#tarkovsky

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Tarkovsky’s Solaris (1972) “Remember Tolstoy? His suffering over the impossibility of loving mankindTarkovsky’s Solaris (1972) “Remember Tolstoy? His suffering over the impossibility of loving mankind

Tarkovsky’s Solaris (1972)

“Remember Tolstoy? His suffering over the impossibility of loving mankind as a whole? How much time has passed since then? Somehow I can’t figure it out. Help me.“


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Tarkovsky’s Solaris (1972) “See, I love you. But love is a feeling we can experience but neverTarkovsky’s Solaris (1972) “See, I love you. But love is a feeling we can experience but never

Tarkovsky’s Solaris (1972)

“See, I love you. But love is a feeling we can experience but never explain. One can explain the concept. You love that which you can lose: Yourself, a woman, a homeland. Until today, love was simply unattainable to mankind, to the earth. Maybe we are here to experience people as a reason for love.”


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Tarkovsky’s Solaris (1972) “See, I love you. But love is a feeling we can experience but neverTarkovsky’s Solaris (1972) “See, I love you. But love is a feeling we can experience but neverTarkovsky’s Solaris (1972) “See, I love you. But love is a feeling we can experience but neverTarkovsky’s Solaris (1972) “See, I love you. But love is a feeling we can experience but neverTarkovsky’s Solaris (1972) “See, I love you. But love is a feeling we can experience but neverTarkovsky’s Solaris (1972) “See, I love you. But love is a feeling we can experience but never

Tarkovsky’s Solaris (1972) 

“See, I love you. But love is a feeling we can experience but never explain. One can explain the concept. You love that which you can lose: Yourself, a woman, a homeland. Until today, love was simply unattainable to mankind, to the earth. Maybe we are here to experience people as a reason for love.”


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Tribute poster to Solaris, a film by Andrei Tarkovsky.

Tribute poster to Solaris, a film by Andrei Tarkovsky.


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Andrei Tarkovsky, acting in Aleksander Gordon’s Sergey Lazo. It should be a rule that every fiAndrei Tarkovsky, acting in Aleksander Gordon’s Sergey Lazo. It should be a rule that every fiAndrei Tarkovsky, acting in Aleksander Gordon’s Sergey Lazo. It should be a rule that every fiAndrei Tarkovsky, acting in Aleksander Gordon’s Sergey Lazo. It should be a rule that every fiAndrei Tarkovsky, acting in Aleksander Gordon’s Sergey Lazo. It should be a rule that every fiAndrei Tarkovsky, acting in Aleksander Gordon’s Sergey Lazo. It should be a rule that every fiAndrei Tarkovsky, acting in Aleksander Gordon’s Sergey Lazo. It should be a rule that every fiAndrei Tarkovsky, acting in Aleksander Gordon’s Sergey Lazo. It should be a rule that every fiAndrei Tarkovsky, acting in Aleksander Gordon’s Sergey Lazo. It should be a rule that every fiAndrei Tarkovsky, acting in Aleksander Gordon’s Sergey Lazo. It should be a rule that every fi

Andrei Tarkovsky, acting in Aleksander Gordon’s Sergey Lazo. It should be a rule that every film director experience the actor’s role. This is a great way of learning how to communicate with your actors and how to empathize with them since being in front of a camera and bearing your soul is quite a feat, one that should be respected and appreciated. On acting, Andrei Tarkovsky: “Original, unique expressiveness—that is the essential attribute of the cinema actor, for nothing less can become infectious on the screen or express the truth. For the actor to be brought to the required state of mind the director has to empathize with the character. There is no other way of finding the right note for the performance. You cannot, for instance, go into an unknown house and start shooting a rehearsed scene. It is an unfamiliar house, inhabited by strangers, and naturally enough it cannot help a character from a different world to express himself. The director’s first, very specific task is to convey to the actor the whole truth of the state of mind that has to be achieved. Naturally, different actors have to be approached in different ways.”

Keep plugged in to all things art, cinema, and filmmaking at @a.bittersweet.life!


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One of the greatest film directors of all times: Andrei Tarkovsky with his german shepherd.

One of the greatest film directors of all times: Andrei Tarkovsky with his german shepherd.


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I’ve watched “Andrei Rublev” by Tarkovsky and this film impressed me much. The great film about the great icon painter. This is not fanart just mostly inspired, I guess.


I’m still not sure, Tarkovsky or Tarkovski…

thefilmstage:ivanschildhood: This is so beautiful, passes an emotion on me, the four stages of a wthefilmstage:ivanschildhood: This is so beautiful, passes an emotion on me, the four stages of a wthefilmstage:ivanschildhood: This is so beautiful, passes an emotion on me, the four stages of a wthefilmstage:ivanschildhood: This is so beautiful, passes an emotion on me, the four stages of a w

thefilmstage:

ivanschildhood:

This is so beautiful, passes an emotion on me, the four stages of a woman’s life from The Mirror (1975).

We discuss Andrei Tarkovsky’s ravishing Mirror and reflect on the embrace of death in a new episode of Intermission.

Listen.


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“Movement is made more meaningful in the context of stillness.”

-Tarkovsky

honeygleam:

the aesthetic of: andrei rublev (1966) dir. andrei tarkovsky

maderilien:

“You don’t look well. Are you happy?”
“Somehow that concept seems irrelevant here.”

Solaris (1972), dir. Andrei Tarkovsky

honeygleam:

the aesthetic of: andrei rublev (1966) dir. andrei tarkovsky

 Polaroid by Andrei TarkovskyLot 26 - Polaroid 9

Polaroid by Andrei Tarkovsky
Lot 26 - Polaroid 9


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