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ETEL ADNAN, VIA HANS ULRICH OBRIST INSTAGRAM

ETEL ADNAN, VIA HANS ULRICH OBRIST INSTAGRAM


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etel adnan

etel adnan


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“I need to simplify my thinking: to come to the roots of the olive trees I have planted on my

“I need to simplify my thinking: to come to the roots of the olive trees I have planted on my island, sit close to them, look at every leaf. Start early in the morning. Then close my eyes and let the morning sun touch my face. Go to the Mediterranean at the street corner, go into its water, its salt, its acid colors, its heat. Oh Lord, let’s stop thinking. Let’s just be, and for many hours in a row, merge with this vegetal and metallic kind of consciousness which is so overpowering.”

—Etel Adnan, 1925–2021, RIP (photo by Claire Schwartz)


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metamorphesque:

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musings on Spring

— Rainer Maria Rilke, The Selected Poetry of Rainer Maria Rilke | Pablo Neruda (?) | Louise Glück, Vita Nova | Alberto Caeiro, The Collected Poems of Alberto Caeiro | Vladimir Nabokov, Mary | Etel Adnan, Jebu | Virginia Woolf, A Writer’s Diary | Bangtan Sonyeondan (방탄소년단), 봄날 (Spring Day) | Artwork by Claude Monet

In the dark irritation of the eyes there is a snake hiding

*

from  “XXXVI from The Arab Apocalypse” by Etel Adnan

Illegitimate is this linden tree

which shakes by my door 

let us get ready for Hell!

*

from “The Manifestations of the Voyage” by Etel Adnan

The Word has sunk                                                 

 we are left with no cry   gesture

                                  or gaze

  silence to us is forbidden.

*

from “The Manifestations of the Voyage” by Etel Adnan

 Etel Adnan, Adobe, 2018

Etel Adnan, Adobe, 2018


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soracities:

“Do you think that spring is just behind the door? I don’t know. There is something scary in the air, the acceleration of invisible things”

— Etel Adnan, Paris, When It’s Naked

tawseet-al-sharq: Etel Adnan standing in front of her tapestry Le Depart

tawseet-al-sharq:

Etel Adnan standing in front of her tapestry Le Depart


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