#hanif abdurraqib

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hanif abdurraqib // vincent van gogh // john singer sargent // jw cullum // marion mccready // li di


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ophanic:

hanif abdurraqib from the crown ain’t worth much

weltenwellen:

Hanif Abdurraqib, In an Interview with Krista Tippett

When I Say That Loving Me Is Kind Of Like Being A Chicago Bulls Fan
Hanif Abdurraqib

what I mean is that my father can tell a bunch of cool stories about back in the day when I was truly great. there is a mountain of gold that has gathered dust in the corner where I used to sleep, and look at all of these pictures. in this one, I am wearing rainbow shorts and hurling rocks at a shoreline. in this one, I am smiling in the glow of 13 lit candles pushed into a sheet of dark sugar. you may ask why I allow my face to drown in less and less joy with each passing year and I will say I just woke up one day and I was a still photo in everyone else’s home but my own. or I will say I promise that my legs just need another season, and then I will be who you fell in love with again. and then I will probably just say I’m sorry that there was once a tremendous blue sky and then a decade of hard, incessant rain.

==

See the poet read this.  BuyA Fortune for Your Disasteror The Crown Ain’t Worth Much

Today in: 

2020:fromChildren Walk on Chairs to Cross a Flooded Schoolyard, Patrick Rosal
2019:If Life Is As Short As Our Ancestors Insist It Is, Why Isn’t Everything I Want Already At My Feet, Hanif Abdurraqib
2018:Bliss and Grief, Marie Ponsot
2017:Verge, Mark Doty
2016:Ever, Meghan O’Rourke
2015:The Two Times I Loved You the Most In a Car, Dorothea Grossman
2014:May Day, Phillis Levin
2013:The Triumph of the Infinite, Mark Strand
2012:Mermaid Song, Kim Addonizio
2011:the laughing heart, Charles Bukowski
2010:from Jenny, Genya Turovskaya
2009:A Step Away From Them, Frank O’Hara
2008:Entry, Lisa Sewell
2007:Meanwhile, Richard Siken
2006:Preface to a Twenty Volume Suicide Note, Amiri Baraka
2005:Holy Sonnet XIV, John Donne

indeskidgepoetry:

“the poem begins not where the knife enters but where the blade twists.”

— Hanif Abdurraqib, from his poem ‘The Prestige’, published at Poets.Org

tristealven:

“I don’t know if I believe in rage as something always acting in opposition to tenderness. I believe, more often, in the two as braided together. Two elements of trying to survive in a world once you have an understanding of that world’s capacity for violence.”

— Hanif Abdurraqib, from “Board Up the Doors, Tear Down the Walls,” in A Little Devil in America
(viafirstfullmoon)

 Our November/December issue is here! Inside, you’ll find interviews with Anthony Doerr and Hanif Ab

Our November/December issue is here! Inside, you’ll find interviews with Anthony Doerr and Hanif Abdurraqib; Victoria Chang’s reflections on creative struggle; our sixth annual #5Over50 roundup of debut authors; and more. at.pw.org/NovDec2021


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Repping the Midwest with Author and Educator @nifmuhammad

Throughout #BlackHistoryMonth, celebrated during February in the United States and Canada, we’re highlighting next-generation creatives of color who are shaping the future of their communities. Each of the featured accounts was selected by writer, curator and activist Kimberly Drew (@museummammy).


 “Hanif Abdurraqib (@nifmuhammad) is a deeply talented writer and educator, representing as a beacon of hope, dedicated to championing black culture, authenticity and the written word,” says Kimberly of Hanif. “Hailing from Columbus, Ohio, he reps the Midwest in everything that he does, constantly interrogating notions of home in his work. As conversations about gentrification in the US loom large, Hanif is able to bring new, personal perspectives through his poetry. He has a great sense of humor while remaining committed to telling the truth. As an educator, he shared with me that he encourages his students to write about the music that makes them feel most seen, and that sometimes he’ll get essays or poems about [American hip-hop group] Migos. That’s the future I want to live in.”

campcowboy:

have not stopped thinking about this poem by hanif adburraqib ever since i read it

deformititties:

“I am afraid to touch / anyone who might stay / long enough to make leaving / an echo”

— A Fortune for Your Disaster, “FOR THE DOGS WHO BARKED AT ME ON THE SIDEWALKS IN CONNECTICUT” by Hanif Abdurraqib

indeskidgepoetry:

“the poem begins not where the knife enters but where the blade twists.”

— Hanif Abdurraqib, from his poem ‘The Prestige’, published at Poets.Org

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onenemies to lovers 

hanif abdurraqib it is once again the summer of my discontent and this is how we do it \ erté (romain de tirtoff) abondance [“plenty”] (1979) \ joy harjo conflict resolution for holy beings: “this morning i pray for my enemies” \ hilary faye calls to the clouds \peaky blinders s1e6 \ magnus gjoen no time to grieve for roses when forests are burning \ camille rankine 

kofi

firstfullmoon:

when hanif abdurraqib wrote “everything you were born with will provide you with infinite warmth” truly words to feel held by…

in the moments before the eruptions

of our cruelest corners pull us apart, friends,

remind me to tell you of the times I have seen

the way a good season has lingered in the

hopes of dancing along our faces one last

time, and how that has made me decide that

I must stay here, wretched as the staying

may feel. only the fool arms themself

with the tools of undoing and nothing

beyond. I want to die a little less than I did

yesterday and a little less than I did the day

before. offered the chance to make amends

for what we have endured together,

I will open the hidden vault: all heartbreak

is a descendant of the untouched

imagination. into the hollow void I’ve left

I echo the names of all who have pulled me

from the depths of my own design.

and underneath the known haunting

of invented darkness, I promise you

it isn’t all that bad. we can all mourn

until the mourning trembles out a celebration.

Hanif Abdurraqib, A Fortune for Your Disaster (Tin House Books, 2019)

[…] love is not the drug itself but is the fluorescent palm that splits the earth

in the name of its blooming. not the drug, but the object so beautiful it demands
to be stitched into something that the body can consume.

Hanif Abdurraqib, from “How Can Black People Write about Flowers at a Time Like This,” A Fortune for Your Disaster (Tin House Books, 2019)

weltenwellen:

Hanif Abdurraqib, In an Interview with Krista Tippett

weltenwellen:

Hanif Abdurraqib, In an Interview with Krista Tippett

Hanif Abdurraqib talked to Doreen St. Felix about his essay collection ‘They Can’t Kill Us Until They Kill Us’ (Two Dollar Radio).

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