#french fashion

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fashionsfromhistory:Etui (a small decorative case that holds things like needles, scissors, or thimbfashionsfromhistory:Etui (a small decorative case that holds things like needles, scissors, or thimbfashionsfromhistory:Etui (a small decorative case that holds things like needles, scissors, or thimbfashionsfromhistory:Etui (a small decorative case that holds things like needles, scissors, or thimb

fashionsfromhistory:

Etui (a small decorative case that holds things like needles, scissors, or thimbles)

1760s-1790s

France

MFA Boston


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lookingbackatfashionhistory:

• Rose France: Autumn/Winter 1947-1948, Corolle collection.

Date: 1947-1948

Designer: Christian Dior; Maker: Atelier flou by Monique; Textile by: Marcel Guillemin et Cie

Place of origin: Paris, France

Medium: Silk satin

My artwork of Marie Laforêt in Claude Chabrol’s 1965 film Blue Panther aka Marie-Chantal vs. Doctor Kha is part of my 15% off sale at my Etsy shop which lasts until the end of this month. 136 items for femme fatales and lovers of classic cinema

Instagram/Twitter/Website

#marie laforet    #spy film    #french cinema    #femme fatale    #claude chabrol    #comic books    #comics    #drawing    #illustration    #portrait    #ink splatter    #cigarette    #smoking    #film noir    #black and white    #parisian    #french style    #french fashion    #french women    #french new wave    #painting    #cinema    #movies    #nouvelle vague    

lookingbackatfashionhistory:

• Dress. (Bodice, jacket and skirt)

Maker/Designer: Soinard (Paris)

Date: 1865-1868

Medium: Blue rift

fripperiesandfobs:Robe à la française, late 1770′s-early 1780′s From the John Bright Collection   fripperiesandfobs:Robe à la française, late 1770′s-early 1780′s From the John Bright Collection  

fripperiesandfobs:

Robe à la française, late 1770′s-early 1780′s

From the John Bright Collection  


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history-of-fashion: ab. 1830 Afternoon set (dress and mantle) (France) dress: taffeta with double thhistory-of-fashion: ab. 1830 Afternoon set (dress and mantle) (France) dress: taffeta with double thhistory-of-fashion: ab. 1830 Afternoon set (dress and mantle) (France) dress: taffeta with double thhistory-of-fashion: ab. 1830 Afternoon set (dress and mantle) (France) dress: taffeta with double thhistory-of-fashion: ab. 1830 Afternoon set (dress and mantle) (France) dress: taffeta with double thhistory-of-fashion: ab. 1830 Afternoon set (dress and mantle) (France) dress: taffeta with double th

history-of-fashion:

ab. 1830 Afternoon set (dress and mantle) (France)

dress: taffeta with double thread, silk, silk cord, linen, cotton, silk trimmings, wood buttons covered with silk cord

mantle: taffeta with double thread, silk, silk cord

(Musée des Tissus et musée des Arts décoratifs, Lyon)


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fashionologyextraordinaire:Ball gown  Design House: House of Worth (French, 1858–1956) Designer: C

fashionologyextraordinaire:

Ball gown 

Design House: House of Worth (French, 1858–1956)

Designer: Charles Frederick Worth (French (born England), Bourne 1825–1895 Paris)

Date: ca. 1872

Culture: French

Medium: silk

Location: The Met

Worth rarely scrutinized or adapted forms from the East; in this unusual example, he has emulated Middle Eastern enamels. More often, he was an instrument of a Western taste that was projected globally via imperialism. He is said to have created 250 dresses on commission from Empress Eugénie for her appearances at the opening of the Suez Canal in 1868. This gown was worn by Mrs. William De Forest Manice, the donor’s grandmother, at both the French and English courts during the reigns of Napoleon III and Queen Victoria. When worn on such occasions, the dress had a detachable brocade train, since destroyed.


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 5 Days, 5 Looks, 1 Girl: Camille RoweDAY ONE “Stripes are very French—who doesn’t love a good str

5 Days, 5 Looks, 1 Girl: Camille Rowe

DAY ONE “Stripes are very French—who doesn’t love a good stripe? Cross-body bags are my favorite, because if something isn’t across my body or in a pocket, I’ll put it down and forget it forever.”

DAY TWO “I’ve been living in L.A. for a little over a year. I don’t own a car, and because it’s so spread out there, I find myself carrying a larger bag, because I need all my things at all times. I don’t have that ‘my second house is my car’ thing.”

DAY THREE “My dad is the Frenchest man alive, but totally dresses like a cowboy and is obsessed with vintage. As a kid, I would wear his stuff a lot, and I still to this day kind of want to be my father—I steal all of his clothes and even his reading glasses.”

DAY FOUR “I love this bag because it’s like a cross between a purse and a jewelry box, and you can leave it out on a table or shelf as decoration.”

DAY FIVE “I’m half-French and grew up in Paris, and my style is pretty French in the sense that I have a bit of a uniform and it’s pretty classic.”


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Soleil D'Hiver, A life in Rouje for the winter! Warm materials and cocoon jackets, coordinated mini

Soleil D'Hiver, A life in Rouje for the winter! Warm materials and cocoon jackets, coordinated mini or midi checkered skirts, fluffy stitch knits and all your winter essentials. Shot around Paris featuring long-time Fille En Rouje and founder of Basium Fragrances, Constanze Saemann, it is safe to say that this campaign resonates with lyrics from the song Soleil D'Hiver by Niagara, “Elle voulait toucher le soleil, Rien ne sera pareil.”

Constanze wears, Leopold cardigan, Yvon pants, Laure belt and Elsa boots


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