#american painter

LIVE
Peter Hurd. Enemy Action over American Bomber Station, 1942.tempera on board

Peter Hurd. Enemy Action over American Bomber Station, 1942.

tempera on board


Post link
Frank Stella acrylic and graphite on canvas 68 ⅞ by 68 ⅞ in. 174.9 by 174.9 cm.signed and dated &lsq

Frank Stella 

acrylic and graphite on canvas 
68 ⅞ by 68 ⅞ in. 174.9 by 174.9 cm.
signed and dated ‘68 on the overlap


Post link
Sarah Crowner acrylic on sewn canvas30 by 20 in. 76.2 by 50.8 cm.executed in 2020

Sarah Crowner 

acrylic on sewn canvas
30 by 20 in. 76.2 by 50.8 cm.
executed in 2020


Post link
The Sound of Sleat (June Night, XI) [o/c 48] Romasaig by Jon R. Schueler

The Sound of Sleat (June Night, XI) [o/c 48] RomasaigbyJon R. Schueler


Post link
Shinjuku Pleasure District, Tokyo II by Yvonne Jacquette

Shinjuku Pleasure District, Tokyo II by Yvonne Jacquette


Post link
Night Branch by Alex Katz

Night Branch byAlex Katz


Post link
Painting by Philip Guston

PaintingbyPhilip Guston


Post link
Cecil Hotel by David Hockney

Cecil Hotel byDavid Hockney


Post link
Conversation - Sky and Earth by Charles Sheeler

Conversation - Sky and EarthbyCharles Sheeler


Post link
Portrait of Newtown House by Charles Sheeler

Portrait of Newtown House byCharles Sheeler


Post link
11 Oct 94 (3) by Emily Nelligan

11 Oct 94 (3)byEmily Nelligan


Post link
Islands - Allagash by Neil Welliver

Islands - AllagashbyNeil Welliver


Post link
Untitled (Blue Painting Light to Dark VII) by Mark Grotjahn

Untitled (Blue Painting Light to Dark VII) byMark Grotjahn


Post link
Along the Coast by Allen Tucker

Along the CoastbyAllen Tucker


Post link
Florida Swamp by Andrew Wyeth

Florida Swampby Andrew Wyeth


Post link
Mark Riden (Painter)Mark Riden (Painter)Mark Riden (Painter)Mark Riden (Painter)Mark Riden (Painter)Mark Riden (Painter)

Mark Riden(Painter)


Post link
Robert Rauschenberg - Estate, 1963. Oil and silkscreen ink on canvas

Robert Rauschenberg - Estate, 1963. Oil and silkscreen ink on canvas


Post link
Jackson Pollock - Untitled, 1950. Ink on paper (MoMA)

Jackson Pollock - Untitled, 1950. Ink on paper (MoMA)


Post link
Roy Lichtenstein - Wallpaper with Blue Floor Interior, 1992

Roy Lichtenstein - Wallpaper with Blue Floor Interior, 1992


Post link
SPOTLIGHT: Kehinde WileyAmerican Artist, Kehinde Wiley‘s work is a colorful blend of traditional andSPOTLIGHT: Kehinde WileyAmerican Artist, Kehinde Wiley‘s work is a colorful blend of traditional andSPOTLIGHT: Kehinde WileyAmerican Artist, Kehinde Wiley‘s work is a colorful blend of traditional andSPOTLIGHT: Kehinde WileyAmerican Artist, Kehinde Wiley‘s work is a colorful blend of traditional andSPOTLIGHT: Kehinde WileyAmerican Artist, Kehinde Wiley‘s work is a colorful blend of traditional and

SPOTLIGHT: Kehinde Wiley

American Artist, Kehinde Wiley‘s work is a colorful blend of traditional and contemporary roots seen in his trademark over sized portraits where young men and women of color, posed in their street clothes are fixed into grandiose backgrounds that suit them as if they were royalty. Initially his portraits were based on the photographs of young men in Harlem, now he has firmly situated himself as the painter known to travel to urban places in Israel, Africa, Brazil and India to find his next subject.

These portrayals inspire people to throw out phrases like ‘crossing boundaries’, and ‘breaking down barriers’ when they refer to his art. In the last six years or so, Wiley has become a highly sought after painter – with a style I like to refer to as ‘art house rebel rousing’.  At the forefront of this modern takeover is his artistic desire to make art that continues to carry on a discourse for people of color, “I think it’s important for African-American kids to see pictures of people who look like them on museum walls”, says Kehinde.

Enjoy these great links to more information on Wiley:

  • Kehinde Wiley: A New Republic at The Toledo Museum of Art (On view Feb. 10-May 14, 2017) offers an overview of the artist’s prolific 14-year career. His signature portraits of everyday men and women riff on paintings by Old Masters, replacing European aristocrats in those paintings with contemporary black subjects and drawing attention to the absence of African-Americans from historical and cultural narratives
  • Not convinced that you need to see the exhibit?  Wow yourself with the necessity to see Kehinde Wiley’s work in person with this intimate portrait of Kehinde Wiley: An Economy of Grace, now on demand at PBS Art.
  • There are several great art books that verse you in all things Wiley, but the book simply titled, Kehinde Wiley is by far my favorite.  The book gets bonus points for having curator, Thelma Golden onboard as one its contributors.
  • For a closer look at Kehinde Wiley works now in circulation and editorial imprints, try Artsy’s resource.

Post link

All is Vanity by US-American artist Charles Allan Gilbert (1873–1929). Life, death, and meaning of existence are intertwined. (Woman gazing into boudoir mirror forms shape of skull.)

loading