#john-paul bove

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wordmongerer:So all the artists attending AA have put up their preorders now for black and white s

wordmongerer:

So all the artists attending AA have put up their preorders now for black and white sketches so now comes the colours!

Let me know which artist you have ordered the sketch from and which character/s you have ordered. You will also need to let me know which days you will be attending. I will contact them and arrange (if possible) to get a scan of it ahead of the show to have it ready for collection. Where that isn’t possible I will be able to collect it during the show, scan it, colour it and print it.

UNLIKE HAND COLOURED SKETCHES YOU GET TO KEEP THE BLACK AND WHITE VERSION AND YOU ALSO GET A DIGITALLY COLOURED VERSION ON GLOSSY PAPER (pretty much like the pic).

A4 Prices are:

Head shot: £10

Full body: £20

Anything in-between: £15

Simple backgrounds; +£5

Extra characters full body: £15

I will also be able to get A3 commissions printed but these would have to have linework completed before the show to have time to colour and print for collection by Sunday and if not the commissions will be done and posted after the show. A3 commission prices depend on the complexity (an 11x17 inch cover with 10 characters involves a lot more time and work than a pin-up). Let me know what you have ordered and I can give you a quote!

PAYMENT by PayPal in advance means the sketch will definitely be ready sooner than payment by cash on the day. Any questions or to confirm a colour commission and leaving me the info above at [email protected]

Thanks guys - SEE YOU SOON!

j-p


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She’s an 80′s girl…lines by Casey Coller, colours by me!

She’s an 80′s girl…

lines by Casey Coller, colours by me!


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This is the cover to my first creator-owned book which will be released in print and on-line soon (d

This is the cover to my first creator-owned book which will be released in print and on-line soon (details as I get them).

It’s a one shot story about a group of archaeologists who dig a little too deep and find something they were not expecting…

The cover is by Marvel and DC’s Ben Oliver and the book is written, coloured and lettered by me and the interiors done by the amazing Conor Boyle>

For more info follow UnEarth on twitter: @Unearth_oneshot or on facebook: https://www.facebook.com/unearthcomicbook


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It is fair to say that I am tres excited by the very thought of the next Avengers movie and I had th

It is fair to say that I am tres excited by the very thought of the next Avengers movie and I had the idea of doing something along my art deco lines and here it is! Hope you enjoy.

P.S. Sorry for the watermark but art thieves are dicks…


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Wishing you all a wonderful Christmas and New Year, thanks for all your favourites and shares and ju

Wishing you all a wonderful Christmas and New Year, thanks for all your favourites and shares and just general support this year, it helps make long and difficult days worthwhile!


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It’s that time again folks! Colour commissions again AT LAST. I KNOW YOU HAVE BEEN ASKING. I AM SORR

It’s that time again folks! Colour commissions again AT LAST. I KNOW YOU HAVE BEEN ASKING. I AM SORRY! :P

This is how it works:

1. Bring me your black and white sketch
2. I scan it in and colour it up
3. I print it on glossy photo paper and because I’ve coloured the scan you get to keep your original too.

I’m opening a limited number of commissions and they will be tackled first come first served basis. Last year was the first year I had my son with me and to ensure I am fair to him, me and you I will have a smaller available list that will be done at the show and will have more that will be sent out after the show. I am not charging any extra for anything posted out after the show.

I will be at TFN from Thursday night and will accept commissions throughout the show until my list is full. The sooner I get the black and white the greater the likelihood of getting them done at the show. Commissions will be done as I get them so there may come a point where no more can be done in time for Sunday and will be posted after the show.

If you have sketches from a previous year
you’d like done you can also send them to me ahead of the show at [email protected] - scans should be 300dpi and greyscale unless it’s a sketch cover in which case full colour.


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A gift art commission drawn by Ed Pirrie and coloured by me. I bloody love Skeletor! NYAAAAAAAAAAH!

A gift art commission drawn by Ed Pirrie and coloured by me. I bloody love Skeletor! NYAAAAAAAAAAH!


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Finally got ‘round to doing these 4 Turtles posters in a Saul Bass stylee! All of these in an A3 siz

Finally got ‘round to doing these 4 Turtles posters in a Saul Bass stylee! All of these in an A3 size are available from my new on line shop! You can get your own here: http://bove.bigcartel.com  and use the code MULTI to get a 20% discount off 3 or more posters. Only available in the UK for now.


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A rumble blows through and suddenly there is only the darkness.

The heat from the creature’s breath burns at his skin.

Heavy claws scrape across the unknown space.

A wave of sickness passes over him. He stumbles.

His head and throat and feet are heavy, full of blood, he feels as if he’s running through water.

The sounds get closer. Louder.

He cannot move fast enough

The smell, the heat, the sounds get closer.


Closer.

Something sharp moves across his skin–

*******


Dantini woke breathless, tears streaking his face. The dreams were always the same, never able to see what was coming but never able to escape them. He wiped at his face; sobbing, exhausted. He steadied himself, his eyes still wet and lit the lamp by his bedside. The sound, the vibration, that plagued his dreams seemed to be following him into the waking world. The sound of the cicadas outside was so loud, it was bigger than him, everything else was muffled and far away. The repetitious pulse got louder, he tried to shout out to tell them to stop, but he could not hear himself. He attempted to stand but his legs wouldn’t take it. He fell awkwardly, his head pounded. Vomit spattered the teracotta tiled floor

Stumbling into the bathroom he splashed water on his face. The water brought little relief, the night was so hot and humid that the water was too hot. Everything was too hot. It was as hot as hell at this time of the year in Sicily. He swilled out his mouth, his full weight against the ceramic. Standing, he regarded himself in the mirror. The candlelight from the neighbouring room was sufficient for him to know that his reflection was not the one he was familiar with. Even the candlelight could not disguise that the man looking back at him was paler than he remembered, his hair thinned, out of control. He’d not felt himself, he’d not been well since–

The noise pulsed again in his head and his heart. Steady. Low. Loud. He gripped the basin, closed his eyes, hoping for the worst to pass. Louder. The walls seemed to move closer. Louder. Closer. Spinning. The room was smaller than he could cope with.

Dantini stumbled into the night, fireflies strobed in all directions. The sounds of the cicadas like a million discordant voices, the cacophony of night echoing all around him. Underneath it, just beyond it, he imagined he heard a voice. A promise. A promise of greatness, of fame, of fortune.


Louder.

He would be the first to discover something long forgotten. He would be the greatest archeologist in all of Italy, in all of the world. He would shed light on lives forgotten. He would give shape, give substance to those that had become just ideas.

Louder.

He would be loved. She would love him again. He would be idolised. He would be a god. But he would have to keep it secret for now, couldn’t tell anyone the voice said. They would not believe it. Not without proof. The voice made him swear. The voice was everything. “Look up.” the voice commanded.

Softer.


Dantini looked out into the distance and was transfixed by the lone mountain. He knew, he knew he was meant to go there. The fireflies seemed to form a pattern, a trail of light pulsing towards the mountain. Every step closer he felt a burden lift. Every inch closer was a reward. The pulsing slowed. The mountain was becoming all, the mountain was peace, the mountain was destiny. The cicadas, the pulse, it all slowed the closer he got to it. It was release, it was heaven. His limbs felt light, his belly full. Only he could hear the voice, only he could make the discovery. At the foot of the mountain he knew he could not climb the peak alone, not that night. But he also knew his reward was inside, he knew there was someone in there waiting to come out. He dug at the earth, trying to find a way in but underneath was volcanic rock, his fingers raw from the effort. He cried again, not from sickness, but from frustration.

Quieter.


He fell asleep in the dirt. Cool. Quiet. At peace. He slept under the watch of the mountain. It sang to him of course, in the voice of his mother. It promised to sing to him every night he slept in the mountain. It promised him so much. Secret promises that hung like gossamer at the edge of his conscious thoughts. He would be safe. He would be rewarded. Tomorrow he would bring others. Tomorrow he would find a way in. “Every day,” he swore, “Every day is yours. From now until my last breath.” Somewhere far away from the waking world, underneath it all, Dantini heard laughter. For a moment he stirred but the laughter was gone. He was a part of it now. Safe with it. Safe in it.


Silence.

****


To be continued in the comic UnEarth, a one shot comic by John-Paul Bove and Conor Boyle.
 Available digitally from: https://www.comixology.co.uk/UnEarth/comics-series/55380
And as a comic from http://unearth.bigcartel.com/

I asked a little while on my Twitter and FB if people would be interested in seeing a pitch I developed for a Spotlight Metroplex. Some things to bear in mind here that this predates the actual Spotlight Metroplex, and the whole Titan storyline. It also predates Overlord’s appearance by quite a while.

So it’s safe to post because sadly it can never be, but I hope you enjoy a look at what could have been a very different tale, steeped in the Infiltration mythology and set in an undetermined time frame to allow it to be followed up on however future stories saw fit. I wanted to explore the idea of an unintended consequence of the Transformers infiltrations and interference on alien worlds and to explore the idea of evolution and how places can become living things - the Spirit of the Place. Here’s how things could have gone…

Open on a sketch, done in a style circa 1000AD of a few huts. Through pencil sketches, paintings, grainy photographs we see the construction of Metroplex. He was built over centuries, added to, made larger and larger until one point he became a sentient city.
On a double page splash we see the massive expanse that is the city of Metroplex – abandoned.
He wonders at what point he became alive. He finds his records scrambled, damaged somehow… He sees snatches of history, fragments. He sees that a war raged here once, the inhabitants fighting. But there’s something odd, unfamiliar in the records. Symbols he hasn’t seen before, records in an unfamiliar language – Cybertronian. Realises there were mechanical lifeforms there, in secret, in disguise. Digging for something deep in the earth. Watches them transform. He creates a small robot in their image, controlled entirely by him, sets him to work around him, repairing, modifying. Finally fixing a few sensors he discovers an image of one of the symbols on a city in the north – A Decepticon symbol.
Transforming his city into a mobile fortress he heads toward it, tracking a lonely and dusty course across the scorched landscape. Along the way he reviews images from the history of the world (perhaps a seed of something setting up something that is coming down the road). Sees pictures and reads stories of the world’s mythology, of giants that walked the earth like gods and dragons that scourged the skies. Of gods that fell asleep deep beneath the ancient cities. Reaching a vast mountain range he can go no further. Discarding his weaponry he uses it to create another robot to cross the mountain range.
The two small robots separate, each with their own path. Finally one of them discovers the city – Trypticon city. Abandoned, desolate, strewn with corpses and pieces of fallen ‘bots. Using what little information Metroplex has of the world his little robot downloads the information into Trypticon city. A rumble. Violent. The information isn’t going in right, it’s being corrupted. Fragments of the legends are going in. Pieces of the earlier panels. “I” “AM” “A” “GOD!!” The feed goes black.
Elsewhere the other robot, Sixgun stops, sensing something bad, but then sees something in the distance… is that another city?
Back at the mountain range…
THOOM
THOOM
THOOM
Metroplex is distracted, sounds like thunder…
BOOM!
Trypticon, the multi-storey monster, smashes through the mountain range!
Trypticon, like a mech-Godzilla starts to trample through the mighty City of Metroplex. Without armaments Metroplex knows that his history, the records and culture will all be lost. All of the treasures and truths of this city. He begins to transform into one of the heroes in the memory banks, to counter the image of the dragon.
The fight is like nothing seen before. Two giants fighting. The landscape is ripped apart, sonic booms tear from every blow.
Metroplex manages to knock Trypticon down who transforms into his attack mode.
Metroplex is outgunned and taking heavy damage, but he has a plan. He can’t afford for everything to be destroyed - the knowledge, the memories, the art and culture…
Meanwhile Sixgun has made his way to the main generator for the region, where he initiates a massive EMP.
Metroplex initiates a memory dump into Scamper who recoils with pain.
Metroplex transforms back into a city as the Pulse blasts through him and Trypticon - knocking them both off-line.
As the EMP shockwave surges onwards, Scamper drives off a cliff into a water trench, the shockwave passing overhead as he plunges into the water.
Then silence. Dust blows again through the twin cities of Metroplex and Trypticon.
The water shows no sign of Scamper coming back out.
Sixgun lies deactivated, lifeless next to the EMP generator. The sign that was marked “Danger, Overload” has partially fallen down, it now reads - “Overlord”. As we pull back we can see that the facility is actually the Decepticon powermaster Overlord.
Pulling further and further back we see a track and a launch pad. Next to it is a sign reading “The Omega Spaceport - The Supreme Travel Location”
The End?
Everyone’s favourite turncoat! Another collaboration between myself and Casey Coller. I will h

Everyone’s favourite turncoat! Another collaboration between myself and Casey Coller. I will have these with me at Auto Assembly and pretty much everywhere after that!


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