#kwame nkrumah

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Work of Ghana’s 1st female photographer, Felicia Abban, was one of Kwame Nkrumah’s persoWork of Ghana’s 1st female photographer, Felicia Abban, was one of Kwame Nkrumah’s persoWork of Ghana’s 1st female photographer, Felicia Abban, was one of Kwame Nkrumah’s persoWork of Ghana’s 1st female photographer, Felicia Abban, was one of Kwame Nkrumah’s persoWork of Ghana’s 1st female photographer, Felicia Abban, was one of Kwame Nkrumah’s perso

Work of Ghana’s 1st female photographer, Felicia Abban, was one of Kwame Nkrumah’s personal photographers.


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What is Pan African Communist Nkrumahism-Toureism?:

Nkrumahism-Toureism takes its name from the consistent, revolutionary, scientific socialist and Pan-African principles, practices and policies followed, implemented and taught by Kwame Nkrumah, Ahmed Sekou Toure and Kwame Ture; three of the foremost exponents and practitioners of the scientific strategy to liberate and unify Africa, and all African People in every corner of the World, under scientific socialism. These principles, practices and policies are recorded in their speeches, writings, actions, contributions, achievements and lives. They must be read, studied, analyzed, and implemented.

In a larger and more complete sense, Nkrumahism-Toureism is a product of Africa’s history and culture, the result of the accumulated practical and theoretical contributions and achievements of centuries and generations of mass, revolutionary Pan-African and larger socialist struggles. Nkrumahism-Toureism is a way of life! It directs it adherents to place the need of the People over money and material wealth and establishes revolutionary ethics and morality for how we engage each other and fight the enemy in the African Revolution. It highlights and underscores the need for the absolute emancipation of African women as African women have suffered triple oppression, politically, economically, and by men imbued by and with the sexist ideology of capitalism.

Nkrumahism-Toureism is grounded in the science of Revolutionary mass struggle, as it is applied to Africa, to the almost 1 billion people of African descent who are scattered, suffering and struggling in every corner of the World. It philosophically and ideologically defines, incorporates, and synthesizes three distinct historical experiences that have impacted and define Africa and Her Children worldwide: Traditional Africa, Euro-Christian Africa and Islamic Africa. Nkrumahism-Toureism’s concrete living example is to be found in the creative struggle, contributions and achievements of African Revolutionaries to the African and International Revolutions.

Nkrumahism-Toureism provides the Masses of African People with a set of uncompromising principles, a scientific, revolutionary, and Pan-African method of viewing Africa and the World; and a scientific methodology and set of analytical tools, which enable African People to correctly interpret, understand, redeem and reconstruct Africa, and make their revolutionary contribution to the redemption and reconstruction of the Oppressed World.


Nkrumahism-Toureism provides a complete social, cultural, political, philosophical and economic theory that constitute a comprehensive network of Pan-Africanist scientific socialist principles, beliefs, values, ethics, morals and rules, which guide our behavior, determine the form which our institutions and organizations, laws and rules will take; and acts as a cohesive force to bind us together, inspire us, guide and channel our revolutionary mass political action towards the achievement of Pan-Africanism and the inevitable triumph of scientific socialism.

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It’s been a couple of Mondays without our occassional #MusicMonday selections. This week we bring to you a few songs that were released over the last few weeks.

Kwame Nkrumah by Kojey Radical.

This is apparently an ode to Kojey’s dad and the first president of Ghana, Kwame Nkrumah. Kojey Radical is identified as having ‘British and Ghanian roots.’ This song is vim-filled and provocative. Stream on Soundcloud here.

You Don’t Wanna Know by  C-Real.

The EmCeo was featured -alongside Kyekyeku- on the debut version of our Mash Up series (video out soon.) He was also on Dj Black’s Open House Party on Joy Fm over the weekend, and he did something a bit unusual. “You Don’t Wanna Know” is his latest joint. Listen & download here.

No Hear Don’t Care by Ru.

When an artist is so generous they give a gift on their birthday. That’s what Ru did yesterday- giving us this gift on his birthday yesterday. The title of this one, No Hear, Don’t Care is a clever pun on the “… hair, don’t care” variations. Stream this song on Ru’s soundcloud here.

Fire Burn Dem (remix) by Flowking Stone ft. Sarkodie & Shatta Wale.

Flowking Stone features Sarkodie and Shatta Wale on this remix of his single,  Fire Burn Dem. All three artists did their thing on this one, but from the bit gathered, it seems people are feeling Sarkodie on this one. Listen for yourself here. Stream (and download) here.

Ebibiman is the Akan name for the land of all black people-Africa. Akan, is not just the name of a certain community of ethnic groups here in Ghana (and in parts of Ivory Coast), but also the name of a young Ghanaian rap artiste who aspires to be an ambassador for Ebibiman-using his music as a medium. Akan’s debut release was an eponymous EP-which he has followed with a very poetic and soulful single titled Obiba JK. His body of work thus far presents him as a very thoughtful individual with questions, a purpose and a goal. In this yoyo tinz dialogue with Moshood, Akan talks about his reverence for Kwame Nkrumah, shares some of his personal philosophies, his perspective on certain concepts et cetera.

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Who and what did you grow up listening to, in terms of music, stories etc.?

I grew up not listening to a lot of rap music at first, it was mostly Hi-life. Adofo, Sibo brothers, Nana Kwame Ampadu, and the likes. Until me and my friends started buying Obrafour, Lord Kenya and Kwaadee cassettes.

Which one would you rather hear at any given moment: Anansesem or Abakosem? Why?

I think there’s just a faint line between folktales and history; thus Anansesem and Abakosem respectively. Folktales is just another refreshing way of passing on history. As long as you appreciate history, you cant leave folktales behind. They work hand in hand.

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What does culture mean to you?

Culture is identity. Culture is who you’re, where you’re from and where you’re going. One is lost without his/her culture.

In your songs, you talk a lot about finding and being yourself- concepts that are -arguably- quite vague. What does finding and being oneself mean to you, personally?

That has to do with finding your balance as a human. Finding that sanity towards good and bad. Knowing when to err and when to forgive yourself.

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You’re very likely to come across as a somewhat philosophical person to anyone who listens deeply to your music. What are your philosophies of life? (Share at least one with us.)

As humans, we are highest in the order of creation, if i’m not wrong, and that’s instant blessing. We are powerful as human beings. Everyone with special powers. With that being said, what are we using these powers for ? Whats our purpose? What shall we leave behind when our world comes to an end ? 

What compels you to use your craft as a medium of being an ambassador for Ebibiman?

I have to stand for something. Especially now that Ebibiman is loosing her kids to foreign influences. Its such a shame. What happened to our story? The culture, the taboos, the manners that makes us unique amongst other?  And i want my music to send a message. I cant send any message better than the one i know. So i’m sharing the stories of our people with the next brother listening, so we can strengthen our roots. Cuz as i said, if we loose the culture, we are doomed.

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How important is it to you that your music is utilitarian as opposed to making it just for making music sake?

Very important cuz I know someone is listening and looking at me. One day when i have kids, my little brother and sister, the young kid in my area, walking like i do, dressing like i do, i mean, looking up to me, if i fall, they fall. What am i teaching them ?  I’m blessed with rap, what am  i rapping about? I cant afford to rap just for rapping sake.

Kwame Nkrumah is referenced a good number of times in your music. What do you make of the man, his ideologies and his 9 year reign as leader of Ghana?

Oh yes. Nkrumah, one of the greatest to ever do it, and he happens to be one of my own kind. I look up to his legacy. He is a good example of a role model. His leadership, foresight and all. He lived a good life despite his flaws as a human. He left behind traits of good leadership worth following. He is one of the people i look up to as far as leadership is concerned.

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If you had the chance to say just one thing to President Mahama, what would that be?

I’m not a politics person. I don’t know much about Mahama as a president but I think presidency is a big task, the entire country looking up to you is so much work. I think he should do all he can to serve the people of Ghana.

In one sentence, say anything at all about the art/act of tattooing.

Tattoo is another form of art. Body art actually. You go through pain to wear a tattoo, so if you wear one, it should definitely mean something important.

On one of your songs, you rap about how you hate rules. Add to that, most of the “akorabone” tales/references in your songs and one gets the impression that your life-or at least your childhood- was one of rebellion and of being unconventional and misunderstood. How true would that be, and where (+ when) did rap come in in all this?

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Hahahahaha. I grew up rather calm and docile and that was how i was raised. We had this notion in our family, to be calm, cool and accept things how they were offered. I’m still cool tho hehe. Until i started asking questions, feeding my curiosity and standing for who I’m rather than who people thought I’m and should be. I mean, using music to express my thoughts and ideas. And that has been my biggest challenge. So the “Akorabone” reference, is standing for the new me, and questioning the rules we are made to obey.

Again and again, you say in your songs that you aren’t primarily in the game to sell or for the ‘frivolities’(for want of a better word.) Quite a number of artistes have surfaced making substantive, progressive music,only to find that route too 'long’ and 'dry’ and then succumb to making mainstream (most often, dance) music in the hopes that they get the fans, fame, money etc. they weren’t getting before. DIs there any possibility of Akan becoming one of such artistes?

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You know, we all aim at becoming successful people, thats a universal dream. I mean the fame and wealth is no bad thing. Money is important for living.  But lets check the successful X we want to be, the details of one’s success. I aim at inspiring people with my music and i want to be the successful musician who inspired people with his music. One thing about music is, when its good enough, no matter the genre, more people will eventually love it. And the reward ? of course, a good work done deserves a good pay so no need to divert at all.

What are the future project you are -and those that you will be- working on?

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I think Akan E.P is gradually winning some new ears, people needs some good time to digest and get along with it, so I’m focused on getting as many people as possible to hear it but there is surely going to be something after Akan E.P.

Rap music is not……

about negativity

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Ghana at 59 in the eyes of Bright AckwerhToday marks the 59th year of Ghana’s independence from the

Ghana at 59 in the eyes of Bright Ackwerh

Today marks the 59th year of Ghana’s independence from the colonial masters.

In 59 years, Ghana has gone through growth, challenges, disappointments, happy days, etc. Some choose to call her a place of love and hate.

Who was it that said that the artist is like a mirror to their society; reflecting, through their art, the exact image of their society, at all times.Whoever this was, the person was wise. Patriotic citizen Bright Ackwerh once again on our radar, highlights some of the scandals that have hit Ghana in recent times. 

The artist presents a gift in the form of this metaphorical mirror. If President Mahama’s State of The Nation Address was followed by Nana Akuffo Addo’s ‘Real State of The Nation Address’, Bright Ackwerh’s gift could be named 'The Realer State of the Nation Address’- and this is a very worthy thing.

So among all the funfair and merrymaking, the recitation of perfumed speeches and the like, Bright’s mirror will be present, prodding and serving as a reminder of the unfortunate realities, the created and accumulated mess, and of the incredible amount of work that needs to be done to make this country a viable place of living for all its citizens.

Bright illustrates Kwame Nkrumah- the first president of Ghana, as a representation of the country celebrating his birthday. He is showered with gifts depicting some of the issues that went wild on the Ghanaian political scene recently.

1. The generator and the ECG hat - represent the recent power crisis

2. The helicopter - flying money to pay Ghana’s national team during the 2014 world cup

3. The branded Buses - branding buses with questionable huge amount of money 

4. The goat - president Mahama’s speech, referring to himself as a dead goat who is not threatened by the knife anymore, a leitmotif in Bright’s work.

5. Sandals - in June 2015, Mahama donated 10 000 sandals to pupils, raising concerns and debates about lack of chalks, food and other basics needs in schools

6. 2 legos in a box labelled “GITMO” - echoing the recent decision of the government to host 2 former Guantanamo detainees with no compensation 

7. Ameri - Ghana signing a deal with the Ameri energy group to provide power plants at a huge price and through a very questionable middle man 

8. Structure - The power badges that failed to arrive on the said dates several times before it finally arrived.

9.Yellow Tricycle - Nicknamed “Mahama Camboo” the tricycle initiative to be used as taxi was protested against by taxi drivers, trotro drivers and the police in some regions. 

After 59 years of independence, one may want to ask, is Ghana happy with her current sate ? or are her children not patient enough? can it also be that her people don’t question the people in power enough ? or should they just go with the words of spoken word artiste Kacey Moore ‘Ghana we dey’ and accept whatever direction the wind blows ?  


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