#cel sidebottom

franzis-frantic-thoughts:

evieebun125:

i’ve been attempting to kick and claw my way out of a bad brain by drawing something big and detailed, and fingers crossed today feels a tiny bit better then yesterday

can you believe i drew all this because i wanted to see Azu swinging her axe

[ID: A digital painting of characters from the AP Podcast Rusty Quill Gaming. It is square in format and fully coloured. The first picture of the post is the full painting, the other four are close-ups of each character on their isolated layers so they can be viewed in full. The painting depicts the player characters of season 4. In order fo their individual pictures, these are: Cel Sidebottom, Zolf Smith, Hamid Saleh Haroun al-Tahan, and Azu. Azu is front and center of the full picture. She is a black orc wearing pink plate armour over patterned yellow and pink robes. Her face is twisted with fury and she is baring her broken tusk in a snarl as she swings her pink, heart-stylised great axe which is dripping with blue blood. Hamid is to the left behind her. He is a brown-skinned halfling, wearing green trousers, high-heeled shoes and a purple cloak with gold embroidery. He has his back to the viewer, exposing a dragonish tail as he throws a fireball into the background. It mingles with the explosion caused by one of Cel’s potions. Cel is a white half-elf. In the painting they have taken on Beast Shape and have huge bat-like wings. Their membranes are almost translucent against the light of their and Hamid’s massive explosion. Cel is wearing goggles, a long, dark coat, and an ammo-belt of potion vials and is flying towards the right of the painting. Between Cel and Azu is Zolf Smith, a white male dwarf with two mechanical prosthetic legs who has short white hair and a braided beard. He is wearing a teal cloak and silver chainmail shirt, leaving his tattooed arms exposed. He is wielding his glaive which he has shoved through the back and chest of a skeleton-like foe who is wearing a tattered suit and is covered in glowing blue flowers. /end ID]

franzis-frantic-thoughts:

angryducktimemachine:

Ok so a friend send me this meme and i have definitly seen it circle around on tumblr in a similar manner as well so i decided to use the sweet, sweet free time I have to…. actually draw it.

[ID: A digital drawing of Zolf Smith and Cel Sidebottom from the AP Podcast Rusty Quill Gaming. The characters are fully coloured and set against a plain beige background. Cel is a tall, thin, white half-elf with blond hair that’s sticking up, kept in place by a set of goggles, and pointy ears - one of which is half blown-off. Cel is wearing a dark coat, grey shirt, and amo belt with potion vials. Cel, hands in their pockets, is looking sideways at Zolf who is a ruddy faced, white dwarf with short white hair and a braided beard. He is wearring a grey coat over his breastplate and holding his glaive which is longer than Cel is tall. Cel asks “Why does Wilde call you babygirl?” to which Zolf, with a blank face, replies “How about we stop talking for a little while.” The Artit’s signature, reading “Ängry Duck Time Machine” is visible between the two speech bubbles. /end ID]

shows up with art one last time for the finale with an RQG rainbow. i have no idea how they’re gonna wrap everything up in an hour but im sure they’ll find a way 

[image description]
8 Digital illustrations of the player characters from rusty quill gaming plus Wilde. Each one is drawn in a colour of the rainbow. Hamid is drawn in red and is flying with a blast of fire and electricity. Cel is Orange, and is running to the side with a bomb in their hand - and smoke trailing off their coat and jacket. Bertie is yellow - and is looking down at Brutor who is sitting on his cape with a disgruntled expression. Grizzop is green and is loading his bow. The symbol of Artemus is behind him. . Sasha is blue, and is stepping forwards with her face obscured by her jacket collar and her fire and ice daggers in each hand. they have a bright blue and red circle surround them. Zolf is purple. he has his glave in one hand and in the other he has a glowing ball. Behind him there are ten glowing spears. Azu is pink, and is holding her axe over her shoulder in one hand with the other on her hip. Wilde is drawing in full colour with a white background, and is wearing the robes of the thespian. He is holding both his arms out, with an illusion of a glittery rainbow and the words “Wilde’s fine - stop asking” between them.
[end ID]

worshipthesquid:

sphor-art:

cel!

[ID: A digital line drawing of Cel from Rusty Quill Gaming. They are a tall humanoid with a broad, wicked grin, a wide and confident stance and a huge, intricate crossbow. They have a big sweeping coat with big spiky lapels tied round the waist with a sash, and riveted metal pauldrons. Cel has a ring in one ear, goggles pushing up their shock of hair and a quiver of bolts over one shoulder. End ID]

this is the most disney thing ever uhmm hi i love drawing dragons

Five more days until sales open for the RQG Charity Fanzine on 13 February! We can’t wait!

[ID: A graphic announcing “5 Days To Sales”. The text is a stylised, golden font surrounded by gears and fancy lines. It has a deep purple background, and along the bottom reads “We’re Still Working on the Name Fanzine”. There is a golden border along the inner section; at the top right and bottom left corners of the inner section are two stylised hearts. The area outside of this section is filled with different party motifs, also done in gold. There are arrows on the top right of the page, pointing toward the top corner, and flames on the bottom right, doing the same. The top and bottom are mostly symmetrical, containing daggers, wrenches, gears, and other stylised objects. The left side of the page has stylised waves.]

kellanswritingblog:

Here’s a snippet of one of my two pieces for the @rqgzine!  It’s a chunk of Cel’s journal while they’re building the Stealth Catamaran the group uses to get to Shoin.

Sales for the zine start in about a week!  The pieces people have made for this are absolutely stunning, so please check it out when pre orders open!  And, as a bonus, all proceeds go to charity!

[ID: A yellowed piece of paper with the text: I’m planning on rigging up the submersible (which I have named the Pedaltron because it’s a catchy name despite it not using pedal power) with some basic electrical power tomorrow and we can go from there. Electricity is never a bad choice. Jasper was complaining that water conducts electricity so using electrical propulsion would be a bad idea or something? After all the time I spent training him, you’d think he would have it together and understand science better.

Jasper is a genius! He pointed out that using electrical propulsion would be a TERRIBLE idea because water conducts electricity. I would have fried us all! Good thing I keep that little buddy around! I’m sure we can still use some electricity though… As such, I have sent Jasper out to acquire an eel for me. An electric eel, to be precise. I need the electricity for any possible updates since fun elemental batteries are still very much off the table. But! I believe in Jasper! All of his training has led up to this moment. The moment in which he will wrangle an electric eel.

I have named the eel Sebastian. I wonder if I could train another apprentice, I think Sebastian would do good work… no, wait, focus. Sebastian has his own job to do for now. If he does it well, THEN we can discuss his future training.]

 and for the last part (5/5) of my rqg end party doodle dump… these slightly more canon-oriented things! the first one is the first ever thing i ever drew for the campaign… and the silhouettes from the end i sketched a week or so ago. they won’t be gone, but, my world. what a ride. what incredible amounts of love. it’s been an honor, you all ♥

part 4 of my rqg-end-party-doodle-dump! some very slightly fancier doodles and wips from- mostly from this year, i think, actually? hope you like them!

 for this momentous day just before rqg ends, i dug through all my unshared wips and doodles from between when i started listening last year and now, and put together a 5 part doodle dump! this first part is the sketchiest, and they may not look like much but faces just come out so funny when they’re done in a line or two. most of these are from last year, and among the veery first things i ever drew of this cast, so they’re very awkward and outdated. the first four, however, are part of all the sketches it took me to get to the on the trail piece i shared some months ago. stay tuned for 4 more parts, and a merry end party to you all!

campaign about to end? guess it’s shitpost time! my mind cursed/blessed me with a european spanish dub some months ago and finally i can share the… experience, plus a bonus chilean sasha, as a treat. spanish cel haunts me. i haven’t drawn in a month

[ID: a series of four digital doodles of hamid, grizzop, zolf and cel, from RQG. they’re all drawn in slightly sketchy pencil-like lineart and colored flatly, with light shading and lighting. they’re all shown from the chest up, and the backgrounds are all white.
  the first image is of hamid. he’s bringing his right hand to his cheek while the left hovers to the side, and he’s making a half-flustered half-nervous expression. his body is facing to the left while his face is turned to the right. he’s wearing his purple cape, a red suit, an orange vest and a yellow cravat, plus a white button-up. his skkin is dark brown and his hair is a darker brown, curly and slicked back. his eyes are yellow with slit pupils, and he’s got golden lipstick and black and gold eyeliner, plus dark red eyeshadow. he’s saying “¡madre mía!”, as a bad translation of “oh, dear!”.
  the second image is of grizzop. he’s turning aggressively to the left, pointing a threatening finger towards the front. he’s wearing a green coat with a light brown collar, with a faded yellow shirt and breastplate underneath. he’s got his quiver on his back, visible above his right shoulder. he is yelling angrily, frowning deeply with his red eyes, dark gray-green skin and many fangs visible. he’s saying “¡que voy a volaros las rodillar, joder!” as a translation of “i’ll shoot yer knees off!”.
  the third drawing is of zolf, in his s4 look. his hair is short and white, his beard in a single plait, and he’s turning towards the camera holding his glaive over his back shoulder, and making a placating gesture with his left hand at the front. he has an indifferent expression and has multiple wounds on his face. he’s wearing his old, dark blue raincoat. he’s saying “calmaos, tengo mogollón de puntos de vida”, which would mean “calm down, i’ve got loads of hit points”.
  the last drawing is of cel, who’s pulling their goggles up and smiling down at the camera. they’re very pale, have very vertical light blond hair, and a half burnt ear. they have a faded brown coat, a bandolier across their chest, an orange shirt and elbow-length gloves. they’re smiling widely and say, “¡hala! ¿qué tal, coleguita?” which is a bit of a horrid translation of “hey, little buddy!”.
  the bonus doodle is sketchy, black-and-white only drawing of sasha, who is angrily yelling while brandishing two daggers. she’s got short, uneven black hair with a sort of undercut, her studded leather jacket and burns on her gaunt face. she’s screaming, “¡yapo, pónganse vío’, chetumare!”, which could be translated into “c'mon, get on with it, dammit!”. end ID]

to make your mark 

[still working on the name | on the trail | world’s end//endgame//azu//hamid//zolf//sasha// bertie | wilde | skraak | grizzop//blue, green, black//red, purple//gold, ochre//pink]

ENDGAME☄️

 to a line erased, to friends coming together, to my favorite campaign in the whole world. THANK YOU!

 i just needed to complete the set i made last year with a piece for the ending, regardless of how long it took. and what it took were a bunch of sketches, a handful of different proposals, and weeks of work spread out through months. i love the end result and how different this one is from the rest -turns out i’ve learned a lot and was much more certain about how i wanted to go about this one in comparison to the others, what with opting for a composition where no one in the party was at the center, with going just ham with the outfits, with taking my time with every detail and not skimping on the background, etc. i do think it’s very sweet how wanting to avoid anyone being a central character here was something i realized very early on that i wanted to work with, and, meanwhile, in all previous three pieces it just happened naturally… i like to think it speaks of how the campaign and the team worked. i love them so much. i’m so happy i got to draw wilde and skraak like this, seeing the full party in this style and scene is just so so great. i wanted something epic and i think it worked, this went through a lot of tweaks and i’m very glad the final piece is so nice. i just love rqg so much.

 here’s some close-ups of the characters and patterns!

[cel// azu//hamid//zolf//sasha//bertie | wilde | skraak | grizzop//blue, green, black//red, purple//gold, ochre//pink]

 and here’s a twitter thread with all the preliminary sketches! 

 i made this poster in honor of the story ending, and have one more planned in honor of the podcast itself. here’s to hoping it turns out just as good

 also, do check the previous three pieces! they’re still super cute and complete this crazy timeline!

 ID under the cut, it’s a long one!

[ID: a digital, full-color illustration for the endgame of erasing the line. it is drawn with medium-thin lines and is heavily stylized, in a way that all figures are broken down into sharp, strong-shaped segments with bold colors and filled in with intricate patterns. the characters’ poses and features are accordingly angular, and it’s made so everyone’s faces are turned into sharp profiles from the camera.
   the scene is of the lolomg standing battle-ready on the roof of the houses of parliament, with big ben behind them. on the frontmost layer is a low, triangle-shaped rooftop over with the party stands, three to one side and three to the other. behind them is another layer of walls and roofs from the building, with big ben at the center, and the furthermost layer corresponds to the sky. the scene is put together so nobody in the team stands at the center, and that space is instead occupied by the clock tower standing tall in the near background. the roofs are blue with a checkered pattern, the walls a faded yellow, and the windows dark. there are cracks, stains and blue bushes with small flowers all across the visible building, which is symmetrical and made from two mirrored halves.
   to our left, from bottom to top, are skraak, wilde, and azu, all facing left. in the same manner, to our right are zolf, cel, and hamid, all facing right. skraak is standing closer to the leftmost edge of the roof, with wilde a little further up behind him, and a twelve-foot tall azu behind them both. on the other side, zolf is closest to the triangular rooftop with his glaive upright just at the tip of it. behind him but closer to the right border is cel, and flying just behind and a little above them, is hamid.
   to start on the left half, skraak is half-crouched menacingly with an angry snarl on his face. his figure is the only one made up mostly of curves, so from the tip of his snout to his knee he his curled over like a sideways U. his tail follows that direction further and curls a little towards the bottom, with a sharp, curved blade attached to the side end of it, looking a bit like half of an axe. only his frontmost arm is visible, holding the dagger of stalking with the blade back and curving upwards, his elbow high up. his left leg is taking a step forward while the right balances him out from behind. he’s colored bright red and has patches of lighter and darker scales in his legs, tail, arms and face. he has a tight, short-sleeved, black upper-body armor that ends when it reaches the belts by his waist. the armor has a streak of silver scales across his chest and a section of red spiral patterns going down his abdomen. he has gray gloves and light-brown bracers around the wrist and bicep, along with matching shin-guards. he has a long snout, many fangs, narrowed yellow eyes and two sets of yellow horns, the first shorter than the next. his neck frill begins above his eye like a furrowed eyebrow and extends back, ending below his jaw in a scaly patch. the webs of it are yellow and every other one has a mosaic-like scale pattern. his striped horns, the spikes along his tail and his claws are also yellow.
   behind him, wilde is also giving a step forward with his left leg and the right bends behind him. he’s pale, tall and skinny, and his stance is such that his back is towards us, with his right arm bent and the hand obscured by his hip, and his left arm is held up just above his head with the sparkle of a spell around his outstretched index finger. unlike skraak, he merely has narrowed, focused eyes and a slight frown. he has eyebags that look like running eyeliner, in short vertical streaks running down. his hair is long and brown, falling behind him, and it has two broad streaks of white down the side, with spiral patterns all throughout them. his robes of the resplendent thespian have a first layer of deep red long sleeves with silver frilly ends; then poofy, pink short sleeves, and then a glimmering two-tailed coat, the ends of which whip towards our left. the short sleeves have alternating rows of a slim, white curling pattern over pale pink, and of pale pink flowers over hot pink. the body of the coat has stripes of yellow, lilac and purple, and wherever they meet there are dark magenta lines with small white diamond shapes on them. there are tiny sparkles on the stripes of color. we can see the inside of the two tails and they’re red as the long sleeves, alternating between vertical rows of red spirals and flowery, swirling yellow patterns. he has poofy, short magenta shorts with stripes of purple and lines of pale pink. he has white leggings and ankle-high red boots, high heeled and with white spats.
   towering above him is azu, who yells angrily to our left, holding her right hand high as if she was ordering whatever is coming off-screen to stop. her left hand is holding her great axe steady across her shoulders, so her outstretched arm follows in the direction of the handle of it. she stands with her body facing towards the center of the illustration, left leg bent near the cusp of the roof, supporting her weight as she leans in on it, leaving her right leg outstretched and following on the leaning. her broad form is clad in a glimmering pink breastplate, with a big, sparkling pink heart in the center, surrounded by pale pink and silver feathers in the manner of short wings. the edges of the layered breastplate have thin swirling designs each following on the borders of it, and when the breastplate ends below her ribs, there is another two layers of feathers by the side, and below them comes a tasset colored in pale yellow, with patterns of swirls and leaves on it. there are two layers of shoulder pauldrons, with the topmost one sharing that same yellow color scheme and patterns, and the one below it following in the pink of the breastplate. the shirt underneath her armor has wide, poofy short-sleeves that resemble wilde’s, pale pink with thin-lined chains of lowercase, cursive “e” shapes. her skin is dark brown, her shaved hair is darker and covered in spiral patterns. she has a small cut on her visible eyebrow, the same running dark lines as wilde under her eye, and from this side we can see her non-broken tusk where she indignantly opens her mouth. her lower lip is painted hot pink, like her nails. she has arm-guards with spiral patterns in pinks and purples, followed by fingerless pink armor on her hands. her great axe is a wide, hot pink blade with thin, white curling patterns across the edges of it. from beneath her amor comes a long, two-layered pink battle skirt that whips in the wind towards the leftmost border of the drawing, the tips of it disappearing off-screen. the first layer is a warmer pink, the one below it is a colder purple. both layers alternate between one plait being just color, and the next being covered in spiral and floral patterns. visible on her supporting leg are pale yellow pants, and knee-high dark pink greaves. they have three hearts along the middle, a marble-patterned spike-like cover by the knee, and then a layer beneath covers the boots with the same pink and purple patterns from the arm guards. with her in the back, her lower half is slightly obscured in a blue haze; skraak reaches up to about the knee of her right leg, and wilde is just below the heart on her breastplate.
   moving onto the right half, near the center is zolf. he’s down on one knee, left leg down and right leg up, body facing towards our left while his head turns right. his right hand is holding his flaming glaive upright, and on the left he’s holding one side of a pair of headphones to the ear we can’t see. these connect to babbage, whom he’s carrying on a backpack or case made of metal and glass. the brain floats in a green, bubbly liquid. zolf’s mouth is obscured by his single-plait beard and his mustache, so only his stern look is visible. his eyes are green and have the same dark lines running down the lower eyelid. his hair is short, white and pointy. there are spirals and concentric circles down the braid of his beard. the mantle of faith is light gray, with an embroidered yellow border and matching four-point stars across a darker stripe just above the edge of the cape. it drags down behind him and the inside of it folds in such a way that every other stripe has a design of golden suns with beaming rays, and the remaining ones are a paler yellow with floating laurels on them. his breatsplate is a light brown-gray, with a laurel pattern on the edges, and two more layers of armor running below it. the second curves with his belly and ends by his midriff; it has a sun design at the center, like the ones in the cape, right below a central dip in the breastplate, and then come rows of laurels and stripes. the last layer is a tasset covering the sides of his thighs, like azu’s, but his are simple and rounded and have the same beaming sun at their center. he’s wearing a chainmail and plain brown elbow-length gloves with arm guards, which have gray and gold curved stripes. his trousers are plain dark gray and his boots of levitation are white, high-heeled, and go up to his shins. they have gold embroidery in the form of little swirls by the tip and along the side, and both the heels and upper fold of the shoes are deep blue. his glaive reaches just below the clock face, the fire of it white, orange and yellow, with multiple spiral and striped designs on it.
   more to the center of the right half is cel. they’re starting to fly, just a feet or two above the roof, mid transformation, with an emptied potion on their right hand and a handful of bombs in the other. they have sprouted just one wing, still half closed and beginning to stretch to our right, while their right leg and left arm have turned into something clawed and fuzzy, brown-orange and with dotted lines and alternating tones in a pattern reminiscent of a sweater. their wing is also orange and appears fuzzy at the edges, bat-like with a black claw where it bends and dark red and brown, spotted sections on the webs. their head and body are facing to the right of the illustration, snarling at something off-camera with angry narrowed eyes and a mouthful of big fangs. they have the same dark marks under their eyes, pale skin, their nose has gone crooked from the transformation, and we can see their burnt ear. their hair is a gray blond, wild and vertical, slightly swept back. they have their green-lensed goggles on their forehead. they’re holding their right arm up, bending at the elbow so the empty potion bottle is pointing downwards, held by a hand in an elbow-length dark blue glove. their other arm passes over their chest and holds the three bombs in a dark-clawed hand just to the right of the potion. they’re a little hunched over in their flight, making their anger seem more feral, and their long, lanky leg curves downwards next to their other, transforming limb. their long, plain brown coat whips to the right behind them, like a fan, and the inside of it is filled with gray swirls. their shirt is visible where their coat is open by their chest, and it has small spirals filled in with light green and orange. there are two bandoliers crossed over their chest.
   just above them, by the height where the blade of zolf’s glaive begins, is hamid. he has taken off flying and is holding the rod of maximize with both hands, the head of it pointing back, diagonally downwards, along with his cape and wings. he’s flying diagonally upwards towards the right, looking on with a determined look on his face. his eyes are narrowed and bitter, brow furrowed low with the same dark lines. he has sharp eyeliner and bright red eyeshadow. his mouth is sternly closed but two fangs are poking out. he has stubble on his chin and his dark brown hair is slicked back, but there are sharp strands poking out in curved ends as they follow the direction of his scalp. he’s wearing a black button-up with rolled up sleeves, the sleeves of many garments up to his elbows. his skin is dark brown but there are a myriad of orange and yellow scales down the side of his face, just above his eyes, and on his nose. his arms are completely covered in them as well. his cravat is white and his waistcoat is dark red, with a yellow border and a grid-like design of diamonds and X shapes on it. his trousers are plain black, the shape of them going all the way down to his pointy dress shoes, and he isn’t wearing a suit jacket. like cel, he’s facing fully towards the right, flying with his left leg up and the right matching the direction of his speed, just like his cape as it trails behind him. the upper part of the cape is a dark magenta, with golden ends and spiral designs on the lower portion of it. the front of it reaches midway down his chest, and the back of it is long and it fans out in segments covered with concentric half-circles in lighter and darker purples. his left hand holds the lower end of the staff up, the shaft of it in line with his forearm and the whole of his right arm, holding the rod back. the shaft is black, and the head is gold, spiky and symetric, the shapes of it floating around one another and with one big red crystal in the center. following in the rod’s shaft, the shapes are like a spiky U containing the cristal, followed by a sort of wide M, with crescent shapes on either side of it. his one visible, draconic wing splays to the left behind him, and it’s a dark orange in color, sporting the same mosaic-like scales in the webs as those in his arms and on skraak’s frill.
   lastly, above in the center, guivres’ wings spread from behind the tip of big ben. they’re a glimmering gold, with blue vine-like patterns across most of the structure of them, and with a shinning mosaic of gold and blue scales on the webs. there are sharp spikes on the ends and bends of it. just above them, the sun shines down menacingly in an orange-blue dust-ridden sky, and blue petals storm around the party as if they were coming from her, unseen behind the tower half covered in blue, blooming bushes. end ID]

evieebun125:

043 | Zamid Wedding <3

hoo boy this was an undertaking :D i drew a Wedding Zolf/Hamid comic for my dear friend @lovefourtydown​ for @fandomtrumpshate​!!

The prompt was a bright wholesome magically wedding and im happy to deliver it <3

[ID: A two paged digital comic featuring the wedding of Zolf Smith and Hamid Saleh Haroun Al-Tahan from Rusty Quill Gaming. Oscar Wilde is officiating the wedding with Azu, Kiko, James Barnes, Howard Carter, Sasha Rackett, Grizzop Drik Acht Amsterdam and Cel Sidebottom as witnesses.

Hamid is a brown-skinned Egyptian Halfling with short curly brown hair and scaly skin, he is wearing a purple patterned suit with a brass button up shirt and a plaid cravat. Zolf is a white dwarven man with short white hair and a intricately braided beard, he is wearing a blue suit with plaid accents and kilt with a purple and brass sash.

On the first page Hamid and Zolf stand facing each other, each of them have one hand outstretched holding each other. Oscar a white man in a blue suit stands in front of them with his eyes closed and his hands wide open casting an illusion of their history, both the good and the bad. From top to bottom the scenes are: Zolf embracing Hamid in Japan, Hamid sitting outside Zolfs door in Paris, Zolf and Hamid writing their book together, and Zolf and Hamid arguing in the last Londan arc.

On the second page there are 3 panels. The larger scene is Hamid and Zolf  exchanging rings; the first panel is of their hands, hamid holding Zolf’s hand, his ring already slid into place. The middle is of them closing in on a kiss, hamids eyes are open slightly as he smiles. The last panel shows them kissing just off screen, there hands clasped and both of their rings visible. In the background from left to right is Kiko, a japanese women with dark hair and a purple and pink dress. Azu a black Kenyan women wearing a similar dress as kiko but with brass flowers adorning the dress. Sasha a white women with a burn scar and a brown jacket. Cel a white hald-elf wearing a blue suit with brass accents, Barnes a white man with brown hair with a blue suit. Cater a white man with white hair and a blue suit, his arm is thrown over barnes shoulder. Grizzop a gray goblin wearing blue artemis armor. / End ID]

043 | Zamid Wedding <3

hoo boy this was an undertaking :D i drew a Wedding Zolf/Hamid comic for my dear friend @lovefourtydown​ for @fandomtrumpshate​!!

The prompt was a bright wholesome magically wedding and im happy to deliver it <3

[ID: A two paged digital comic featuring the wedding of Zolf Smith and Hamid Saleh Haroun Al-Tahan from Rusty Quill Gaming. Oscar Wilde is officiating the wedding with Azu, Kiko, James Barnes, Howard Carter, Sasha Rackett, Grizzop Drik Acht Amsterdam and Cel Sidebottom as witnesses.

Hamid is a brown-skinned Egyptian Halfling with short curly brown hair and scaly skin, he is wearing a purple patterned suit with a brass button up shirt and a plaid cravat. Zolf is a white dwarven man with short white hair and a intricately braided beard, he is wearing a blue suit with plaid accents and kilt with a purple and brass sash.

On the first page Hamid and Zolf stand facing each other, each of them have one hand outstretched holding each other. Oscar a white man in a blue suit stands in front of them with his eyes closed and his hands wide open casting an illusion of their history, both the good and the bad. From top to bottom the scenes are: Zolf embracing Hamid in Japan, Hamid sitting outside Zolfs door in Paris, Zolf and Hamid writing their book together, and Zolf and Hamid arguing in the last Londan arc.

On the second page there are 3 panels. The larger scene is Hamid and Zolf  exchanging rings; the first panel is of their hands, hamid holding Zolf’s hand, his ring already slid into place. The middle is of them closing in on a kiss, hamids eyes are open slightly as he smiles. The last panel shows them kissing just off screen, there hands clasped and both of their rings visible. In the background from left to right is Kiko, a japanese women with dark hair and a purple and pink dress. Azu a black Kenyan women wearing a similar dress as kiko but with brass flowers adorning the dress. Sasha a white women with a burn scar and a brown jacket. Cel a white hald-elf wearing a blue suit with brass accents, Barnes a white man with brown hair with a blue suit. Cater a white man with white hair and a blue suit, his arm is thrown over barnes shoulder. Grizzop a gray goblin wearing blue artemis armor. / End ID]