#ball gown

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themakeupbrush:Tony Ward Spring 2022

themakeupbrush:

Tony Ward Spring 2022


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Charles James 1954 Couture “Swan” ball gown

Charles James 1954 Couture “Swan” ball gown


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inkxlenses:La magia de Barcelona (Parukeri Estetike Merita)inkxlenses:La magia de Barcelona (Parukeri Estetike Merita)inkxlenses:La magia de Barcelona (Parukeri Estetike Merita)inkxlenses:La magia de Barcelona (Parukeri Estetike Merita)

inkxlenses:

La magia de Barcelona (Parukeri Estetike Merita)


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inkxlenses:Zuhair Murad Fall/Winter 2018-2019 Haute Coutureinkxlenses:Zuhair Murad Fall/Winter 2018-2019 Haute Coutureinkxlenses:Zuhair Murad Fall/Winter 2018-2019 Haute Coutureinkxlenses:Zuhair Murad Fall/Winter 2018-2019 Haute Couture

inkxlenses:

Zuhair Murad Fall/Winter 2018-2019 Haute Couture


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inkxlenses:Cinderella Debutante (Mak Tumang)inkxlenses:Cinderella Debutante (Mak Tumang)

inkxlenses:

Cinderella Debutante (Mak Tumang)


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inkxlenses:A regal bridal gown adorned with threads of gold (Parukeri Estetike Merita)inkxlenses:A regal bridal gown adorned with threads of gold (Parukeri Estetike Merita)inkxlenses:A regal bridal gown adorned with threads of gold (Parukeri Estetike Merita)inkxlenses:A regal bridal gown adorned with threads of gold (Parukeri Estetike Merita)

inkxlenses:

A regal bridal gown adorned with threads of gold (Parukeri Estetike Merita)


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inkxlenses:Timelessly Elegant (Sallon Frida)

inkxlenses:

Timelessly Elegant (Sallon Frida)


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history-of-fashion: ab. 1912 Ball gown (+ bodice and skirt) by House of Worthgown - silk, metal, c

history-of-fashion:

ab. 1912 Ball gown (+ bodice and skirt) by House of Worth

gown - silk, metal, crystal beads, bugle beads, rhinestones; supplementary weft patterning, satin, tulle, embroidery

skirt and bodice - silk; beads; paillettes

(Rhode Island School of Design Museum)


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fashionologyextraordinaire:Ball gown  Design House: House of Worth (French, 1858–1956) Designer: C

fashionologyextraordinaire:

Ball gown 

Design House: House of Worth (French, 1858–1956)

Designer: Charles Frederick Worth (French (born England), Bourne 1825–1895 Paris)

Date: ca. 1872

Culture: French

Medium: silk

Location: The Met

Worth rarely scrutinized or adapted forms from the East; in this unusual example, he has emulated Middle Eastern enamels. More often, he was an instrument of a Western taste that was projected globally via imperialism. He is said to have created 250 dresses on commission from Empress Eugénie for her appearances at the opening of the Suez Canal in 1868. This gown was worn by Mrs. William De Forest Manice, the donor’s grandmother, at both the French and English courts during the reigns of Napoleon III and Queen Victoria. When worn on such occasions, the dress had a detachable brocade train, since destroyed.


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heaveninawildflower:Silk ball gown (American, circa 1820). Images and text information courtesy Thheaveninawildflower:Silk ball gown (American, circa 1820). Images and text information courtesy Th

heaveninawildflower:

Silk ball gown (American, circa 1820).

Images and text information courtesy The Met ( Brooklyn Museum Costume Collection).


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