#blog post

LIVE

zildraws:

So I am revisiting an old piece that I totally messed up some time ago. Like ages ago, damn.

But anyway it’s been sitting on my desk and I finally decided to go ahead and try using acryla-goache on it. I have had these paints for a while but they just act so different to watercolor that I am too nervous to ever try much more than a rough doodle.

The recent lock-down and subsequent lack of employment means I have a bunch more time than before. So, lately, I have been using my evenings to unwind by taking time to do some art things! I’m sure anyone reading might have noticed by my sudden social-media revival lol.

Anyway I think it’s coming along well! I am pretty excited.

For more frequent art updates follow me on Instagram! Hope to write again soon!

If you care about library privacy but can’t do without Google Analytics, read on!


Birinin Yüzünü görünce sakinleşebilmek,


Fotoğrafına bakınca bile Huzur dolabilmek müthiş Terapi…



19.05.2022 21:56#newsharing

Bazen arayıp buldukların değil de,


Tevâfuken rastladıkların mutlu eder…




13.05.2022 22:13#newsharing

Nietzsche'nin;

Dans eden bir yıldızı doğurabilmek için insanın içinde bir Kaos olması gerek

sözü ne güzel teskin ediyor….


Bazen kaos, sancı, mücadele gerekir. İçimizle, kalbimizle, zihnimizle…


Dans eden yıldızlara erişebilmek için…



Zeynep Merdan



12.05.2022 23:38#newsharing

NOT UNDER MY ROOF : The Fine InBetween of Love-Lust-Sex Amy Schalet examines an interesting “d

NOT UNDER MY ROOF : The Fine InBetween of Love-Lust-Sex

Amy Schalet examines an interesting “dichotomy” between the Netherlands and the United States regarding teenage sex: how the one normalizes it while the other dramatizes it. While parents in the Netherlands approach sex as a natural aspect of love (which they believe is a natural part of growing up), and openly approach the subject with their children - to the extent that Lulu says they watch almost pornographic media together, and that she, a foreign exchange student, was given condoms - parents in the United States approach it through this idea of “not under my roof.” Though it’s something that both parents and children in America know is happening, it’s something that is denied: the white elephant in the room.

Given the statistics of teenage pregnancy and abortions, as well as the stress around sex during and post-puberty in America and the rift it creates between parents and their kids, it is very easy to lean towards the Dutch perspective (though Schalet was, I believe, herself originally Dutch) as the “better” of the two. But are those the only two options? Or is there a fine line between normalizing and dramatizing?

The back-drop of the two “cultural scripts” are very different, as Schalet points out. One is much more religious, and there are socioeconomic factors complicating matters. There are also different philosophical ideas about children and the maturation process. The American model of maturation ends with separation of the parent and the child; it is almost a dreaded scenario for the child to move back in with the parent. Many of the American parents talk about a fine line of independence for their children, while the Dutch model values the relationship between parent and child and acknowledges the antagonism (puber), but transitions through negotiations. But both subscribe to an “incremental growth model”, wherein there are stages of maturation by age, which children pass through on their way to “adulthood.” The commercial industry has made these stages particularly salient, through “collaboration” with contemporary psychoanalysis. Throughout the book, parents on both sides discuss their children being “ready” for certain stages.

Yet being the contentious idealist I am, I’d like to disagree with both models by disagreeing with the idea of there being stages to development in the first place. I know most psychologists will disagree with me, as will most people, because we’ve been indoctrinated with this idea of seniority and a linear model of development, but after reading We’re Friends, RIght? by Bill Corsaro, I’ve really started to question the standard progression model of growth. Due to the familial conflict in my life, and the roles I took on in childhood, many of the adults I spoke to often told me I was “grown up for my age. Indeed, I got along more with teachers than peers (I suppose I still do)and while I don’t believe I perceived others as more juvenile, there was certainly a sensation of a divide between those around me and myself.

Many individuals who have experienced trauma may relate to that experience, whether it be growing up in times of war, going through several homes, etc. Grief makes the soul old. Yet not all children who experience grief become bitter, nor do they remain so. In college, my friends joked that I frequently switched between acting 7 and acting 40. I think it’s really about resources that determine our “enacted age”, while experiences/knowledge determine our “comprehensive age”. As a child, I did not have the resources to ‘goof off’ the way my friends did. In college, I did. I was allowed more irresponsible moments in college than at home, where I learned to take care of a considerable amount of the housework by high school. That was simply my situation. I don’t resent it nor regret it, and I’ve learned a lot from it, but in many ways I was not “permitted” by my circumstances to be a child. I think this is an increasingly stark divide in upcoming generations: that there are those who are spoiled with instant gratification even as they are being denied their innocence, which causes very interesting behavior and understandings to develop.

I won’t bore you with a full-fledged account of my model for youth development, but as someone currently in a committed relationship and about to get married, I really don’t think age is the big issue. We make a big deal about teenagers, but honestly, there are many young parents that have been amazing, and many much older parents who have been rather juvenile with their relationships. Why? Because when you have more resources, you don't have to grow up. You’re never forced into responsibility as a necessity in the way that underprivileged families are: where the older children must work to support their siblings and their (often) single mother. Many books and articles, such as Guyland, discuss this prolonged adolescence.

Which is why I think the idea of “enacted age” vs. “comprehensive age” is more useful. I strongly agree with the Dutch that love and sex are a natural part of life and that teenagers should be given as many resources as possible. But I don’t agree with what a lot of parents saw as this necessary “exploration age” where a lot of parents expressed that they wanted their children to try more things with more people rather than settling down. I think in some ways its still making the decision for their children - just the opposite decision that American parents make.

I really believe that teenagers can fall in love and get married and all that. I think people of any age can really fall in love. But it’s about empowerment, where I fall in between both cultures. I think there is a degree of separation and independence, as well as a need for continued community support. I “aged” due to what some may call unfortunate resources and experiences. I took love seriously because I knew the cost of divorce and marital strife. But I hope that if I have children, they will take love seriously because they have the resources and understanding to do so. I believe they already have the capacity to. So there is no “not under my roof” or “only if…” for me. I want my children to understand the decision they’re making when they make it and be able and willing to live with the consequences. Which I do believe is something that’s distinct from both sides that Schalet presents.


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Last night, I took the time-limited Resident Evil Village Demo for a spin. ICYM, the demo is part of a bigger launch campaign that allows players to try the game before they buy it. The first part allowed us to explore the “village” for a maximum of thirty minutes (scripted, meaning that if you complete the demo early, you don’t get more time). The second part will give us the change to wander around “the castle” for that same amount of time.

You can find the playthrough of the demo in English with no commentary on my Youtube channel, in case you missed the chance to play it and want to check it out.

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The gameplay in its exploration is extremely fluid and there’s a meticulous care for details in the creation of this environment. The demo was stable on Playstation 5 and never stuttered. I can’t say much about the combat though: you could decide to confront the creatures if you want, but there wasn’t enough ammo to kill them on Standard mode, so I simply escaped. My guess is that at this point in the game, you will be able to access other weapons, considering I found ammo for a shotgun lying around Luiza’s house despite only carrying the gun on me. The sound effects were immersive, especially if heard through a solid sound system.

Most importantly for me, the demo was not that scary. I get scared pretty easily and that’s why I’m hesitating to pre-order Village (I regret buying Resident Evil games on D1 because I get scared and play them months after release anyway). However, if the Castle demo reveals itself to be like the Village exploration, well, I might consider it. After all, this game was based on and inspired by Resident Evil 4, one of the few I was comfortable playing with genuinely!

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My conclusion so far is that Village is a game created with a lot of love and attention, and that you can see it’s a careful project that was not rushed for release. I expect a good final product with very few faults, which is good to hear in a time when many games are basically launched unfinished. 

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