#calligraphyart
Yin is dark, cold, receptive, magnetic.
Yang is light, hot, giving, active.
Both are present in everything. Day is Yang, Night is Yin. But during a Yang day, one will have periods of Yin rest.
Yin-Yang is also an important concept in Japanese art. In the calligraphy above, outward brush-strokes are Yang and should be painted freely. Inward brush-strokes are Yin, and should be painted tightly.
Even in as mundane an activity as cooking, one finds Yin-Yang. In Japanese cooking, there are Yang knives which are used blade-outwards, and Yin knives which are used blade-inwards. Yin-Yang also applies to the ingredients. The leaves of a plant are Yin, but the roots of a plant are Yang. As with everything, a good balance is necessary.
In the image above I intended to make the “yang” round like the sun. It also resembles an “enso”, a hand-drawn circle which in Buddhism signifies the circle of life.
The first character 猪 means “wild boar”, so the image is of a wild boar stampeding, not stopping until it has reached its destination.
My Japanese teacher taught me this “yo-ji-juku-go” (Japanese 4-character idiom) because both me and her were born in the year of the wild boar.
Being confused ain’t necessarily so bad :)