#immersion

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It’s easy to get the meaning of the individual words through an addon like Rikaichamp(https://addons.mozilla.org/en-GB/firefox/addon/rikaichamp/) and, if you still don’t understand the meaning of the sentence, just click “language switcher“ and it will give you the translation. I don’t recommend it though. As Matt from MIApproachsays, «Growing your capacity to tolerate ambiguity is essential to making rapid progress. Unfortunately, tolerating ambiguity often doesn’t come naturally. Most of us have grown up in a culture that places a lot of value on “understanding things.” Because of this, for most people, being able to tolerate ambiguity is a skill that must be actively cultivated over time.»

LA Is Trying To Kill MeApril 20-22, 2018Bloody Gums Collective brings its group exhibition to SupercLA Is Trying To Kill MeApril 20-22, 2018Bloody Gums Collective brings its group exhibition to SupercLA Is Trying To Kill MeApril 20-22, 2018Bloody Gums Collective brings its group exhibition to SupercLA Is Trying To Kill MeApril 20-22, 2018Bloody Gums Collective brings its group exhibition to SupercLA Is Trying To Kill MeApril 20-22, 2018Bloody Gums Collective brings its group exhibition to Superc

LA Is Trying To Kill Me
April 20-22, 2018
Bloody Gums Collective brings its group exhibition to Superchief Gallery in downtown LA. Featuring the work of over 150 local artists.

“A collection of images exploring the lifestyle of excess in LA.”

Showcasing my first bisensory immersion installation.
Considering the innumerable examples of excess in this city, I chose to focus on the lifestyle of vice; one which LA nurtures and offers in abundance. This piece features a collection of 300 images shot within a year’s span between 2016 and 2017. They are slivers of LA’s party and nightlife culture. A culture which reigns supreme across many different industries and demographics, is often idolized, and in effect may be considered immortal.

The sequence of images are coupled with a musical track. One that is a universal expression of the offered environments. The track and sequence play on ad infinitum, much like the insatiability depicted.


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My piece for Light Grey Art Lab’s “Immersion” show, a companion exhibition to our trip to Iceland la

My piece for Light Grey Art Lab’s “Immersion” show, a companion exhibition to our trip to Iceland last summer.

I wanted to make something about Team Merlin, the group I was a part of. 

This Light Grey Art Lab residency, with the Team Merlin group, is the second time I’ve been to Iceland. My first trip in 2013 changed my life–for awhile, there wasn’t a day that went by that I didn’t think about it. That was the first time I had ever traveled to a different country, and Iceland is such a unique and beautiful place that feels ancient, and almost supernatural.

This second trip felt much different to me. Iceland was still as beautiful and mysterious as ever, but it became the backdrop for meeting a group of people. I don’t know how to explain how everyone in Team Merlin immediately hit it off. I’ve been in art groups and gone on art camps/residencies/workshops before; I’ve even helped run a few. There was something so effortlessly comfortable about hanging out with our team, and the desire to talk and connect with them was so strong. I have been a longtime fan of the TV show “Lost”, and this is the closest experience I’ve had to something like that–a group of strangers becoming family-friends.

Lately I’ve been taking to drawing environments and pieces of environments, because I feel that they can often portray a collective of people in a way portraits can’t. This is the home base of Team Merlin, “the Island” where we became friends.


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Last summer I went with Light Grey Art Lab and a group of amazing artists to spend a week long resid

Last summer I went with Light Grey Art Lab and a group of amazing artists to spend a week long residency in Iceland. It was a really amazing experience and I’d recommend checking out any of their residency programs to anyone. This piece is for LGAL’s new exhibition, Immersion, about the group’s experience of Iceland.

You can check out the rest of the art here:http://lightgreyartlab.com/immersion

You can purchase art and prints from the show here:https://lightgreyartlab.myshopify.com/collections/immersion-an-iceland-residency-exhibition


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Spécimens P33A / en cours

Spécimens P33A / en cours


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michaelbjorkwrites:

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The best metaphor (and cautionary tale) I’ve read about how to keep readers immersed in a story came from a book on poetry — Ted Kooser’s The Poetry Home Repair Manual.

Recalling a childhood vacation on the Wisconsin River, Kooser writes:

I do vividly remember going for a ride in an excursion boat that had a clear glass bottom. It floated with grace and ease and a throbbing gurgle across water brightly dappled with summer sunlight. Beneath the glass floor I could see fish swimming, catfish and carp and gar, and rocks eroded into imaginative shapes, and soda bottles that people on earlier cruises had dropped over the side.

I remember being completely absorbed… [until a] woman sitting nearby leaned over too far and her white-rimmed cat’s-eye sunglasses slid off the end of her nose and fell with a clatter onto the glass. That sudden interference on the surface of the dreamy world beneath me brought my attention back to the glass floor, back to the ordinary world of being a little boy, hot and impatient and cross. The moment had been spoiled.

The moment had been spoiled.

I remember reading those words, and it resonated with me beyond just poetry. How many times had I been pulled out of a story because of metaphorical sunglasses clattering upon the page of the book I was reading?

I’m sure you’ve experienced the same.

So let’s talk about these sunglasses and how to avoid dropping them — to keep your readers immersed in the world you’ve created.

Types of “dropped sunglasses”

Aviators.

Ray-Bans.

JOKES. So what are some of these dropped sunglasses that appear in our writing?

Well, the lowest hanging fruit include mistakes of grammar, spelling, rhythm, and flow. That’s why it’s important to edit and proofread our writing — so it reads clear, like polished crystal.

But there’s more than that, too. So much more. Beyond just mechanical mistakes, dropped sunglasses can really be anything that spoils the illusion of the world and characters you’ve created, such as:

  • Someone acting out of character
  • A disjointed plot
  • Vague, confusing language
  • An inconsistent reality
  • Inconsistent tone
  • Literary showboating (showing off just to show off)
  • Etc.

But how do you spot these issues?

You’ll get better at noticing dropped sunglasses yourself over time, but the best help you’ll receive will be from the friends, writers, or beta readers who provide feedback on your story.

These readers can help with various aspects of your writing, but an additional request I’d recommend is asking them to mark all the places where something jolts them from the story. If they’re able to identify what distracted them, awesome; but if not, it’s still valuable to know where they were jolted so you can go back and investigate.

After that, use their feedback to fix problem areas and smooth out the prose.

That way the little Koosers of the future who read your story will never be startled by fallen sunglasses. Instead, they’ll just settle in, forget they’re reading — and enjoy the fish swimming by in the shimmering waters.

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Hey there! My name’s Mike, and I’m a writer & copywriter with an MFA in fiction. For more tips on how to hone your craft and nurture meaningful stories, follow my blog.

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