#classical art

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Luis Ricardo Falero, 1851-1896

Luis Ricardo Falero, 1851-1896


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Hugues Merle, 1823-1881

Hugues Merle, 1823-1881


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Details: Shipwreck off a rocky coast on March, Ludolf Bakhuizen, 1694

Details:Ships in Distress off a Rocky Coast, Ludolf Bakhuizen, 1667

Details: An English Ship in Action with Barbary Vessels, Willem van de Velde II, 1678

Le Loup dans la neige, Félix Bracquemond, 1864

Details: Ship on Rough Seas, Max Jensen, 1908

Details: Ship on High Seas,Max Jensen (19th century)

Detail:A Vanitas Still Life with a Skull, a Book and Roses, Jan Davidsz. de Heem, 1630

The breakthrough in the Battle of Køge Bay on July 1st 1677. In the foreground the flagship Christianus Qvintus), Christian Mølsted, 1920

deliciouslysporadiccollection:

hipsterinatardis:

electricalice:

mrsbeefheart:

I fukin love 14th century art art because everyone looks so shady and suspicious of ppl around them its AMAZING

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or just like they know something u dont and oh my gdfuck i cant

I believe the highest point is reached in Simone Martini’s Annunciation

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and the look of absolute hatred Mary and Gabriel exchange. 

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“mary i know ur only half a virgin”
“fuck off gabriel”

“I know why you’re here and the answer is no”
“you’re already pregnant”
“you son of a bitch”

Detail:Danaë, 1623, by Orazio Gentileschi.

I am a jean Cocteau’s drawings enjoyer! Very cool and nice :)

 Plaque with Hercules and the Hydra, 4th century CELate AntiqueBronze inlaid with copper, silver, an

Plaque with Hercules and the Hydra, 4th century CE

Late Antique

Bronze inlaid with copper, silver, and brass

18.8 x 9.0 cm (7 3/8 x 3 9/16 in.)

Museum purchase, Carl Otto von Kienbusch Jr., Memorial Collection Fundy

1971-35


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GIOVANNI BATTISTA TIEPOLO

ITALIAN, 1696–1770


THE CHARIOT OF AURORA

c. 1734

Oil on canvas

19 7/16 x 19 1/8 in. (49.3 x 48.6 cm)


The chariot of Aurora, goddess of the dawn, ascends into the sky to begin a new day. Sunflowers turn toward the light, while a bat flees with the darkness. A winged boy, or putto, awakens Aurora’s brother, the sun god Helios.

The broad brushstrokes and small scale of this canvas suggest that it was made as a sketch for a larger painting. Its subject matter would have been perfectly appropriate for the ceiling of a bedroom in an opulent eighteenth-century home.

From the Clark Institute Website.

Nymphs and Satyr

William-Adolphe Bouguereau, 1873, oil on canvas.

Inspired by a passage of Statius’ Silvae.

For forty years at the beginning of the 20th century, the painting was hidden away in storage because its buyer deemed it too provicative for public display.

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