#mika savela

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Logistics center.

Logistics center.


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Lust for life.

Lust for life.


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It may be unnecessary to point out how our visual interests can lead us in endless circles; nevertheless, today there is another new enthusiasm for certain aspects of the classical.

FromClassigraphyby Mika Savela.

(Offness research project, 2016–2017. This video is the result of the multidisciplinary research program “Architecture and/for Photography” developed by the CCA, with the generous support of the Andrew W. Mellon Foundation.)

#classigraphy    #offness    #architecture    #research    #classicism    #postmodernism    #visual culture    #mika savela    #monuments    #marble    #geometry    #photography    
Pula Post Office by Angiolo Mazzoni, 1933.

Pula Post Office by Angiolo Mazzoni, 1933.


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selimhelsinki: Items 1-10 from Proxima Utopia, on display at the Architecture After the Future exhibselimhelsinki: Items 1-10 from Proxima Utopia, on display at the Architecture After the Future exhibselimhelsinki: Items 1-10 from Proxima Utopia, on display at the Architecture After the Future exhibselimhelsinki: Items 1-10 from Proxima Utopia, on display at the Architecture After the Future exhibselimhelsinki: Items 1-10 from Proxima Utopia, on display at the Architecture After the Future exhibselimhelsinki: Items 1-10 from Proxima Utopia, on display at the Architecture After the Future exhibselimhelsinki: Items 1-10 from Proxima Utopia, on display at the Architecture After the Future exhibselimhelsinki: Items 1-10 from Proxima Utopia, on display at the Architecture After the Future exhibselimhelsinki: Items 1-10 from Proxima Utopia, on display at the Architecture After the Future exhibselimhelsinki: Items 1-10 from Proxima Utopia, on display at the Architecture After the Future exhib

selimhelsinki:

Items 1-10 from Proxima Utopia, on display at the Architecture After the Future exhibition 23 Jun - 30 Jul 2017 at Haus der Architektur in Graz.

“At the exhibition in HDA, we present around fifteen fictional or utopian objects. Together they form a kind of classical vitrine display, popularised by museums and natural history collections. Laid out on a neutral grey fabric with exhibition labels, each object is meant to read as evidence of speculative future scenarios. The items range from books and other printed objects to memorabilia and souvenirs of utopian futures. They are presented together, even though their storylines might be contradictory or improbable.”


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Leaving Tehran.

Leaving Tehran.


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Hans Hollein. Tehran Museum of Glass and Ceramics. 1978.Hans Hollein. Tehran Museum of Glass and Ceramics. 1978.Hans Hollein. Tehran Museum of Glass and Ceramics. 1978.Hans Hollein. Tehran Museum of Glass and Ceramics. 1978.Hans Hollein. Tehran Museum of Glass and Ceramics. 1978.Hans Hollein. Tehran Museum of Glass and Ceramics. 1978.

Hans Hollein. Tehran Museum of Glass and Ceramics. 1978.


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Sleepover.

Sleepover.


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 Susanna Raunio x Selim“Now Is Always”11 June - 13 August 2016How does the observational Susanna Raunio x Selim“Now Is Always”11 June - 13 August 2016How does the observational Susanna Raunio x Selim“Now Is Always”11 June - 13 August 2016How does the observational Susanna Raunio x Selim“Now Is Always”11 June - 13 August 2016How does the observational

Susanna Raunio x Selim
“Now Is Always”

11 June - 13 August 2016

How does the observational space change if our understanding of the passage of time comes to include a thought; That each passing moment, event, idea or action transforming the surroundings is always present?

Together with architect and designer Susanna Raunio we will present a series of site-specific installations and interventions that look into the definitions and experiences of time, history and space through a collage of images, places, things and architecture.

Vernissage 11 June 2016, 3 p.m.

Brinkhall Manor

Open Tue-Sun 12-17 

Brinkhallintie 414, 20960 Turku, Finland
http://www.brinkhall.fi/


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S’limIssue 2  – Berlin (April 2016)Hard and Cold – EditorialNeither Prenzlauer Berg Nor Marzahn: LicS’limIssue 2  – Berlin (April 2016)Hard and Cold – EditorialNeither Prenzlauer Berg Nor Marzahn: LicS’limIssue 2  – Berlin (April 2016)Hard and Cold – EditorialNeither Prenzlauer Berg Nor Marzahn: LicS’limIssue 2  – Berlin (April 2016)Hard and Cold – EditorialNeither Prenzlauer Berg Nor Marzahn: LicS’limIssue 2  – Berlin (April 2016)Hard and Cold – EditorialNeither Prenzlauer Berg Nor Marzahn: LicS’limIssue 2  – Berlin (April 2016)Hard and Cold – EditorialNeither Prenzlauer Berg Nor Marzahn: LicS’limIssue 2  – Berlin (April 2016)Hard and Cold – EditorialNeither Prenzlauer Berg Nor Marzahn: Lic

S’lim

Issue 2  – Berlin (April 2016)

  • Hard and Cold – Editorial
  • Neither Prenzlauer Berg Nor Marzahn: Lichtenberg-Hohenschönhausen – Sebastian Möring
  • Glückskarte von Berlin – Chow Yik
  • Entering Apartments – Maaret Louhelainen
  • Einige Berliner – Rurik Wasastjerna
  • Misplacements – Oscar Chan Yik Long
  • Excerpts from “Berlin” in The New Baedeker; Being - Casual Notes of an Irresponsible Traveller(1910) – Harry Thurston Peck

ISSN 2343-1016 (online) / ISSN 2343-1024 (print) / B&W / 36 pages.

S’lim is a zine, focusing on a particular place at a time, merging the contemporary and the historical experiences of visiting, living, staying and theorizing.

S’lim is available for online viewing, but we try to get each issue out there also in print. If you’re interested, let us know.

© 2016 Selim / Henrik Drufva and Mika Savela.


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S’limIssue 1 – Venice (October 2015)Dearest ‘Contemporaries’ (and Venice) – EditorialVenice Was a DrS’limIssue 1 – Venice (October 2015)Dearest ‘Contemporaries’ (and Venice) – EditorialVenice Was a DrS’limIssue 1 – Venice (October 2015)Dearest ‘Contemporaries’ (and Venice) – EditorialVenice Was a DrS’limIssue 1 – Venice (October 2015)Dearest ‘Contemporaries’ (and Venice) – EditorialVenice Was a DrS’limIssue 1 – Venice (October 2015)Dearest ‘Contemporaries’ (and Venice) – EditorialVenice Was a DrS’limIssue 1 – Venice (October 2015)Dearest ‘Contemporaries’ (and Venice) – EditorialVenice Was a Dr

S’lim

Issue 1 – Venice (October 2015)

  • Dearest ‘Contemporaries’ (and Venice) – Editorial
  • Venice Was a Dream – Janice Leung
  • Perpetually Visiting – Henrik Drufva
  • You Can’t Tell a Count from a VillainArianna Gellini &Marco de Mutiis with photography by Tobia Maschio
  • Uomini e animali Trevor Yeung
  • Excerpts from Venice (1904) with illustrations by Mortimer Menpes and text by Dorothy Menpes

ISSN 2343-1016 (online) / ISSN 2343-1024 (print) / Saddle stitched, full color, 36 pages.

S’lim is a zine, focusing on a particular place at a time, merging the contemporary and the historical experiences of visiting, living, staying and theorizing.

S’lim is available for online viewing, but we try to get each issue out there also in print. If you’re interested, let us know.

© 2015 Selim / Henrik Drufva and Mika Savela.


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metafin: METAFIN exhibition, 1-29 September 2015, Daily 11:00-18:00, Satamakatu 5, Helsinki. Curat

metafin:

METAFIN exhibition, 1-29 September 2015, Daily 11:00-18:00, Satamakatu 5, Helsinki.

Curators: Mika Savela, Henrik Drufva and Rebekka Gröhn, Exhibition design: Henrik Drufva

The METAFIN exhibition consists of a re-curated archival representation of materials accumulated by the project’s visual research on the history and present of the contemporary “Finnishness”. The exhibition is part of the Helsinki Design Week 2015.


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metafin:METAFIN (2015) Mika Savela, Rebekka Gröhn, Henrik Drufva208 pagesFull color printingISBN

metafin:

METAFIN(2015) Mika Savela, Rebekka Gröhn, Henrik Drufva

208 pages
Full color printing
ISBN 978-952-68416-0-1
© Selim 2015

Editing & Research : Mika Savela
Team: Henrik Drufva, Rebekka Gröhn, Mika Savela
Graphic Design: Rebekka Gröhn


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The METAFIN project aims to approach the ideological construct of “Finnishness” from a blurred angle

TheMETAFIN project aims to approach the ideological construct of “Finnishness” from a blurred angle, as a cultural territory of the visual and forms of dispersed information. It investigates the thematic through experimental graphic design, exhibition practices, digital and analog archives, reproduction and critical writing.

To the public METAFIN seeks to function as a visually inclined starting point for conversations in the expanding and marginal definitions of Finnishness. For actors in art, design, culture, research and criticism the project works to develop a theoretical platform for observing, representing and working with the Finnish national identity, as well as an opportunity to participate in the discourse it generates.

The METAFIN exhibition will open during the Helsinki Design Week 2015, consisting of re-curated representation of the material both received as submissions and accumulated by the project’s visual research. We are also launching a specially designed publication, as well as a talk event, to further open up a free and critical discussion on a more contemporary “Finnishness”.

METAFIN exhibition, 1-29 September 2015, Daily 11:00-18:00, Satamakatu 5, Helsinki.

Jesse Auersalo (w/ Man Yau, Nina Merikallio) / Heta Bilaletdin / Chow Yik / Krista Durchman / Henrik Drufva / Rebekka Gröhn / Manna Jäntti / Heidi Kilpeläinen / Daniel Palillo / Georgia Panagiotidou / Anne Pasanen / Anni Puolakka / Susanna Raunio / Mika Savela / Jenna Sutela / Chris Vidal Tenomaa / Uusi Kaupunki kollektiivi / Tommi Vasko 

Exhibition curating: Mika Savela, Henrik Drufva, Rebekka Gröhn, Exhibition Design: Henrik Drufva

METAFIN opening cocktail and publication launch, 10 September 2015, 17:00-20:00. RSVP to [email protected] orFacebook.

Editing & Research : Mika Savela
Team: Henrik Drufva, Rebekka Gröhn, Mika Savela
Graphic Design: Rebekka Gröhn

METAFIN talk, 11 September, 13:00-16:00, Rauhankatu 17, The National Archives of Finland. RSVP to [email protected].

Exhibition and publication partner Selim.

The project is supported by the Kone Foundation.

METAFIN talk event is supported by the National Archives of Finland.

The event is part of Helsinki Design Week’s programme. The largest design festival in the Nordic countries is held from 3–13 September 2015.


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Everyday Items from Hong Kong (2014) by Henrik Drufva & Mika Savela.Everyday Items from Hong Kong (2014) by Henrik Drufva & Mika Savela.

Everyday Items from Hong Kong (2014) by Henrik Drufva & Mika Savela.


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mikasavela:

image

Robert Rauschenberg
Untitled [Scatole Personali], 1953
Robert Rauschenberg Foundation

Millions of streams of images are continuously curated on ever-expanding online networks and platforms. Feeds of clippings, creators and histories are getting mangled together, some say for instant gratification, in a flux of immediate contemporaneity. What Would Rauschenberg Say?

See the full post Screen Objects on Artsy.

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