#jonhson wax

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Prototype Structural design · Johnson Wax Building Frank Lloyd WrightStructure can be decisive in thPrototype Structural design · Johnson Wax Building Frank Lloyd WrightStructure can be decisive in thPrototype Structural design · Johnson Wax Building Frank Lloyd WrightStructure can be decisive in thPrototype Structural design · Johnson Wax Building Frank Lloyd WrightStructure can be decisive in thPrototype Structural design · Johnson Wax Building Frank Lloyd WrightStructure can be decisive in thPrototype Structural design · Johnson Wax Building Frank Lloyd WrightStructure can be decisive in thPrototype Structural design · Johnson Wax Building Frank Lloyd WrightStructure can be decisive in thPrototype Structural design · Johnson Wax Building Frank Lloyd WrightStructure can be decisive in thPrototype Structural design · Johnson Wax Building Frank Lloyd WrightStructure can be decisive in thPrototype Structural design · Johnson Wax Building Frank Lloyd WrightStructure can be decisive in th

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Structural design · Johnson Wax Building 

Frank Lloyd Wright


Structure can be decisive in the configuration of architectural space, we should value structural constraints as design opportunities, when starting a project we love to research through nature behaviors that works as key of design process.

 This is the case of “water lily pad” Wright experimented on this building in early 30s at Wisconsin.

Lets get a glimpse of Johnson Wax Building, certainly a Frank Lloyd Wright’s masterpiece in which architecture experimented with organic concepts where natural light and open space are plenty combined in 1930′s.  

Indeed, the most challenging  space designed was the main great workroom 40 x 60 m. wide  with 6 m. tall  articulated by concrete dendriform columns with a base of only 23 centimeters in diameter that was widened to reach 5.5 meters in the upper part, which Wright called “water lily pad” capable of supporting six times the weight imposed upon them, a fact Wright had to demonstrate in order to obtain a building permit.

He conceived  interior spaces whithout constrictions, this is a grateful solution for workers which want to feel the sense of freedom while working.
as Wright described “..There you catch no sense of enclosure whatever at any angle, top or sides….Interior space comes free, you are not aware of any boxing in at all. Restricted space simply is not there. Right there where you’ve always experienced this interior constriction you take a look at the sky!” (1)

Wright defines architecture as “The great living creative spirit which from generation to generation, from age to age, proceeds, persists and creates according to the nature of man and his circumstances as they change. ” (2)


(1)—Frank Lloyd Wright. from Bruce Brooks Pfeiffer and Gerald Nordland, ed. Frank Lloyd Wright: In the Realm of Ideas. p15.

(2) — Frank Lloyd Wright from Bruce Brooks Pfeiffer and Gerald Nordland, ed. Frank Lloyd Wright: In the Realm of Ideas. p7.



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Images through wikipedia, urbipedia, wikiarquitectura, archdaily, library of congress

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