carlyraejepsans:

carlyraejepsans:

carlyraejepsans:

i think one of the smallest, most innocuous things about fanon sans that subtly shifted the way people interpret his character away from canon over time is how people saw this chilled-out lazy guy who sleeps a lot so they obviously drew him with sleepy/sleazy half-lidded eyes all the time

like i said, it’s completely innocent! it makes sense too. but personality-wise? i think it takes away from the fact that this man is staring into your soul, unblinking, eyes wide open like some kind of fucked up little owl in like, 99% of his sprites

how people tend to draw sans

canon sans, 99% of the time

oh by the by, y'know who DOES canonically make the smug half-lidded eyes expression?

[ID: Undertale dialogue box of Papyrus saying “(AUDIBLE WINK)”. He’s making a smug expression, and his eyes are half closed. END ID]

yeah

javier bardem in no country for old men (2007) please, like or reblog if you save.

sentinel5imon777:

Bring Back, Make It, Save These T.V. Series(In No Specific Order)Part 5

• The Widow(2018)
• Who Is America?
• Ordeal By Innocence(2018)
• Living Biblically
• Youth & Consequences
• The Fugitive(2000)
• Pushing Daisies(2007)
• Dr. Ken(2015)
• The Great Indoors(2016)
• Santa Clarita Diet
• The Good Place
• Star Wars: Detours
• Quantum And Woody
• Future Man
• A Series Of Unfortunate Events
• Easy A
• Sleepy Hollow(2013)
• New Amsterdam(2008)
• Sullivan & Son(2012)
• His Dark Materials
• Interstellar
• Inception
• The Prestige

in the moments before the eruptions

of our cruelest corners pull us apart, friends,

remind me to tell you of the times I have seen

the way a good season has lingered in the

hopes of dancing along our faces one last

time, and how that has made me decide that

I must stay here, wretched as the staying

may feel. only the fool arms themself

with the tools of undoing and nothing

beyond. I want to die a little less than I did

yesterday and a little less than I did the day

before. offered the chance to make amends

for what we have endured together,

I will open the hidden vault: all heartbreak

is a descendant of the untouched

imagination. into the hollow void I’ve left

I echo the names of all who have pulled me

from the depths of my own design.

and underneath the known haunting

of invented darkness, I promise you

it isn’t all that bad. we can all mourn

until the mourning trembles out a celebration.

Hanif Abdurraqib, A Fortune for Your Disaster (Tin House Books, 2019)