#japaneseart
⚡️| Nishijima Katsuyuki
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#ukiyoe #nishijimakatsuyuki #japaneseart #kyoto #woodblockprint #print #umbrella #rain #otrasdemencias
https://www.instagram.com/p/Bwlq_6ojtQH/?utm_source=ig_tumblr_share&igshid=keaaph9uo7og
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Chindōgu para ser mejor persona | Daniel Gebhart | Hoy, en #cócteldemente
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@doublekoek #photography #chindogu #japaneseart #90s #culture
https://www.instagram.com/p/BxRsUfQjNNZ/?igshid=wmqifixf1cx2
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Bébete el zumo antes de que se le vayan las vitaminas… Feliz Día de la Madre | Takeuchi Keishu
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#japaneseart #takeuchikeishu #woodblockprint #illustration #mothersday #print #otrasdemencias #artwork
https://www.instagram.com/p/BxExkLWDqgk/?igshid=wy7jz0vd21yr
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KIRIN TATTOO CLUB
Only for good clients
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#izakayakirin #izakaya #curitiba #kirintattooclub #irezumi #japaneseculture #tattooculture #tradition #wabori #irezumi #horihana #kirintattoo #tattoostudio #curitibatattoo #curitiba #cwbtattoo #cwbtattoo #dragontattoo #japanesedragontattoo #japaneseart #tatuagemjaponesa (at Kirin Tattoo)
https://www.instagram.com/p/CGf1RZqh4eu/?igshid=10cy4dpauoxg4
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Bons clientes sempre retornam e dão continuidade em seus fechamentos. Ontem comecei a fazer o fundo nos braços da minha cliente que virou amiga @cel_vagem
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#botan #peonietattoo #irezumi #inkedgirls #savagez #irezumi #wabori #flowertattoo #japaneseart #kirintattoo #horihana (em Kirin Tattoo)
https://www.instagram.com/p/CEmds4OAUPX/?igshid=lm7mj6pbu7ji
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The Moon-Viewing Promontory, from the series One Hundred Views of Famous Places in Edo, Utagawa Hiroshige, 1857,Cleveland Museum of Art: Japanese Art
Hiroshige, who frequently designed prints with unusual or humorous viewpoints, has placed the viewer by pine trees, peering through a doorway at the end of a moon-viewing party. The silhouette of an elaborately coiffed woman is visible through a translucent paper door; only her hem trails into the room. Another person remains seated on the floor in the upper right, near a musical instrument and a tray with blue-and-white ceramics. This figure may still be admiring the autumn moon over ships in Tokyo Bay.
Size: Overall: 33.9 x 22.8 cm (13 3/8 x 9 in.)
Medium: color woodblock print
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Portrait of Hottō Enmyō Kokushi, 1286–1333,Cleveland Museum of Art: Japanese Art
Hottō Enmyō Kokushi, is a posthumous title bestowed upon the Zen Buddhist monk Shinchi Kakushin (1203–1298) by the emperor Go-Daigo. The title means “perfectly awakened national teacher of the Dharma lamp.” Compared with two sculptures of the monk created during his lifetime (both in and around 1275), this sculpture portrays Kakushin as a much older man. It comprises multiple wood blocks, with the main parts being the front, back, and the head, which is inserted into the body. Although only the lacquer remains today, the sculpture would once have been painted. Considered a fine example of “Kamakura realism,” while downplaying detail in the body, the sculpture emphasizes fidelity in representing the visage of Kakushin.
Size: Overall: 91.4 cm (36 in.)
Medium: Hinoki cypress wood with lacquer
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Portrait of Hottō Enmyō Kokushi, 1286–1333,Cleveland Museum of Art: Japanese Art
Hottō Enmyō Kokushi, is a posthumous title bestowed upon the Zen Buddhist monk Shinchi Kakushin (1203–1298) by the emperor Go-Daigo. The title means “perfectly awakened national teacher of the Dharma lamp.” Compared with two sculptures of the monk created during his lifetime (both in and around 1275), this sculpture portrays Kakushin as a much older man. It comprises multiple wood blocks, with the main parts being the front, back, and the head, which is inserted into the body. Although only the lacquer remains today, the sculpture would once have been painted. Considered a fine example of “Kamakura realism,” while downplaying detail in the body, the sculpture emphasizes fidelity in representing the visage of Kakushin.
Size: Overall: 91.4 cm (36 in.)
Medium: Hinoki cypress wood with lacquer
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Dildo
1820’s original Shunga woodblock print by Keisai Eisen. $200
For more information and scans contact me at [email protected]
#érotisme #eroticart #eroticillustration #art #illustration #interiordesign #interiordecorating #decorating #design #antiqueprint #antique #vintage #printmaking #prints #shunga #japaneseart #ukiyoe
https://www.instagram.com/p/BPavkjgFt0I/?utm_source=ig_tumblr_share&igshid=v252xejecbpa
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Which do you prefer?
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hamon (刃文) “blade pattern” is a visual effect created on the blade by the hardening process
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@japonalia
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#katana #kendo #kenjutsu #muramasa #masamune #japaneseart #japaneseculture #japanese #japan #japao #japon #bushido #musashi #ronin #bujinkan #koryu #kobudo #budo #japonalia #dojo
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by @katana_sword_reviews
https://www.instagram.com/p/CIS1HoOJ026/?igshid=jwqy02cvovzk
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Reading Stand, early 17th century,Cleveland Museum of Art: Japanese Art
Size: Overall: 53.3 x 30.5 x 45.7 cm (21 x 12 x 18 in.)
Medium: lacquer with gold
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I met #YurieSekiya (@gonhanamizz) for the first time in few years at her art exhibition the other day!!! I love #PeroPeroSparkles so much!!! How about you?
#art #japaneseart #japaneseartist #illustration #illustrator #anime #manga #animeboy #animegirl #shibuya #harajuku #harajukuboy #harajukufashion #harajukukei #jfashion #japanesefashion #japanesesubculture #subculture #kawaii #kawaiiboy #kawaiifashion #decora #decoraboy #decorafashion #decorakei #colorful #colorfulfashion #pastel #pastelcolors #pastelfashion #pastelkei #rainbow #rainbowfashion #galaxxxy #takuyaangel #dollskill #jeremyscott #jeremyscottadidas #adidasjeremyscott #せきやゆりえ #せきやゆりえ個展 #ペロペロスパークルズ #ペロスパ #アート #イラスト #イラストレーター #カラフル #パステル #パステルカラー #パステルアート
https://www.instagram.com/p/BtDs9Y1hBIp/?utm_source=ig_tumblr_share&igshid=1u1fvokbg4ba4
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The Moon-Viewing Promontory, from the series One Hundred Views of Famous Places in Edo, Utagawa Hiroshige, 1857,Cleveland Museum of Art: Japanese Art
Hiroshige, who frequently designed prints with unusual or humorous viewpoints, has placed the viewer by pine trees, peering through a doorway at the end of a moon-viewing party. The silhouette of an elaborately coiffed woman is visible through a translucent paper door; only her hem trails into the room. Another person remains seated on the floor in the upper right, near a musical instrument and a tray with blue-and-white ceramics. This figure may still be admiring the autumn moon over ships in Tokyo Bay.
Size: Overall: 33.9 x 22.8 cm (13 3/8 x 9 in.)
Medium: color woodblock print
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Under-kimono (Nagajuban)| Shōwa Period mid-20th century⠀
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This man’s under-kimono (nagajuban) is made of dark olive-green crepe silk and decorated with yūzen paste-resist dyeing. The upper part of the back panels is embellished with two skeletons playing go (a traditional Asian board game). In the background of the scene is a delicately painted spider web. The skeletons are rendered in white, black and gray colors, while the background is light gray. Both the figures and their background are painted in softly graded tones. On the lower section of the right back panel a skull is depicted among grasses with a wooden plaque, which bears the inscription “Namu Amida Butsu” (南無阿弥陀仏 “Amitabha Buddha”). In Pure Land Buddhism, the recitation of “Namu Amida Butsu” signifies the speaker’s complete reliance on the compassion of Amitabha Buddha; the chanting of this mantra-like phrase (nenbutsu 念佛 “mindfulness of the Buddha”) is believed to allow rebirth in Amitabha’s Western Pure Land.⠀
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A nagajuban is worn beneath the kimono as undergarment, and not usually seen in public—only in informal settings, with family or friends. A nagajuban is usually shorter than the outer kimono, complete with the long kimono sleeves, which are neatly fitted inside the outer kimono’s sleeves. As silk kimono often cannot be washed, the nagajuban helps keep the outer kimono clean by keeping it off the wearer’s skin. Under-kimono are most often silk.⠀
(@metmuseum Accession Number:2014.723)⠀
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#13daysofhalloween #kimono #japan #nagajuban #fashion #history #vintage #skeleton #spiderweb # #style #design #mode #moda #silk #museum #art #japaneseart #showaperiod
https://www.instagram.com/p/B3-JHOygUg2/?igshid=114xa17z8mf6b
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It is precisely the act of pushing against limits, stretching them, bending them, playing with them, which leads to interesting artistic expression.
In other words, in order to push boundaries, there have to be boundaries there in the first place.
This is very true of Japanese calligraphy. As an artform it is incredibly restrictive. The boundaries are clear and unequivocal… so it’s all the more impressive when a calligraphy artist successfully transcends the boundaries, expressing Japanese characters in a unique and moving way.
Bushido is the ancient moral code of the samurai. It includes: Righteousness, Courage, Compassion, Respect, Honesty, Honour, Duty, Self-Control.
Its influence on Japanese society continues today in areas such as the Japanese military, and in business communication.
This yo-ji-juku-go (4-character idiom) comes from an ancient Chinese poem and refers to a situation in which people have hidden talents.
“Iki” is a Japanese aesthetic ideal. It refers to subtle elegance and sophistication.
One of the aspects of iki is caring about the sensibilities of others. What you wear should make others feel comfortable, and wearing stylish clothing is a way of respecting those around you.
This doesn’t mean that you can’t wear what you want, but neither does it mean that you can’t think about how your appearance affects others. Iki is somewhere in between.
“the bittersweet realization of the ephemeral nature of all things”
睦月 (Mutsuki) “January"This is the old Japanese name for "January”. “Mu”(睦) means “good relationships”, especially among family members. On New Year’s Day families often stay close and spend time together.
New Acquisition: A Golden Tea Bowl
One of our most recent acquisitions at the Museum is this beautiful golden tea bowl by Japanese artist Ogawa Machiko (b. 1946).
Clare Pollard, our curator of Japanese Art, writes: ‘Ogawa’s work is characterised by the raw intensity of its materials. Many of her ceramics resemble strange and wonderful mineral formations or archaeological artefacts that have just been excavated from the earth. Even this carefully crafted bowl retains an elemental quality, as if scooped out of raw clay. The earthy cracks and deep fissures of the roughly textured exterior contrast with the creamy-smooth, matte gold flow of the interior, creating an intriguing, powerful dynamic between interior and exterior space. This one small tea bowl encompasses a whole spectrum of moods.’
Our recent Ashmolean Members’ Magazine featured an article on this object and the artist behind it. Become a Member for access to these magazines, as well as a host of other benefits and perks.
Rujunko Pugh is an African-American and Japanese artist who was born in Japan in 1970. Working across various media including printmaking, installation, paste-ups (street art) and murals, her art draws on Japanese, African and African-American found imagery. Pugh explore themes such as identity, history, culture and race as well as global movements of people, ideas and technologies.
Only a few more weekends to come see Rujunko Pugh and visit “Fruit of Our Labor” on Governors Island before it closes on July 28.
#rujunkopugh #mocadaonview #blackart #japaneseart (at Governors Island)
https://www.instagram.com/p/Bzq9oHqhvqs/?igshid=1wau8b3uh85jy
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Meitei’s first show in Japan
This time, the first show of Meitei will be held in Wakayama Prefecture, Japan. I did not expect that I would be doing a show. But from now on, I intend to actively work on the show / live format. I’m still a beginner in this style, but I’m aiming for a deep performance in the near future. Now I have started a new challenge.
In this show, I will prepare a Komachi / Kwaidan new arrangement. I realized that doing a show can announce an existing track as a new version. That might be very interesting. I think it will eventually be possible to show more interesting styles. I’m interested in it. Thank you
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Tengu Travelling as a Priest, 19th century,Cleveland Museum of Art: Japanese Art
Size: Overall: 3.9 cm (1 9/16 in.)
Medium: ivory
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