#victorian art

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study for the head of ophelia by john everett millais (1852), alongside the completed version. the mstudy for the head of ophelia by john everett millais (1852), alongside the completed version. the m

study for the head of ophelia by john everett millais (1852), alongside the completed version. the model is elizabeth siddal, aged twenty. during her sitting for ophelia, the oil lamps which heated the bathtub in which siddal was floating for the piece went out; the water went cold- millais’ studio was in a basement, and it was the winter of 1851/1852- but siddal did not disturb the artist. she eventually contracted pneumonia, but recovered and became an artist in her own right. it is unsubstantiated whether the health issues that shaped much of her life were directly related to the ophelia incident.


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previews of the pre-raphaelite sisterhood exhibit catalogue, by jan marsh and peter funnell. featuripreviews of the pre-raphaelite sisterhood exhibit catalogue, by jan marsh and peter funnell. featuripreviews of the pre-raphaelite sisterhood exhibit catalogue, by jan marsh and peter funnell. featuripreviews of the pre-raphaelite sisterhood exhibit catalogue, by jan marsh and peter funnell. featuripreviews of the pre-raphaelite sisterhood exhibit catalogue, by jan marsh and peter funnell. featuri

previews of the pre-raphaelite sisterhood exhibit catalogue, by jan marsh and peter funnell. featuring the work of elizabeth siddal, christina rossetti, evelyn de morgan, fanny eaton, and other women from the pre-raphaelite movement, the exhibition runs at the national portrait gallery until 26 january 2020. you can purchase the catalogue here.


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mother and child, painted by frederic george stephens circa 1854. stephens was born 10 october 1811,

mother and child, painted by frederic george stephens circa 1854. stephens was born 10 october 1811, and although best known for being an art critic, his artistic achievements as a founding members of the pre-raphaelite brotherhood have gone largely unappreciated.


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dante gabriel rossetti’s woodcut for the frontsipiece from the 1862 first edition of “goblin market

dante gabriel rossetti’s woodcut for the frontsipiece from the 1862 first edition of “goblin market and other poems” by christina rossetti


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