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rinadragomir: TSC SIBLINGS:IZZY / ALEC LIGHTWOOD “ℎ ℎℎ,” . “ℎ ℎℎ ℎ ℎ . ℎ’ ℎ ℎ?” “ℎ’ ℎ ?” . “ ℎ ?” rinadragomir: TSC SIBLINGS:IZZY / ALEC LIGHTWOOD “ℎ ℎℎ,” . “ℎ ℎℎ ℎ ℎ . ℎ’ ℎ ℎ?” “ℎ’ ℎ ?” . “ ℎ ?” rinadragomir: TSC SIBLINGS:IZZY / ALEC LIGHTWOOD “ℎ ℎℎ,” . “ℎ ℎℎ ℎ ℎ . ℎ’ ℎ ℎ?” “ℎ’ ℎ ?” . “ ℎ ?” rinadragomir: TSC SIBLINGS:IZZY / ALEC LIGHTWOOD “ℎ ℎℎ,” . “ℎ ℎℎ ℎ ℎ . ℎ’ ℎ ℎ?” “ℎ’ ℎ ?” . “ ℎ ?” rinadragomir: TSC SIBLINGS:IZZY / ALEC LIGHTWOOD “ℎ ℎℎ,” . “ℎ ℎℎ ℎ ℎ . ℎ’ ℎ ℎ?” “ℎ’ ℎ ?” . “ ℎ ?”

rinadragomir:

TSC SIBLINGS:IZZY/ALECLIGHTWOOD

“ℎ ℎℎ,” . “ℎ ℎℎ ℎ ℎ . ℎ’ ℎ ℎ?”

“ℎ’ ℎ ?” . “ ℎ ?”

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 Dropping this new illustration inspired by The Mortal Instruments by  @cassandraclare, featuring th Dropping this new illustration inspired by The Mortal Instruments by  @cassandraclare, featuring th Dropping this new illustration inspired by The Mortal Instruments by  @cassandraclare, featuring th

Dropping this new illustration inspired by The Mortal Instruments by  @cassandraclare, featuring the crew from the New York Institute! Featured on a HUGE puzzle, part of the 2021 Literary Locations add-ons from LitJoy Crate!

This was such an action-heavy illustration! So much pose! So much SFX! But I had to shove everyone out to the edges to make room for the centerpiece figure of the NY Institute building! We wanted to feature the true building and a super-imposed image of its glamour as a ruined cathedral. If it’s not apparent, I’m a huge fan of using dutch angles and wide angle perspectives in my illustrations - and that absolutely had to happen here to fit in the sheer size of the building and its surroundings. I’ve always found spherical perspective drawing so much more dynamic and fun to build! ✨


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