#bob mackie

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Tina Turner performing in a sequined, flame dress with a feather attachment (1978)

- Costume designer: Bob Mackie

The Supremes in peach halter-neck gowns with base feather trimming for “G.I.T. on Broadway” performing “Porgy and Bess Medley” (1969)

- Directed by: Grey Lockwood

- Costume design: Bob Mackie

Angela Lansbury and Debra Wiseman in Mrs. Santa Claus (1996)Direction: Terry HughesCostumes: Bob Mac

Angela Lansbury and Debra Wiseman in Mrs. Santa Claus (1996)

Direction: Terry Hughes

Costumes: Bob Mackie


Merry Christmas everyone!


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beauvelvet:The orginal design drawings by Bob Mackie of the now iconic dress Marilyn Monroe wore to beauvelvet:The orginal design drawings by Bob Mackie of the now iconic dress Marilyn Monroe wore to

beauvelvet:

The orginal design drawings by Bob Mackie of the now iconic dress Marilyn Monroe wore to sing Happy Birthday to President John F. Kennedy in 1962. 


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Cher, looking understated in Bob Mackie at the 1986 Academy Awards.

Cher, looking understated in Bob Mackie at the 1986 Academy Awards.


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thefabuleststp: Cher wears Bob Mackie at the 46th Annual Academy Awards (1974).

thefabuleststp:

Cher wears Bob Mackie at the 46th Annual Academy Awards(1974).


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elitezmaree:

zendaya wearing a vintage couture dress from the fall 1998 collection designed by bob mackie.

softestaura:

zendaya at the time100 gala in couture dress designed by bob mackie in 1998

softestaura:

zendaya at the time100 gala in couture dress designed by bob mackie in 1998

kalatheawoods:

Zendaya at the Time100 Gala

Diana Ross wearing Bob MackieVogue Paris 1970Photograph by Richard Avedon

Diana Ross wearing Bob Mackie

Vogue Paris 1970

Photograph by Richard Avedon


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 Costume sketch of Diahann Carroll in a stage gown, 1978.

Costume sketch of Diahann Carroll in a stage gown, 1978.


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fitesorko:Ann Margret Today should be a religious holiday: Swedish-American triple threat (actress,

fitesorko:

Ann Margret

Today should be a religious holiday: Swedish-American triple threat (actress, singer, dancer) and quintessential sex-kitten-gone-berserk the fabulous Ann-Margret (born 28 April 1941) turns 81! Pictured: the devilish redheaded vixen in her 1977 TV special Ann-Margret: Rhinestone Cowgirl. (Her slinky Western outfit is by “rajah of rhinestones" Bob Mackie, natch!). A-M’s ultra-hip cutting edge guest stars on Rhinestone Cowgirl included Bob Hope, Perry Como and Minnie Pearl!


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Happy birthday, Sharon Stone!“Nothing and nobody else matters in Martin Scorsese’s Casino whenever SHappy birthday, Sharon Stone!“Nothing and nobody else matters in Martin Scorsese’s Casino whenever SHappy birthday, Sharon Stone!“Nothing and nobody else matters in Martin Scorsese’s Casino whenever SHappy birthday, Sharon Stone!“Nothing and nobody else matters in Martin Scorsese’s Casino whenever SHappy birthday, Sharon Stone!“Nothing and nobody else matters in Martin Scorsese’s Casino whenever SHappy birthday, Sharon Stone!“Nothing and nobody else matters in Martin Scorsese’s Casino whenever SHappy birthday, Sharon Stone!“Nothing and nobody else matters in Martin Scorsese’s Casino whenever SHappy birthday, Sharon Stone!“Nothing and nobody else matters in Martin Scorsese’s Casino whenever SHappy birthday, Sharon Stone!“Nothing and nobody else matters in Martin Scorsese’s Casino whenever SHappy birthday, Sharon Stone!“Nothing and nobody else matters in Martin Scorsese’s Casino whenever S

Happy birthday, Sharon Stone!

“Nothing and nobody else matters in Martin Scorsese’s Casino whenever Sharon Stone’s decadent and devastating Ginger McKenna slinks into a frame. Playing a bona fide hustler unhappily betrothed to De Niro’s smitten casino honcho, Stone is the single most striking element in Scorsese’s fact-based Las Vegas crime saga. The actress can take our breath away just by strolling into a room in a beautifully beaded Bob Mackie gown, but she’s also playing a real, anguishing woman to never less than riveting effect. Stone’s voluptuous emotional shadings make us believe every stage of Ginger’s ever-shifting character, whether it be the scam artist with a criminal knowledge to rival any man’s, the codependent lover, the keyed-up addict, or the materialistic housewife itching to get out of her lavish prison at any cost, even if it means offing her husband/jailor with the help of his equally infatuated best friend. Stone never sands down Ginger’s rough edges and her strident, exceptionally physical blow-ups in the film’s final act conjure an intricate and unabating intensity that some critics like to pretend is the exclusive provenance of men in Scorsese’s movies; they’re wrong, and Stone’s superb and rightfully iconic performance is the enduring proof.” — Matthew Eng

The 10 Best Female Film Performances in Martin Scorsese Films

(Source:TribecaFilm.com)


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