#star wars spaceship

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An example of the tonal difference between gritty comics and melodramatic ones. Both of them are effAn example of the tonal difference between gritty comics and melodramatic ones. Both of them are eff

An example of the tonal difference between gritty comics and melodramatic ones. Both of them are effective in their own contexts.

I do have a theory that Star Wars has gotten weepier since Disney took it over, but perhaps that’s too big a claim to substantiate. Personally, I find myself drawn to the dark humor you find more often in older stories.

“Star Wars 13: Five Days of Sith,” part 1. Dark Horse. January 8, 2014. Writer: Brian Wood. Penciller: Facundo Percio. Inker: Dan Parsons. Letterer: Michael Heisler. Colorist: Gabe Eltaeb.

“Lost Stars,” Volume 2, Chapter 10. September 3, 2019. Original YA novel by Claudia Gray. Adaptation and Illustration by Yusaka Komiyama.


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He’s so blunt, lol“Tales from Vader’s Castle,” issue 1: “The Haunting of the Ghost.” Marvel. October

He’s so blunt, lol

“Tales from Vader’s Castle,” issue 1: “The Haunting of the Ghost.” Marvel. October 3, 2018. Writer: Cavan Scott. Pencillers: Derek Charm and Chris Fenoglio. Letterer: Robbie Robbins.


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This storyboard is so beautiful that it makes me wish Empire Strikes Back was entirely animated in t

This storyboard is so beautiful that it makes me wish Empire Strikes Back was entirely animated in this style. Look at those hands and those marker lines. Stylish and energetic.

Storyboard drawn by Nilo Rodis-Jamero during the late 70s as preproduction for The Empire Strikes Back. From “Storyboards: The Original Trilogy,” edited by J. W. Rinzler and published in 2014.


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alienspaceshipcentral:Great Fighter and shuttle picture

alienspaceshipcentral:

Great Fighter and shuttle picture


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