Scream franchise is a legacy film you just can’t get enough of watching. Luckily, we have now 5 freaking parts of it and the 6th is coming sooner!!! Another thing I feel so lucky about is that it was a part of my childhood! Like when I rewatched this whole damn thing last year, I still can remember how I sat back then and watched the iconic scene where Drew Barrymore’s character has been hanged by a rope on the tree.
Last year, a particular scene talks about what movie has a better sequel than the original and they brought about Godfather (god gracious haven’t watched that icon film yet), I just want to apologize that Scream 2 didn’t exceed the first installation for me☺ So what’s new? This 5th part is way more better than the 4th one that sucks a lot lol. I didn’t expect drama here but omg (SPOILER ALERT), I cried how my dear old characters died for the sake of having something new like of course, the surviving things that always happen that don’t seem real anymore
Okay, so this 5th one is good! I will always love how they reference iconic horror films title! They always got me with that and I’m looking foward for more Sidney and Gale things. They made this one extra. Please be alive again, so there’s more part to be released.
Beneath the cut you will find #189 gifs (268px by 150px) of Melissa Barerra in Vida (S01E02). All gifs were made from scratch by yours truly for roleplaying purposes. Melissa is a 27 year old actress of Mexican descent, please cast her accordingly and if you whitewash her I will personally come to your house and steal just one of the batteries out of every remote. Please do not claim these gifs as your own or add them to gif hunts. If you wish to make these gifs into gif icons or use them for crackships, please credit me in the post and link back to this gif pack. Please like and/or reblog if you are using or intend on using these gifs. Thank you and enjoy!
Under the cut there are 382 gifs of Melissa Barrera as Isabel Cantú in season 3, E05-E09 of the Netflix show Club de Cuervos. All gifs were made from scratch by me please don’t claim them as your own, resize, add to other gif hunts, or use them for crackship gifs. Please like or reblog if using!
by clicking this LINKorsource link down below you will find 345 gifs of melissa barrera in vida, season 2, episodes 3-4. all of the gifs were made by me from scratch. feel free to use/edit them as you wish, but please credit me if you post edits. reblog if you find this helpful. thank you and stay tuned for more.
by clicking this LINKorsource link down below you will find 380 gifs of melissa barrera in vida, season 2, episodes 5-6. all of the gifs were made by me from scratch. feel free to use/edit them as you wish, but please credit me if you post edits. reblog if you find this helpful. thank you and stay tuned for more.
The Cast and Crew of In The Heights Talk Music, Miracles and Merengue
Melissa Barrera: I was inside the bodega waiting for my cue. The bodega was not operating because we had taken over, but people just kept coming in to shop. I’d say, “Oh, I’m not working right now,” and they’re like, “Oh, well, can I just grab something?” I was like, “I’m sure it’s all props, or the production will pay for it. Just grab whatever you need, but we’re shooting.” They would shop, and I’d just say, “Thank you so much for coming.”
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Mitchell Travers, Costume Designer: Oftentimes I would just pick a corner and people watch, letting certain real-life outfits on the street inspire the outfits I would put on camera. One day while filming, a real-life abuela (grandma) walked by wearing the exact same dress our abuela wears in the film!
Jon M. Chu, Director: The neighbors treat you like family, and they share with you. They yell at you like family too, if you’re in their parking spot. I even brought my mom [to set] one day, and by the time I came back, she was having drinks with the neighbors.
Lin-Manuel Miranda: You know, there is the nightmare Hollywood version of this where it looks like a telenovela and has nothing to do with this neighborhood. But we cast these incredible actors who have lived in authenticity, who don’t feel out of place next to our neighbors on 175th Street.
Jon M. Chu: Every day, we knew the responsibility to share, as truthfully as we could, what it felt like to have family and community there. Even down to the food and the sauces. One of the actors would say, “Oh, you know what, they wouldn’t have these sauces here,” and someone would bring sauce from home, so we put that bottle on the table. It was a constant conversation to make it as truthful as possible.
Lin-Manuel Miranda: In The Heights exists because in so much of the entertainment world, particularly in musical theater, Latinos are invisible, and so, my mandate, my dare to myself when I started writing this with Quiara [Alegría Hudes, co-writer], was to put us on the map and tell the stories I wasn’t seeing [in the media].
Anthony Ramos: [A 2012 touring production of] In The Heights was the first time I had a lead role in anything. It was a principal role where I got my union card, which then allowed me to audition for Hamilton,which is how I met Lin. In The Heights set it off for Latinos, and now, hopefully, the movie can be that.
Lin-Manuel Miranda: I think the most autobiographical lyric in this whole movie for me is, “I used to think we lived at the top of the world when the world was just a subway map.” That was true for me. When you watch movies about New York, or you look at a tourist map, they hardly go above 96th Street. That used to drive me crazy growing up, because I grew up at the top of the A train, and I just loved my neighborhood.
There’s something about Washington Heights that just is undefeatable. It’s historically been an immigrant neighborhood. When I was growing up, it was a largely Dominican neighborhood. Before that, it was a Puerto Rican neighborhood and Cuban neighborhood. Before that, it was an Italian neighborhood, an Irish neighborhood and Jewish neighborhood, but there’s a lot of first chapters in American life that begin in this neighborhood.It’s for strivers and it’s for survivors, and I’m really proud to call it home.
When In the Heights premiered on Broadway in 2008, it became a guiding light for a generation of performers trying to find their way. “I must have watched it at least 15 times,” says Melissa Barrera of the four-time Tony-winning musical. “When I saw that show, I was like, ‘This is where I fit in on Broadway. These are people who look like me, who sound like me, who have names that sound like mine.’ ” The Mexican actress now costars in the show’s long-awaited feature film adaptation (in theaters and streaming on HBO Max on June 11) as Vanessa, an aspiring fashion designer yearning for a life outside of Washington Heights, the upper Manhattan neighborhood at the film’s center. Anthony Ramos, who stars as Usnavi, a bodega owner and neighborhood griot who, in between attempts to woo Vanessa, dreams of returning to the Dominican Republic, echoes the sentiment. “I didn’t know where I fit in on Broadway. I’m Latino, I’m from the hood in Brooklyn; people don’t even speak like me on Broadway. I ain’t gonna fit in on South Pacific. Who’s giving me a lead role on Broadway? [In the Heights] was like a beacon of hope for me.”
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Long before the sensation of Hamilton, Lin-Manuel Miranda created In the Heights (and originated the role of Usnavi) out of necessity. “I started writing [the] show because I desperately wanted a life in musical theater, and I didn’t see that many opportunities for me or for Latinx performers,” says Miranda, who is now a producer on the film. “We had West Side Story, which was back in the ’50s, and not that much new since then on the stage. The show came out of an impulse to create more opportunities for Latinx performers.” Crucially important in bringing the show to the screen was representing the breadth of the Latinx population. “The thing we tried really hard to do was cast with the understanding that the Latinx community is not a monolith. We come in all shades,” Miranda says. “We are Afro-Latinos, and lighter-skinned Latinos, and Latin Americans, and Central Americans. So the diversity within the film company really represents the many flavors that our community comes in. We’re very proud of that.”
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For those involved in the production, the film’s decade-long delays to bring those conversations to the screen have ultimately been for the better. “I think in a year where we’ve all been locked down and reminded about what is important, to put out a film where we are able to celebrate community and togetherness is something that feels really relevant,” Miranda says. “Sometimes I shiver when I think about previous versions of this film that were possible, because I feel like every detour, every setback, and every challenge this film has faced over the 10-plus years it’s taken to make it to the screen—it’s only made the movie better. It clarified for us what we wanted out of a big-screen adaptation of In the Heights.” For Ramos, the time for In the Heights to keep shining its light is just right. “I hope kids around the world, in Colombia, Peru, Uruguay, Paraguay, all these places where they’ve never seen this before, can watch this movie and be like, ‘Damn, hold up. Maybe I can do that.’ Because I know that’s what [it] did for me.”
Raúl Castillo with Roberta Colindrez, Tanya Saracho, Chelsea Rendon, Carlos Miranda, Mishel Prada, Ser Anzoategui and Melissa Barrera for the PEOPLE/Entertainment Weekly’s 2019 Winter TCA Press Tour (February 2019). Corey Nickols.
