#exhibition

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Y'all make us look good—even on gloomy days.⁠⁠In the spirit of serene, self-care Sundays, some gentl

Y'all make us look good—even on gloomy days.⁠

In the spirit of serene, self-care Sundays, some gentle reminders for you:⁠

  • Applications for our Summer Internship Program close on April 2.⁠
  • #FirstSaturdaysBkM are back and still free, but RSVPs are required.⁠
  • Spring is in full-swing at the Museum—see what’s on view and on the calendar.⁠

Added information on these and much more: https://bit.ly/34QgwKI

(on Instagram): @mushfiqur25


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More than a selfie surface. In Baseera Khan’s “Privacy Control,” a two-way mirror divides the seen aMore than a selfie surface. In Baseera Khan’s “Privacy Control,” a two-way mirror divides the seen a

More than a selfie surface. In Baseera Khan’s “Privacy Control,” a two-way mirror divides the seen and unseen, creating a metaphor for observation and interrogation in society.

Mirrors like these are associated with stereotypical interrogation scenes from procedural TV shows. They are also commonly used to separate gendered prayer halls in mosques, where women can look out, but remain unseen by men.

Our privacy is a fragile concept that is in question with the rise of technology. By photographing ourselves standing in front of the two-way mirror, we play a part in the tracking and surveillance inherent to smartphones. Combined with the English excerpts of the Qur’an, which Khan altered to remove racialized and gendered associations from the English translation, we are left to question the implications—both positive and negative—of visibility.

https://bit.ly/khanbkm

✍️ Anjali Seegobin, EASCFA intern
Jonathan Dorado


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La brique rouge ❤️#thefrenchdispatch #wesanderson #180thestrand #exhibition #labriquerouge #french

La brique rouge ❤️

#thefrenchdispatch #wesanderson #180thestrand #exhibition #labriquerouge #french #red #neon #film #london #the_neon_hunter #LEPhotography #photography #outandabout #blogger #project #tumblr #insta #neon
#iphoneography #shotonaniphone #shotoniphone12 (at 180 the Strand)
https://www.instagram.com/p/CVi1BFvriDB/?utm_medium=tumblr


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Another finish line reached as today is my last day with #Creature #London. Ready for my next race.

Another finish line reached as today is my last day with #Creature #London. Ready for my next race. ❤️

#LastDay #job #freelance #life #FinishLine #endings #halfaroastchicken #canarywharf #dontcryoverspiltmilk #neon #art #exhibition #london #LEPhotography #iphoneography #the_neon_hunter #CreativeDebuts #canadasquare (at Canada Square, Canary Wharf)
https://www.instagram.com/p/CVSMcumMt3F/?utm_medium=tumblr


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#PassOnPlastic today and every day. #EarthDay ✌️#plasticpollution #plasticfree #ecofriendly #ecoli

#PassOnPlastic today and every day. #EarthDay ✌️


#plasticpollution #plasticfree #ecofriendly #ecoliving #carnaby #exhibition #the_neon_hunter #LEPhotography #photography #outandabout #blogger #project #tumblr #insta #neon
#iphoneography #shotonaniphone (at Soho, London UK)
https://www.instagram.com/p/CN-y7xprpKz/?igshid=5r225bt7vng3


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More than exhibition ✨

FOR YOUR PLEASURE @fypbkk

️ Photo Exhibition #1 Latex Fashion

️ 14-17, 19-24 April 2022, 10am-7pm

Curved wall on 3rd floor, Bangkok Art & Culture Centre @baccbangkok

Free Admission


Powered by @forfunbangkok


#foryourpleasure #fypbkk #latexfashion #latexphotography #latexphotoexhibition #forfunbangkok

brattyslava:manhandle meI love groping my property’s tits, but sometimes it’s more h

brattyslava:

manhandle me

I love groping my property’s tits, but sometimes it’s more humiliating if you make her do it herself in public.


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Showing off the abs Mistress forced her to build.

Showing off the abs Mistress forced her to build.


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My favorite thing about vacation (that she paid for) is making her do things I couldn’t pull off in

My favorite thing about vacation (that she paid for) is making her do things I couldn’t pull off in my hometown.


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no-regrets-4-me:suncoast-dom:Mmmmm nice girl or bad girl?The best women are both….“Unbuckle

no-regrets-4-me:

suncoast-dom:

Mmmmm nice girl or bad girl?

The best women are both….

“Unbuckle your shoe and buckle it tighter” I had whispered a few minutes ago. She had originally protested because there were so many people on the street, but one look is all it takes to get her moving these days.


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Some people see a playground and think kids and fun…I think of…well, fun, at least.

Some people see a playground and think kids and fun…I think of…well, fun, at least.


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Poppin’Malevich - Costumes for the 1913 opera “Victory Over The Sun”. Balenciaga -Poppin’Malevich - Costumes for the 1913 opera “Victory Over The Sun”. Balenciaga -Poppin’Malevich - Costumes for the 1913 opera “Victory Over The Sun”. Balenciaga -Poppin’Malevich - Costumes for the 1913 opera “Victory Over The Sun”. Balenciaga -Poppin’Malevich - Costumes for the 1913 opera “Victory Over The Sun”. Balenciaga -

Poppin’

Malevich - Costumes for the 1913 opera “Victory Over The Sun”.

Balenciaga - Fall 2014.

Malevich Exhibition at Tate Modern! 
http://www.tate.org.uk/whats-on/tate-modern/exhibition/malevich


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Cut-Out D. - Henri Matisse, Cut-Outs.- Dries Van Noten, Fall 2014. Exhibition Matisse at Tate ModernCut-Out D. - Henri Matisse, Cut-Outs.- Dries Van Noten, Fall 2014. Exhibition Matisse at Tate ModernCut-Out D. - Henri Matisse, Cut-Outs.- Dries Van Noten, Fall 2014. Exhibition Matisse at Tate ModernCut-Out D. - Henri Matisse, Cut-Outs.- Dries Van Noten, Fall 2014. Exhibition Matisse at Tate ModernCut-Out D. - Henri Matisse, Cut-Outs.- Dries Van Noten, Fall 2014. Exhibition Matisse at Tate Modern

Cut-Out D.

Henri Matisse, Cut-Outs.
- Dries Van Noten, Fall 2014.

Exhibition Matisse at Tate Modern, London:
www.tate.org.uk/whats-on/tate-modern/exhibition/henri-matisse-cut-outs

Exhibition Dries Van Noten at the Musée Arts Décoratifs, Paris:
/www.lesartsdecoratifs.fr/francais/mode-et-textile/expositions-70/actuellement-447/dries-van-noten-inspirations/


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Now on view:Women and the Making of Joyce’s Ulysses

James Joyce’s Ulysses, considered a landmark work of literary modernism, was first published on February 2, 1922. This exhibition at the Harry Ransom Center, curated by Clare Hutton of Loughborough University, marks the 100th anniversary of the book’s publication and investigates the important and largely unacknowledged role of women in realization of his famed masterpiece.

Objects from the Ransom Center’s James Joyce Collection tell the story of the formative role of his family members and, in particular, of four women—Margaret Anderson, Jane Heap, Harriet Shaw Weaver, and Sylvia Beach, who were associated with innovative literary experimentation of the period—all of whom helped Joyce’s novel gain widespread notoriety and success.

See more than 150 rare objects that tell this story, including a first edition of Ulysses, page proofs for its first printing, original copies of The Little Review, manuscripts in Joyce’s hand, rare books, printed ephemera, and photographs.

Explore the exhibition:https://www.hrc.utexas.edu/exhibitions/2022/women-and-the-making-of-ulysses/

About the Exhibition Curator
Dr. Clare Hutton is Reader in English and Digital Humanities at Loughborough University. Her monograph, “Serial Encounters: Ulysses and the Little Review” (OUP, 2019) has just been reissued in paperback. Her other research includes editing The Irish Book in English, 1891-2000 (OUP, 2011), and many essays on Yeats, Joyce, and the Irish Literary Revival.

 Ed Ruscha: Archaeology and RomanceThe Harry Ransom Center presents the exhibition “Ed Ruscha: Archa

Ed Ruscha: Archaeology and Romance

The Harry Ransom Center presents the exhibition “Ed Ruscha: Archaeology and Romance” from August 11, 2018, through January 6, 2019. http://sites.utexas.edu/ransomcentermagazine/2018/06/19/ruscha/

image:  Ed Ruscha (American, b. 1937), “Pool #2,” from the portfolio “Pools,” 1968; printed 1997. Chromogenic color print, 40.4 x 40.7 cm (image). Edward Ruscha Papers and Art Collection, 2013.16.2 © Ed Ruscha


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Joan MitchellUntitled, ca.1958 – 1959Oil on canvas and board197.5 x 174 cm / 77 ¾ x 68 &frac1

Joan Mitchell
Untitled, ca.1958 – 1959
Oil on canvas and board
197.5 x 174 cm / 77 ¾ x 68 ½ in
© Estate of Joan Mitchell
Courtesy Private Collection, Paris and
Hauser & Wirth
Photo: Genevieve Hanson

on view 2/2/17 – 4/1/17inNothing and Everything: Seven Artists, 1947 – 1962atHauser & Wirth, 32 East 69th Street, New York.


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Photozine JONCTION - Microphasme 2019 - self-publishing exhibition

A brand new upcoming exhibition dedicated to Marie Antoinette will take place at the Conciergerie in

A brand new upcoming exhibition dedicated to Marie Antoinette will take place at the Conciergerie in Paris next fall. Further details will come out but for now it sounds very interesting…tempted to go and you?
Una nuova mostra dedicata a Maria Antonietta si terrà il prossimo autunno alla Conciergerie di Parigi. Per ora non è trapelato molto su ciò che verrà esposto ma io sono molto tentata…e voi?
#marieantoinette #conciergerie #exhibition #paris #mariaantonietta #mostra #mostre2019 #parigi #rococo #18thcentury #visitparis (presso Conciergerie)
https://www.instagram.com/p/Bzc4sm1oLyd/?igshid=hjao3v3j2h69


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PoppyCat - Kim Yeo Ok.PoppyCat - Kim Yeo Ok.PoppyCat - Kim Yeo Ok.PoppyCat - Kim Yeo Ok.PoppyCat - Kim Yeo Ok.PoppyCat - Kim Yeo Ok.
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