#blindshipping
HAPPY BDAY TO OUR FAV GOTH NERD
A Pharaoh and his King
It was my twin and I’s bday this past weekend and they wanted me to draw them Puzzleshipping.
A small sketch in the end of Birthday
Some sketches
❤️☀️
postcanon looks great
A Puzzleship lineart commission for @smallameangel as a gift for @patchworkideas. it’s a scene from patchworkideas fanfic, Long Way Around.
Here is a cute little excerpt from chapter 9:
Atem had left his door open. Just a crack.
Yugi couldn’t see through it of course - but Atem’s door was always closed, locked, bolted and triply defended these days.
And Atem was… carrying something? A small wooden box, and a pouch.
The hesitation, the for once obvious, open look Atem allowed to shine through, was underlined only by his determination, by affection so similar it took Yugi’s breath away.
“Could we… you said I was welcome in your soul room. I thought maybe we could play some games in there while you recovered? You don’t have to show me any of yours - unless you want to, of course - but I thought we could just… play. For fun. Just you and me?”
Post link
Preview of a commission I drew for Coerulus. My first ever NS//FW commission! This was such a fun piece to work on, and I enjoyed it very much. I love drawing their naga Atem. You can view the entire art on my Pillow Fort. https://www.pillowfort.social/posts/2716897
This art piece is for their fanfic, Domino University for Sacred Yokai.
The fic is rated E.
Summary: A mistake it was thought to be for one Motou Yugi as he was accepted into a different sort of university deep in the high rise buildings of Domino City. Entering the halls of a yokai establishment leaves him facing hardship and discrimination of his yokai peers as the single human student to walk among them. But his biggest and worst challenge comes into play when their first ever Naga student enters in through an exchange program and highly interested in Yugi’s presence among them. Is it for love or easy prey, that’s a game that Yugi must play while fearing his survival.
