#furniture design

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Jean Royère, ‘Ours Polaire’ Sofa (circa 1950) with Charlotte Perriand’s Free-form coffee table (circ

Jean Royère, ‘Ours Polaire’ Sofa (circa 1950) with Charlotte Perriand’s Free-form coffee table (circa 1956) and Alexandre Noll’s ebony covered box (circa 1948). Two ‘Berger’ stools (circa 1947) by Charlotte Perriand and Serge Mouille’s ‘Simple’ floor lamp (circa 1953). 


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Jean-Michel Basquiat ‘Untitled’ (1983), together with Jean Royère’s ‘Chevron’ sideboard (circa 1941)

Jean-Michel Basquiat ‘Untitled’ (1983), together with Jean Royère’s ‘Chevron’ sideboard (circa 1941) and Paavo Tynell’s table lamp model no. 9216 (circa 1949),


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Jean Prouvé, ‘Direction’ armchair, circa 1947. Model no. 352. Produced by Ateliers Jean Prouvé, Nanc

Jean Prouvé, ‘Direction’ armchair, circa 1947. 

Model no. 352. 

Produced by Ateliers Jean Prouvé, Nancy, France. Sheet and tubular steel, oak, leather upholstery. 


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Garouste & Bonetti, Chaise & Ottoman ‘Brisée’, 1994.Gilded fer forgé, upholstery

Garouste & Bonetti, Chaise & Ottoman ‘Brisée’, 1994.

Gilded fer forgé, upholstery.


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Galerie May Paris, France Maylis Queyrat & Charles Tassin#Built Beauty

Galerie May Paris, France

 Maylis Queyrat & Charles Tassin

#Built Beauty


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Abrahamssons advertisement, 1960.

Abrahamssons advertisement, 1960.


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Media benchSteel, reclaimed 70-year-old beams of Canadian Douglas Fircommission for particular placeMedia benchSteel, reclaimed 70-year-old beams of Canadian Douglas Fircommission for particular place

Media bench

Steel, reclaimed 70-year-old beams of Canadian Douglas Fir

commission for particular placement

Peppercorn Studio


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Minimalist Industrial TableRaw steel with treated skin, barn-reclaimed Hemlock beams, half-inch glasMinimalist Industrial TableRaw steel with treated skin, barn-reclaimed Hemlock beams, half-inch glasMinimalist Industrial TableRaw steel with treated skin, barn-reclaimed Hemlock beams, half-inch glas

Minimalist Industrial Table

Raw steel with treated skin, barn-reclaimed Hemlock beams, half-inch glass

84x42 inches ; Italian structural styling, references to Shinto gates in wood overhangs


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