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Tyrone Power and Cécile Aubry reading the paper on the set of The Black Rose(Dmitri Kessel. 1949)

Tyrone Power and Cécile Aubry reading the paper on the set of The Black Rose

(Dmitri Kessel. 1949)


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vietlad:TYRONE POWER as Larry Darrellin THE RAZOR’S EDGE (1946) dir. Edmund Goulding vietlad:TYRONE POWER as Larry Darrellin THE RAZOR’S EDGE (1946) dir. Edmund Goulding vietlad:TYRONE POWER as Larry Darrellin THE RAZOR’S EDGE (1946) dir. Edmund Goulding vietlad:TYRONE POWER as Larry Darrellin THE RAZOR’S EDGE (1946) dir. Edmund Goulding vietlad:TYRONE POWER as Larry Darrellin THE RAZOR’S EDGE (1946) dir. Edmund Goulding vietlad:TYRONE POWER as Larry Darrellin THE RAZOR’S EDGE (1946) dir. Edmund Goulding vietlad:TYRONE POWER as Larry Darrellin THE RAZOR’S EDGE (1946) dir. Edmund Goulding vietlad:TYRONE POWER as Larry Darrellin THE RAZOR’S EDGE (1946) dir. Edmund Goulding

vietlad:

TYRONE POWER as Larry Darrell
inTHE RAZOR’S EDGE (1946) dir. Edmund Goulding

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lindadarnell:TYRONE POWER inThe Mark of Zorro (1940)Son of Fury: The Story of Benjamin Blake (1942)Jlindadarnell:TYRONE POWER inThe Mark of Zorro (1940)Son of Fury: The Story of Benjamin Blake (1942)Jlindadarnell:TYRONE POWER inThe Mark of Zorro (1940)Son of Fury: The Story of Benjamin Blake (1942)Jlindadarnell:TYRONE POWER inThe Mark of Zorro (1940)Son of Fury: The Story of Benjamin Blake (1942)J

lindadarnell:

TYRONE POWERin
The Mark of Zorro (1940)
Son of Fury: The Story of Benjamin Blake(1942)
Jesse James (1939)
Nightmare Alley (1947)


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Tyrone Power, Alice Faye - “In Old Chicago” 1938.

Tyrone Power, Alice Faye - “In Old Chicago” 1938.


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Some Favorite Films Noir:Notorious (1946, Alfred Hitchcock; Ingrid Bergman and Cary Grant pictured)GSome Favorite Films Noir:Notorious (1946, Alfred Hitchcock; Ingrid Bergman and Cary Grant pictured)GSome Favorite Films Noir:Notorious (1946, Alfred Hitchcock; Ingrid Bergman and Cary Grant pictured)GSome Favorite Films Noir:Notorious (1946, Alfred Hitchcock; Ingrid Bergman and Cary Grant pictured)GSome Favorite Films Noir:Notorious (1946, Alfred Hitchcock; Ingrid Bergman and Cary Grant pictured)GSome Favorite Films Noir:Notorious (1946, Alfred Hitchcock; Ingrid Bergman and Cary Grant pictured)GSome Favorite Films Noir:Notorious (1946, Alfred Hitchcock; Ingrid Bergman and Cary Grant pictured)GSome Favorite Films Noir:Notorious (1946, Alfred Hitchcock; Ingrid Bergman and Cary Grant pictured)G

Some Favorite Films Noir:

Notorious (1946, Alfred Hitchcock; Ingrid Bergman and Cary Grant pictured)

Gilda (1946, Charles Vidor; Glenn Ford and Rita Hayworth pictured)

The Postman Always Rings Twice (1946, Tay Garnett; Lana Turner and John Garfield pictured)

Nightmare Alley (1947, Edmund Goulding; Tyrone Power and Joan Blondell pictured)

The Naked City (1948, Jules Dassin; Barry Fitzgerald pictured)


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Some day I will show all the motherfuckers who say I was a success just because of my pretty face. Sometimes I wish I had a really bad car accident so my face would get smashed up and I’d look like Eddie Constantine. It’s so tiring being everybody’s darling boy at my age … I know I’ve been lucky, that things have gone almost too smoothly career-wise. What I resent about it is that it is all built on a pretty face. Hollywood was such a crazy place, made you feel terrific at times. You felt you could achieve anything because you were treated like a god. But it sure was a bum place too. When you saw the new faces queuing up, like bloody comets, who would strike the screen and leave an old worshiped star obsolete in no time. Nobody will ever understand what this did to people, how it destroyed them, made them hollow … Jesus Christ, I don’t want to become an ageless matinée idol, having to keep up my looks, lift my chin like Marlene and never dare smile in case my face cracks. - Tyrone Power

Here’s 5 to watch this week during TCM’s Summer Under the Stars lineup.

1. The Big Heat (1953) at 8 pm ET/5 pm PT Tuesday, Aug. 17: Gloria Grahame’s SUTS day is filled with noir riches. Basically, you can tune in any time during the afternoon or evening for a classic crime film (full schedule here: https://summer.tcm.com/ ), but if you have to pick just one, make it director Fritz Lang’s police procedural in which Grahame plays a disfigured mob moll seeking vengeance.

2. The Candidate (1972) at 1:15 pm ET/10:15 am ET Wednesday, Aug. 18: Robert Redford has starred in/directed several first-rate political films, but this cinema verite classic about a charismatic but vacuous Senate candidate is one of the best films airing during August. It anticipates our own image-driven age, and the final scene is a damning portrait of a man without a moral center (or any morals at all, really).

3. Late Autumn (1960) at 1:30 pm ET/10:30 am ET Thursday, Aug. 19: This beautifully filmed Japanese drama stars SUTS honoree Setsuko Hara as a widow who is trying to find a husband for her daughter (Yoko Tsukasa). Late Autumn is very specific to Japanese culture, but it also has universal themes of love, friendship, and family, and Hara is an actor who can break your heart with just one glance.

4. A Woman Rebels (1936) at 9 am ET/6 am PT Saturday, Aug. 21: Katharine Hepburn’s SUTS day is filled with all-time favorites like Bringing Up Baby (12:15 pm ET) and Desk Set (8 pm ET). However, if you’re looking for something a little different, tune in to this costume drama about the triumphs and travails of an independent Victorian woman. Kate is at her fiery, feminist best; plus, it’s the screen debut of Friday’s SUTS honoree, Van Heflin.

5. The Mark of Zorro (1940) at 10:15 pm ET/7:15 pm PT Sunday, Aug. 22: There’s no better way to wrap up your weekend than with a little classic-movie escapism courtesy of swashbuckling star Tyrone Power. A breathtaking Linda Darnell plays Power’s love interest, and Basil Rathbone is in peak villain mode.

loveless422: Tyrone Power and Maureen O'Hara in The Black Swan (1942), directed by Henry King.

loveless422:

Tyrone Power and Maureen O'Hara in The Black Swan (1942), directed by Henry King.


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Tyrone PowerinThe Rains Came (Clarence Brown, 1939)

Tyrone Power

Tyrone Power


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Rita Hayworth and Tyrone Power in ‘Blood and Sand’ (1941)

Rita Hayworth and Tyrone Power in ‘Blood and Sand’ (1941)


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Nightmare Alley (1947)

Director - Edmund Goulding, Cinematography - Lee Garmes

“Throughout the ages man has sought to look behind the veil that hides him from tomorrow. And through the ages certain men have looked into the polished crystal and seen. Is it some quality of the crystal itself? Or does the gazer merely use it to turn his gaze inward? Who knows? But visions come. Slowly shifting their form. Visions come.”

Juan Gallardo: [to Garabato] I wouldn’t admit this to anybody else in the world… but alJuan Gallardo: [to Garabato] I wouldn’t admit this to anybody else in the world… but alJuan Gallardo: [to Garabato] I wouldn’t admit this to anybody else in the world… but alJuan Gallardo: [to Garabato] I wouldn’t admit this to anybody else in the world… but alJuan Gallardo: [to Garabato] I wouldn’t admit this to anybody else in the world… but alJuan Gallardo: [to Garabato] I wouldn’t admit this to anybody else in the world… but alJuan Gallardo: [to Garabato] I wouldn’t admit this to anybody else in the world… but alJuan Gallardo: [to Garabato] I wouldn’t admit this to anybody else in the world… but alJuan Gallardo: [to Garabato] I wouldn’t admit this to anybody else in the world… but alJuan Gallardo: [to Garabato] I wouldn’t admit this to anybody else in the world… but al

Juan Gallardo: [to Garabato] I wouldn’t admit this to anybody else in the world… but always when I’m dressing like this… there’s a feel of rust in my throat, the taste of death… Fear! But it’s gone when I step into the arena. The minute I hear the music, the yell of the crowd, it’s all right again. 


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Larry Darrell: The only thing that makes me unhappy is making you unhappy. I don’t think I&rsqLarry Darrell: The only thing that makes me unhappy is making you unhappy. I don’t think I&rsqLarry Darrell: The only thing that makes me unhappy is making you unhappy. I don’t think I&rsqLarry Darrell: The only thing that makes me unhappy is making you unhappy. I don’t think I&rsqLarry Darrell: The only thing that makes me unhappy is making you unhappy. I don’t think I&rsqLarry Darrell: The only thing that makes me unhappy is making you unhappy. I don’t think I&rsqLarry Darrell: The only thing that makes me unhappy is making you unhappy. I don’t think I&rsqLarry Darrell: The only thing that makes me unhappy is making you unhappy. I don’t think I&rsqLarry Darrell: The only thing that makes me unhappy is making you unhappy. I don’t think I&rsqLarry Darrell: The only thing that makes me unhappy is making you unhappy. I don’t think I&rsq

Larry Darrell: The only thing that makes me unhappy is making you unhappy. I don’t think I’ll ever find peace until I make up my mind about things. It’s so difficult to put into words. The minute you try, you feel embarrassed. You say to yourself, who am I to bother my head about this, that or the other. Wouldn’t it be better just to follow the beaten path and let what’s coming to you, come? And then I think, of a guy I knew, a minute before he was full of life and fun, and then… he was dead. I’ve seen many men die; but, this one was different. It was the last day of the war, almost the last moment. He could have saved himself, but, he didn’t. He saved me, and, died. So, he’s gone and I’m here, alive. Why? It’s all so meaningless! You can’t help but ask what life is all about. Whether there’s any sense to it or whether it’s just a stupid blunder!


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