#showa period

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Present for a friend I’d forgotten to post!Shit’s been crazy busy, and it’s about to get even crazie

Present for a friend I’d forgotten to post!

Shit’s been crazy busy, and it’s about to get even crazier. Oh boy…


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Famous Japanese Feminist Authors. Left Yoshiko Yusa who was a famous russian/japanese translater and right her long term partner, another feminist author Toshiko Tamura.

First issue of Seito in 1911, which became an integral part of the Japanese Women’s Rights Movement.

“The magazine’s name, Seitō, translated to “Bluestockings,” a nod to an unorthodox group of 18th-century English women who gathered to discuss politics and art, which was an extraordinary activity for their time.

But Seitō was not intended to be a radical or political publication. “We did not launch the journal to awaken the social consciousness of women or to contribute to the feminist movement,” wrote the magazine’s founder, Haruko Hiratsuka, who went by the penname Raichō, or “Thunderbird.” “Our only special achievement was creating a literary journal that was solely for women.” Raichō was most interested in self-discovery—“to plumb the depths of my being and realize my true self,” she wrote—and much of the writing in the magazine was confessional and personal, a 1910s version of the essays that might now be found in or Catapult.

Women’s feelings and inner thoughts, however, turned out to be a provocative challenge to the social and legal strictures of this era, when a woman’s role was to be a good wife and mother. The Seitō women imagined much wider and wilder emotional and professional lives for themselves. They fell in love, they indulged in alcohol, they built careers as writers, and they wrote about it all—publicly. The stories were radical enough that the government censored them. The story that prompted policemen to visit the magazine’s office late at night was a piece of fiction about a married women writing to her lover to ask him to meet her while her husband was away.

As they attracted public attention and disapproval, instead of shying away from the controversy they’d created, the editors of Seitō were forced to confront more baldly political questions, and this in turn earned them more banned issues. In the pages of their magazine they came to debate women’s equality, chastity, and abortion. Without originally intending to, they became some of Japan’s pioneering feminists.”

-Excerpt from HERE documenting women’s history in Japan

Full version of a Promare fashion zine I was a part of. I always had an interest in Taisho/Showa era

Full version of a Promare fashion zine I was a part of. I always had an interest in Taisho/Showa era fashion so this was a fun exploration piece for me.


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 The Promare fashion zine I was a part of is currently open for pre-orders. Funds made will go to Pr

The Promare fashion zine I was a part of is currently open for pre-orders. Funds made will go to Project hope, which helps health care workers all over the world, especially during these trying times

 Check it out here: https://radiancezine.bigcartel.com/product/radiance-a-promare-fashion-zine


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デパートのマネキンガールDepartment store mannequin girls1929デパートのマネキンガールDepartment store mannequin girls1929

デパートのマネキンガール
Department store mannequin girls

1929


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ヨーヨーで遊ぶ女性Ladies playing with a yo-yo1933

ヨーヨーで遊ぶ女性
Ladies playing with a yo-yo

1933


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昭和前期 資生堂 ポスターEarly Showa-era Shiseidō Posters1920s昭和前期 資生堂 ポスターEarly Showa-era Shiseidō Posters1920s昭和前期 資生堂 ポスターEarly Showa-era Shiseidō Posters1920s

昭和前期 資生堂 ポスター
Early Showa-era Shiseidō Posters

1920s


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taishou-kun: Domon Ken 土門 拳 (1909-1990) Young nurses of the Red Cross, Azabu/Tokyo - Japan - 1938

taishou-kun:

Domon Ken 土門 拳 (1909-1990)

Young nurses of the Red Cross, Azabu/Tokyo-Japan - 1938


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Actress/dancer Ashita Matsuko, at the Moulin Rouge Theater ShinjukuFrom left to right are 伏見愛子 Fushi

Actress/dancer Ashita Matsuko, at the Moulin Rouge Theater Shinjuku

From left to right are 伏見愛子 Fushimi Aiko, actor/film director 小崎政房 Ozaki Masafusa, 明日待子 Ashita Matsuko, and actress 望月優子 Mochizuki Yūko.

1935


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明日待子Ashita Matsuko (1920 - )Ashita Matsuko is a former popular actress and dancer during the wartime明日待子Ashita Matsuko (1920 - )Ashita Matsuko is a former popular actress and dancer during the wartime

明日待子
Ashita Matsuko (1920 - )

Ashita Matsuko is a former popular actress and dancer during the wartime era. She was the poster girl of the Moulin Rouge theater in Shinjuku, Tokyo during the early Showa era until after the war.

During the war, the Japanese government utilized her for national policy and featured her in various war posters and publishings, including “idol” magazines published by the Army/Navy intended for soldiers on the battlefield. Many soldiers looked forward to receiving the magazine.

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Ashita Matsuko smiling while reading a newspaper article about a naval battle in Malaya on December 10, 1941.

The first edition of the Navy-published “idol magazine” 戦線文庫 Sensen Bunko (Frontline Paperback)

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Poster for a performance in Manchuria.

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Here’s how she looks like now at the age of 97.


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戦時中アイドル 明日待子Wartime-era idol, Ashita Matsuko (1920 - )Ashita Matsuko is a former popular actress and

戦時中アイドル 明日待子
Wartime-era idol, Ashita Matsuko (1920 - )

Ashita Matsuko is a former popular actress and dancer during the wartime era. She was the poster girl of the Moulin Rouge theater in Shinjuku, Tokyo during the early Showa era until after the war.


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aozoramusume:Aizen Katsura (Hiromasa Nomura, 1938)aozoramusume:Aizen Katsura (Hiromasa Nomura, 1938)aozoramusume:Aizen Katsura (Hiromasa Nomura, 1938)aozoramusume:Aizen Katsura (Hiromasa Nomura, 1938)aozoramusume:Aizen Katsura (Hiromasa Nomura, 1938)aozoramusume:Aizen Katsura (Hiromasa Nomura, 1938)

aozoramusume:

Aizen Katsura (Hiromasa Nomura, 1938)


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A kimono-clad family decorating their Christmas tree in Yokohama, Japan1950

A kimono-clad family decorating their Christmas tree in Yokohama, Japan

1950


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