#flesh blood bone
New Print!
$25 excluding shipping
From my etsy shop, www.etsy.com/shop/LaurenMarxArt
description:
This off-set lithograph is individually signed, titled and numbered. “Attached” print comes in a limited quantity of 100, and once sold out, they are gone! Print size: 10.5 inches wide, 13.75 inches long including a one-inch white border around the image. Each print comes shipped in an unnecessarily large plastic bag (I only have really big ones, which work perfectly haha), in a cardboard tube via USPS. International orders can take a month or more sometimes, so please keep that in mind if you are wanting a print from outside the US. :)
“Attached” is a piece that was included in my November 2016 Corey Helford Gallery, “Flesh Blood Bone”. The print provides a very affordable option for art collectors, friends, family and fans! Thank you!
Post link
Oh man! Today is the last day that my exhibition, “Flesh Blood Bone”, will be up at Corey Helford Gallery. I cannot believe that it went by so fast. It has been an honor to show with such an amazing gallery. I met so many wonderful people at the opening on the 5th of November. I am excited to begin working towards my 2017 shows.
Here are sections for every piece I created for the show over ten months.
For one last time, my artist statement for this show:
Artist Statement:
Flesh Blood Bone:
Animals have always been an essential part of storytelling, symbolism, and spirituality. I am continuing this tradition by producing works centered around fauna to tell stories that relate to creation, mortality, the violence of nature, and my personal life.
Flesh Blood Bone is my first attempt to acknowledge, and accept, aspects of my personal history that have caused me anxiety and heartache. As in my previous work, all subjects are depicted as animals. The series of narrative works centers around my immediate family, and the interactions and emotions that occur between the four members. Recently, I felt that I could finally address these feelings on paper. I have illustrated my separation from the issues presented in Flesh Blood Bone by depicting them as otherworldly, divine animals that exist in a habitat removed from reality. The four family members, which includes myself, become abstracted versions of themselves
I plan on continuing to center my work around aspects of my life and past. I am seeking freedom from my anxiety through my artwork
Post link
I can’t believe that it’s already December. My show at Corey Helford Gallery ends on the 10th! The exhibition has been an amazing experience all around.
Below is my personal favorite piece from the series, “The First” which is still available for purchase! If you are interested in purchasing this piece, please contact Corey Helford Gallery at: [email protected]
“The First”, 2016, Ballpoint Pen, Ink Pencils, Ink Wash, Graphite, Colored Pencil and Gel Pen on Mixed Media Paper, 20 inches by 24 inches (23 inches by 27 inches framed).
Post link
It’s the last couple weeks of my solo exhibition, ‘Flesh Blood Bone’, at Corey Helford Gallery and a few works are still available for purchase!
Below:
“Self-inflicted”, 2016, Ballpoint Pen, Ink Pencils, Ink Wash, Graphite, Colored Pencils and Gel Pen on Mixed Media Paper, 20 inches by 20 inches (23 inches by 23 inches framed).
This beautiful piece is one of the few that are still purchasable!
For Inquires of my available pieces from the show please contact:
Post link
European starling siblings from my “Flesh Blood Bone” exhibition at Corey Helford Gallery!
“Attached”, 2016, Ballpoint Pen, Ink Pencils, Ink Wash, Graphite, Colored Pencils, Gel Pen and Acrylic on Mixed Media Paper, 8.5 inches by 11.75 inches (14 ¾ inches by 11 ½ inches framed).
For purchase inquiries about this show, please contact: [email protected]
Post link
My mother’s portrait:
“The Sacrifice of the Blood-red Saint”, 2016, Ballpoint Pen, Ink Pencils, Ink Wash, Graphite, Colored Pencils and Gel Pen on Mixed Media Paper, 16 inches by 20 inches (19 inches by 23 inches framed).
This piece, and ten others, are now on view and purchasable at Corey Helford Gallery in Los Angeles, for my solo, “Flesh Blood Bone”.
For purchase inquires: [email protected]
Post link
She will always find a home in my bones.
“In My Bones”, 2016, Ballpoint Pen, Ink Pencils, Ink Wash, Graphite, Colored Pencils and Gel Pen on Mixed Media Paper, 13.75 inches by 19.25 inches (22 ½ inches by 17 inches framed).
Another piece for my “Flesh Blood Bone” exhibition at Corey Helford Gallery. This is a more “abstracted” piece than some of my other pieces.
For purchase inquires: [email protected]
Post link
A self portrait as a fawn for my “Flesh Blood Bone” family-based series. Now on display at Corey Helford Gallery:
“The Second”, 2016, Ballpoint Pen, Ink Pencils, Ink Wash, Graphite, Colored Pencil, Gel Pen and Acrylic on Mixed Media Paper, 20 inches by 24 inches (23 inches by 27 inches framed).
For purchase inquiries, please contact [email protected]
Post link
The largest piece for my show, “Flesh Blood Bone” at Corey Helford Gallery during the month of November:
“When the First Became Divine”, 2016, Ballpoint Pen, Ink Pencils, Ink Wash, Graphite, Colored Pencils and Gel Pen on Mixed Media Paper, 24 inches by 40 inches (27 ¾ inches by 43 ½ inches framed).
For purchase inquiries, please contact [email protected]
Since this piece includes all of my immediate family members, myself included, I felt it was important to yet again add my artist statement for the show below:
Flesh Blood Bone:
Animals have always been an essential part of storytelling, symbolism, and spirituality. I am continuing this tradition by producing works centered around fauna to tell stories that relate to creation, mortality, the violence of nature, and my personal life.
Flesh Blood Bone is my first attempt to acknowledge, and accept, aspects of my personal history that have caused me anxiety and heartache. As in my previous work, all subjects are depicted as animals. The series of narrative works centers around my immediate family, and the interactions and emotions that occur between the four members. Recently, I felt that I could finally address these feelings on paper. I have illustrated my separation from the issues presented in Flesh Blood Bone by depicting them as otherworldly, divine animals that exist in a habitat removed from reality. The four family members, which includes myself, become abstracted versions of themselves
I plan on continuing to center my work around aspects of my life and past. I am seeking freedom from my anxiety through my artwork.
Post link
Endless Fighting Between Siblings:
“Fall Apart Like Me”, 2016, Ballpoint Pen, Ink Pencils, Graphite, Colored Pencils and Gel Pen on Mixed Media Paper, 20 inches by 20 inches (23 inches by 23 inches framed).
See the piece in person during the month of November at Corey Helford Gallery, in “Flesh Blood Bone” in Gallery 2
This piece was the top image in the recent Hi-Fructose article:
http://hifructose.com/…/alessandra-maria-lauren-marx-featu…/
To Purchase Please Contact: [email protected]
Post link
My Father:
“The Struggle of the Apathetic Saint”, 2016, Ballpoint Pen, Ink Pencils, Ink Wash, Graphite, Colored Pencils and Gel Pen on Mixed Media Paper, 15.75 inches by 20 inches (23 1/8 inches by 18 ¾ inches framed).
For purchase inquiries, please contact Corey Helford Gallery at: [email protected]
I know I posted this before, but here it is again:
Artist Statement:
Flesh Blood Bone:
Animals have always been an essential part of storytelling, symbolism, and spirituality. I am continuing this tradition by producing works centered around fauna to tell stories that relate to creation, mortality, the violence of nature, and my personal life.
Flesh Blood Bone is my first attempt to acknowledge, and accept, aspects of my personal history that have caused me anxiety and heartache. As in my previous work, all subjects are depicted as animals. The series of narrative works centers around my immediate family, and the interactions and emotions that occur between the four members. Recently, I felt that I could finally address these feelings on paper. I have illustrated my separation from the issues presented in Flesh Blood Bone by depicting them as otherworldly, divine animals that exist in a habitat removed from reality. The four family members, which includes myself, become abstracted versions of themselves
I plan on continuing to center my work around aspects of my life and past. I am seeking freedom from my anxiety through my artwork
Post link
