GretaBowie’s stunning digital portrait is pastel perfection.  Send your fan art to socialmedia@busterkeaton.org for a chance to feature in future, or in our magazine, “The Keaton Chronicle.”

llpodcast: Buster Keaton’s biography is a very in depth and provocative biography that leaves no sto

llpodcast:

Buster Keaton’s biography is a very in depth and provocative biography that leaves no stone unturned.

This biography is a very interesting read that gives a lot of details from the birth to his death.  It includes almost minute by minute details of his films, stage performances and life.  It is a very comprehensive read that fully immerses itself into the life of Keaton.

The author has done a phenomenal job giving a comprehensive study of a comic genius from cradle to death and to gather interviews from vaudeville and silent screen is a major feat within itself.  The making of the shorts and how each comedy section in the films in great deal is a treasure trove of information.  The book does jump from the last film Keaton did and back to his birth and forward, but this is very sporadic and does not take away from the rhythm of the book.  

Curtis traces the growth of Keaton and then we get the downward years which are simply heart-breaking. We follow his decline and how a company did not appreciate the genius that they have and how this would lead to drink and a sense of helplessness.  

Overall, this is an excellent biography and though it is very lengthy the reader will end up aficionado of all of Keaton work and will start to hunt down his career via his silent films and other work.  I know I did. I liked Keaton but because of this book, I am now a true fan and will be doing a Keaton series on my show in the next season to celebrate the man and his work.  The only bad thing is because of the in-depth writing, I spent weeks and weeks reading this book which put my other reviews on the side but saying that I am glad I did.  Fantastic and a must read.


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This Day in Buster…May 12, 1928

“Steamboat Bill, Jr.” has its World Premiere in New York.  The movie took the place by storm.

#ThrowbackThursday A series of posters from the “Steamboat Bill, Jr.” pressbook.  The film premiered 94 years ago today!

This Day in Buster…May 11, 1924

“Sherlock Jr.” has its general U.S. release.  The game was indeed afoot!

#WIPWednesday Buster Keaton considers whether the butler did it in this promo pic from the set of “Sherlock Jr.” which went on general U.S release 98 years ago today.

This Day in Buster…May 10, 1924

The News-Pilot reported that when Buster Keaton recently needed a birth certificate, his father Joe wrote a letter to Piqua, Kansas & had it returned with ‘no such place’ written on it.  Nearby Cherryvale confirmed the town had been blown away in a cyclone & that what was left was repurposed in their town.  The whole thing was a Keaton family tall story - today Piqua is the site of the Buster Keaton Museum kansastravel.org/busterkeatonmuseum.htm

blondebrainpower:

In 1920, Buster Keaton suffered a broken ankle filming a sequence with the moving staircase he built for The Electric House. Production was stopped while he recovered, and the movie was restarted from scratch in 1922. No footage from the original production is known to survive.

Torn tendons in that ankle, rather than a break. Still weeks of recovery in a cast.

#MovieMonday “The Cameraman,” 1928 was Buster Keaton’s first film with MGM.  There was a script, but he was able to make the film as he saw fit which did not involve much of the original screenplay.  MGM used Buster’s film as an example of how to write a romantic comedy for decades afterwards.

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