#halloween music
Jazzy Halloween Playlist | The Headless Crow
Celebrate spooky season with the best in vintage jazz and blues. Featuring Louis Armstrong, Eartha Kitt, Bessie Smith, Nina Simone, and more. Listen to the playlist now.
HALLOWEEN SOUNDS 2018 // vol.one
It’s October and therefore you should be getting proper spooky. What better way than to dive into some Halloween (and spooky-adjacent) sounds. This year, I’m going to be doing a handful of small mixes based around particular styles, rather than one big mega-mix. Volume one is leans into the loud and energetic. Volume two will be more electronic. Volume three heads into the darker atmospheric sounds. After that? I’m not sure. I’m up for suggestions.
You can stream Volume One on Apple MusicandSpotify. Tracklist is on the image.
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Halloween Mixtapes en route. One a week until Halloween. Give me a couple of days to get them all together. We’ll be spooky in no time.
A Halloween Megamix // 2018
I fell behind in my goal of 4 specific Halloween mixtapes, so I’m making good on it, by compiling everything thus far unused, into a megamix that you can throw on and enhance your spooky times. The collection will be continually updated and reaaranged through Halloween, so by all means, subscribe on Spotify and stick around for some additions.
Featuring: Joy Division, Chromatics, Radiohead, M83, The Cure, Sonic Youth, Nick Cave, David Bowie, The Shins, The Knife, and many, many more.
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Halloween Sounds 2018 (vol.two)
Here goes some more spooky sounds for your pumpkin loving ear holes… that sounded like more of an insult than it was intended. I love your ears. And pumpkins. Anyway, volume two finds the sounds leaning into the dance and electronic genres and branching out from there. Dabbling all over the place. Again, sounds way different outloud than when i was typing it. So, as per usual, you can stream this on the platform of your choice. Apple or Spotify.
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Marquis & The Rhythm Howlers – Post Apocalyptic Jukebox
Trapline Productions, 2016
10" EP, limited to 500 copies.
Photography by Timothy Norris
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