#hauntedbystorytelling
František Drtikol (1883 - 1961) :: Salome (Ervina Kupferová), 1920. Salome’s studio photographs carry a charge of tense poses, movement and dynamic play with light. The role of Salome is played here by his wife Ervína Kupferová. The photo shows Drtikol’s interest in Art Nouveau, symbolism, historical and mythical themes. (quoted from source Arthouse Hejtmánek)
František Drtikol (1883 - 1961) :: Salome (Ervina Kupferová), 1920. Bromografia. Signed: “Drtikol 1920” at the bottom right below the blind-stamp: “Drtikol & spol. Praha 1922”. | src Art-house Hejtmánek
František Drtikol(1883-1961)::Nude, 1925-1930. Vintage gelatin silver print on semi-matte paper. | src Aukční dům Zezula
this image has been mutilated (cropped bottom) due to tumblr nudity policy
Baron Adolf de Meyer :: Still Life, 1908. Printed from an Autochrome. | src eBay
Baron Adolph de Meyer :: Flower Study, 1908. Autochrome. (Royal Photographic Society Collection) | src The Dawn of ColouratScience and Media Museum via Flickr
Gustaf Wernersson Cronquist (Sverige, 1878 - 1967) ::Titel saknas, ca. 1920-1925. Autokrom. | src Moderna MuseetandFlickr
beautiful, beautiful, beautiful boy
Gustaf Wernersson Cronquist (Sverige, 1878 - 1967) ::Titel saknas, ca. 1920-1925. Autokrom. | src Moderna Museet
The Theater of Insects
Jo Whaley :: Lyropteryx Apollonia, 2008. From: “The Theater of Insects”, published by Chronicle Books. | src l'œil de la photographieandFlickr
Jo Whaley :: Colias Eurydice, 2008. From: “The Theater of Insects”, published by Chronicle Books. | src l'œil de la photographieandFlickr