#marion cotillard
Marion Cotillard is my favorite actress. Not matter how old she is, I still find her sexy and hot. As I know this is the only scene when she was gagged and tied to the chair. I hope one day we’ll see her wearing more attractive clothes and again she will be gagged.
InAnnette, a provocative comedian (Adam Driver) and renowned opera singer (Marion Cotillard) fall in love and have a gifted child. Written and composed by Ron and Russell Mael of Sparks, the singular rock band that formed in the early 1970s, the musical is directed by Leos Carax, making his long-awaited return with his first feature since Holy Motors in 2012. (The Maels reached out after Carax used one of their songs in that film.) And though a dyed-in-the-wool collaboration, it remains an unmistakably Caraxian film—not long after Sparks’ overture (“This is the start!” goes the refrain) does the director dip into his own back catalog: a motorbike, shot from low, tearing down an illuminated tunnel at night; glistening limousines; nods to Jean Vigo and Melville; eroticism; lots of cigarettes. It really has been too long.
Held over from last year, Annette was chosen to reopen Cannes as the first big premiere to grace the festival after suffering its longest hiatus since the Second World War. That kind of billing and hype almost demanded a sugar rush, yet Carax has delivered something gloriously gnarled and uncomfortable: a bludgeoning rock opera that takes aim at the entertainment industry and the dregs of toxic masculinity; that flourishes just as it drips with self-loathing; and that gestures toward such far-flung places as Dadaism, A Star is Born,Pinocchio,and even the director’s own life.
MOOD — Russell Crowe in “A good year” (2006)
Intimate moments shared in unusual places.
Bike rides being one of them, as the cold breeze and the warmth of your lovers body caresses your heart.
Films: Annette, The Curious Case of Benjamin Button, Paddington, The Killing of the Sacred Deer, Mauvais Sang, Ratatouille
Films in the previous post: The Double Life of Veronique, Fallen Angles, Amelie, The Place beyond the Pines, Whisper of the Heart
Can I have the pleasure of your company?
Reblog to ask out fellow users for a talk the walk date.
Films in Frame - Midnight in Paris, About time, Notebook, La la land, Before Sunrise, Once, 13 going 30, Begin again, No time to die, One day
It’s Only the End of the World (2016)
A powerful ensemble cast
It’s Only the End of the World (2016)
Director: Xavier Dolan
Cinematographer: André Turpin
MARION COTILLARD for M Le magazine de Monde photographed by Karim Sadli (2022)