#the pit and the pendulum

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 Happy birthday to the original Scream Queen, BARBARA STEELE, born today in 1937!

Happy birthday to the original Scream Queen, BARBARA STEELE, born today in 1937!


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I am not adept at taking decent selfies. Have a clear shot of bunnies instead, below. From when I was clearing out my camera roll. 

Celebrated by doing more or less the same stuff I do every week:

  • slept in on a Sunday thanks to blackout curtains
  • drank out of an Edward Gorey mug
  • wore last night’s Killstar t-shirt until I bathed behind a Gashycrumb Tinies shower curtain 
  • queued a list of male goth characters (check out the female one)
  • listened to dark wave
  • read a murder mystery (A Room Full of Bones)
  • currently watching classic horror (The Pit and the Pendulum) with fam
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Welcome, foolish mortals, to iheartvincentprice.tumblr.com: a month-long celebration of one of the hottest man-gods ever to walk the face of this good, green earth…

…and my ultimate dead man crush. 

(insert VP-esque-end-of-Michael-Jackson’s-Thriller-type-maniacal-laughter here)

Before we dive in, a note: I will not be announcing spoiler alerts in this blog. If you’re brave enough to read about a lecherous 28-year-old ladybaby lusting over a dead guy, trust me: you’re also brave enough to take the risk that you might swallow some unexpected movie spoilers along the way. Such is lust. Such is life.

And now, for the first deliciously diabolical movie review of the month:       

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Ah yes. The Pit and the Pendulum. What better way to kick off an entire month of VP lovin’ than to review this unforgettable Edgar Allan Poe tale of torture (are you surprised?), grief and, plain ol’ crazy-tude. No one plays insane like Vincey. He is simply a pro when it comes to maniacal facial expressions (including, but in no way limited to an astoundingly well-executed version of “the crazy eye”), gibbering, fevered monologues, and sadistic, uncontrollable cackling.

But first, some background: ThePit and the Pendulum was released in 1961 and directed by Roger Corman (diehard musical theater geeks will recognize him as the creator of the original, non-musical film The Little Shop of Horrors). It’s set in Spain in the 16th century in a sinister castle (hawt), where Vincey lives with his supportive and sympathetic sister (Luana Anders) and is mourning the recent death of his beloved wife Elizabeth (Barbara Steele).

Seems like a great life, right? But wait! There’s a foreboding stranger at the door! And blast! It’s none other than Elizabeth’s brother, (John Kerr - all growed up since his role as the awkward teenager-turned-cougar-lovah in Tea & Sympathy). Dubious and (understandably) suspicious, he arrives at Castle Price demanding to know the “true reason” behind Elizabeth’s untimely death. She couldn’t have died from a rare blood disease. She just couldn’t have!

Having provided the basic backstory, let us now dive into the lusty, lascivious portion of tonight’s opera.

First, allow me state the obvious: there’s nothing sexier than a tormented, brooding man.

I’m not trying to get all manic-pixie-dream-girl on ya, but it’s true. Let’s face it, cabbages. We’ve all met the opposite of the broody-man, and he’s not all that interesting, is he? Oh sure, he’s chock full of energy and positivity (yawn). He can’t wait to go to Vegas with his bros next month (check please). He’s pumped (and will actually use the word “pumped”) about the presentation he’s giving at his job this Thursday (gag me with a spoon). 

These types of men remind me of Dalmatian puppies. They’re adorable in that they seem to possess an endless reservoir of energy and zest for life…but let’s face it: that shit gets old.  

And if you’re a non-dingbat individual in possession of even an iota of personal substance or emotional depth?

It’s the tormented, brooding, conflicted men you really wanna fuck.

Am I right, y’all?

Needless to say, VP’s got the tormented, tortured act down. To a Tee. To a Tee PLUS, homies. As his character’s anguish intensifies, you, my fellow Vincent Price lovahs, will be delighted to know that he performs:

1) a very sensual fainting take, and

2) one very sexy/hilarious expression in response to accidentally stumbling into some thick spider webs (I mean, who doesn’t feel sexy stumbling into a spider web the size of freakin’ KANSAS?).

But the best part? He does it all in an extremely prominent 16th century ruffled collar:                         

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Oh yeah. I’m getting hot.

But the best and Vincey Priciest of acting comes in the last third of the film, when he follows his dead wife’s beckoning all the way down into the torture chamber in his basement (don’t act like you never thought of getting one), and then during the glorious finale when he goes stark raving cray cray and starts channeling his sadistic, torture-obsessed father.

The movie as a whole holds up as a rather entertaining and suspenseful chunk of work. If you’ve ever read anything by Edgar Allan Poe, you hopefully already know that the man: 1) was probably a mental case, and 2) knew how to tap into primal human fears like none other (okay, maybe Stephen King, but he came way later). One of those fears is of being buried alive (ahem: “premature interment” as they refer to it in the film - and yes, I am consciously choosing to refrain from making a joke about it). And I must say that even in a 52-year-old movie, the concept does not fail to pack an emotional punch. The penultimate pendulum scene (hah! I got to use an SAT word) builds tremendous suspense: it actually had me gasping a few times (Imagine! Moi! Gasping!) And from a psychological standpoint, the movie is great fun and contains plenty of post-film discussion fodder: there’s daddy issues, dissociation and lunacy. What more could a twisted, depraved moviegoer ask for?

        

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        “Am I not the spawn of his depraved blood?” Yes, Vincey, you are.

Maybe I’m biased (wellOFCOURSEIam), but I really don’t think the movie could have been as entertaining without ol’ Vincent in the lead role. One of the man’s great talents lay in his ability to be totally and utterly believable in some of the most unbelievable roles…and to bring a sense of humor to those roles at the same time. To see his transformation from weak-and-resigned-widower-in-mourning-turned-stark-raving-lunatic is nothing short of mesmerizing.

Not to mention incredibly sexy.

But you already knew I was going to say that. 

The Pit and the Pendulum directed by Roger Corman, 1961The Pit and the Pendulum directed by Roger Corman, 1961The Pit and the Pendulum directed by Roger Corman, 1961The Pit and the Pendulum directed by Roger Corman, 1961The Pit and the Pendulum directed by Roger Corman, 1961The Pit and the Pendulum directed by Roger Corman, 1961The Pit and the Pendulum directed by Roger Corman, 1961The Pit and the Pendulum directed by Roger Corman, 1961

The Pit and the Pendulum directed by Roger Corman, 1961


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